Ali Benzekri
Ali Benzekri's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Biography:
Ali Benzekri is from Casablanca, Morocco. A devoted cinephile, Ali started his career as Communication and Ditribution Manager at Ali n' Productions (Ali Zaoua, Casablanca Beats, Blue Caftan). He followed that resourceful experience by taking on the job of Head of Archives at the Cinémathèque de Tanger. Since 2021, Ali has been running a specialized film program on Radio 2M, one of the leading radio channels in Morocco. He is currently in the process of launching the Filmothèque, a traveling cinema project aimed at showing independent and classic films in Morocco in creative fashion. He writes about films in English and French Lioumness, International Cinephile Society and TelQuel. He is a member of the International Cinephile Society and a writer for ICS and AwardsWatch.
Love Me Tender (2025)
6/10
EDIT
“Clémence may be worn down but never erases herself. And through Krieps’ quiet precision, we are reminded that some of the toughest combats are the ones fought in near silence.” –
Next Best Picture
May 26, 2025
Full Review
The Richest Woman in the World (2025)
7/10
EDIT
“The film doesn’t dive too deep into the complexities of power or manipulation, but it offers a playful, well-acted look at a bizarre real-life dynamic.” –
Next Best Picture
May 24, 2025
Full Review
Eagles of the Republic (2025)
65%
2/10
EDIT
““Eagles of the Republic” wants to be a film about art as resistance, propaganda self-censorship, and the weight of representation. But Saleh’s vision often stumbles under the weight of its own ambitions.” –
Next Best Picture
May 20, 2025
Full Review
Promised Sky (2025)
80%
4/10
EDIT
“Ultimately, “Promised Sky” is a film that shows a lot of promise but rarely delivers.” –
Next Best Picture
May 19, 2025
Full Review
Left-Handed Girl (2025)
98%
7/10
EDIT
“Beyond its warm humor and energetic pace, "Left-Handed Girl" stands as a story of quiet defiance and gentle rebellion and a massive moment for Shih-Ching Tsou as a filmmaker.
” –
Next Best Picture
May 19, 2025
Full Review
Queer (2024)
77%
B+
EDIT
“Daniel Craig is perfect as Lee, capturing the awkwardness and enthusiasm of a man desperately seeking intimacy in a world that feels insensible to his needs. Drew Starkey delivers a revelatory performance as Allerton, the enigmatic object of Lee’s desire.” –
AwardsWatch
Sep 4, 2024
Full Review
The Room Next Door (2024)
80%
B+
EDIT
“Almodóvar’s restrained approach, very close in style to his understated Julieta, offers a dignified exploration of terminal illness.” –
AwardsWatch
Sep 2, 2024
Full Review
Babygirl (2024)
76%
A-
EDIT
“Nicole Kidman is a marvel in Babygirl. Known for her fearless approach to complex and often controversial roles, her portrayal of Romy is no exception. ” –
AwardsWatch
Aug 30, 2024
Full Review
To a Land Unknown (2024)
98%
A-
EDIT
“In a film full of thought-provoking sequences, one particularly poignant scene subtly weaves political commentary into the narrative through the poetry of renowned Palestinian poet and author Mahmoud Darwish. ” –
AwardsWatch
May 26, 2024
Full Review
Everybody Loves Touda (2024)
100%
B
EDIT
“The film’s success hinges significantly on the exceptional performance of its lead actress, Nisrine Erradi.” –
AwardsWatch
May 23, 2024
Full Review
Emilia Pérez (2024)
71%
A
EDIT
“Emilia Pérez transcends its unconventional premise to deliver a poignant exploration of ambition, morality, and the consequences of our choices, and above all, a passionate hymn to music in cinema. ” –
AwardsWatch
May 19, 2024
Full Review
Three Kilometres to the End of the World (2024)
71%
B+
EDIT
“Three Kilometers to the End of the World stands as a special cinematic accomplishment.” –
AwardsWatch
May 18, 2024
Full Review
Last Summer (2023)
87%
A-
EDIT
“Léa Drucker is staggering in this daring role, where her feelings blend to create a fascinating case study that only Breillat can draw from its development. ” –
AwardsWatch
May 26, 2023
Full Review
Club Zero (2023)
65%
B-
EDIT
“Hausner isn’t interested in conversing about major themes she elicits, as an alternative, her mission is to number them; the more the merrier in carefree fashion.” –
AwardsWatch
May 22, 2023
Full Review
May December (2023)
91%
A-
EDIT
“Haynes drops all our preconceived ideas on how he would tackle a project like this and goes for other ways by reinventing himself as a filmmaker.” –
AwardsWatch
May 22, 2023
Full Review
Killers of the Flower Moon (2023)
93%
A
EDIT
“Lily Gladstone gets her golden ticket with this role, playing her with a tough internal force to go with an evident physical control; and in turn, Scorsese gets one of the best female performances in his own career.” –
AwardsWatch
May 22, 2023
Full Review
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