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Gavia Baker-Whitelaw

Gavia Baker-Whitelaw's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).

Reviews

Movies TV Shows
The Woman in Cabin 10 (2025) 28% EDIT “While there are some nail-biting moments in here, the writing is too shallow and predictable to make this a memorable watch.” – Inverse Oct 16, 2025 Full Review The Conjuring: Last Rites (2025) 58% EDIT “Last Rites is more invested in giving the Warrens an affectionate sendoff than it is in telling an interesting horror story.” – Inverse Sep 4, 2025 Full Review Ziam (2025) 77% EDIT “Derivative it may be, but there’s always an audience for “cool guy kicks a bunch of monsters in the head,” and director Kulp Kaljareuk knows how to keep that audience happy.” – Inverse Jul 10, 2025 Full Review The Old Guard 2 (2025) 27% 4.5/10 EDIT “Between the half-baked ending, the underdeveloped plot, and the brief hints of interesting backstory, we're left with a movie that by any reasonable metric is kind of a flop — but where I still find myself perversely hoping for a sequel.” – TV Guide Jul 2, 2025 Full Review Hurry Up Tomorrow (2025) 14% 2/5 EDIT “Despite some impressive woozy visuals and a soundtrack of chart-topping music, there’s not much to recommend this derivative pop-star drama.” – Empire Magazine May 20, 2025 Full Review Bullet Train Explosion (2025) 67% EDIT “Its ideas obviously aren’t breaking new ground in the disaster genre, but there's something to be said for a self-aware action movie that prioritizes everyday heroes, in a scenario where cops and soldiers are functionally irrelevant.” – Inverse Apr 23, 2025 Full Review Control Freak (2025) 65% EDIT “Ngo definitely has the juice as a director of hide-your-eyes horror setpieces. But while Control Freak benefits from plenty of worthwhile ingredients, it still isn’t fully cooked, making it a mid-range effort in the realm of straight-to-streaming horror.” – Inverse Mar 31, 2025 Full Review I'm Still Here (2024) 97% 3/5 EDIT “This drama is a little too sedate to make its mark, but director Walter Salles delivers a sensitive portrait of Eunice Paiva's family life during a period of traumatic upheaval.” – Empire Magazine Feb 21, 2025 Full Review Back in Action (2025) 31% 3.8/10 EDIT “So lightweight it's practically nonexistent, Back in Action is full of phoned-in performances and forgettable action, stringing together a formulaic plot with limp jokes about parenthood and generational divides.” – TV Guide Jan 17, 2025 Full Review All We Imagine as Light (2024) 100% 4/5 EDIT “Payal Kapadia delivers a memorable and compassionate slice-of-life drama, making a clear statement about the constraints faced by working-class women in India.  ” – Empire Magazine Dec 10, 2024 Full Review Uglies (2024) 14% 3.0/10 EDIT “Strung together with threadbare exposition, Uglies fails to deliver any decent action, emotional weight, or thoughtful social commentary.” – TV Guide Sep 13, 2024 Full Review Hit Man (2023) 95% 6.7/10 EDIT “Linklater understands that the best rom-com protagonists have strong personalities — the weirder the better — and Arjona and Powell are happy to play their assigned roles to the hilt.” – TV Guide May 23, 2024 Full Review Spaceman (2024) 50% 5.2/10 EDIT “Lingering on the protagonist's woes about his failing marriage, Spaceman is a rather pedestrian indie drama wrapped in the trappings of science fiction.” – TV Guide Feb 29, 2024 Full Review The Flash (2023) 63% 3/5 EDIT “Peppered with fanservice cameos, this amusing DC franchise crossover arrives several years too late to make an impact.” – The Daily Dot Jun 7, 2023 Full Review The Little Mermaid (2023) 67% 2.5/5 EDIT “Adding 50 minutes of new material to the 1989 Disney classic, this live-action remake still feels like a pale imitation, exchanging stylish animation for uncanny CGI and poorly-shot musical numbers.” – The Daily Dot May 26, 2023 Full Review Guardians of the Galaxy Vol. 3 (2023) 82% 3/5 EDIT “The latest GotG team-up delivers plenty of visual spectacle and spacefaring hijinks, but the script leaves much to be desired. ” – The Daily Dot May 3, 2023 Full Review Ghosted (2023) 24% 1.5/5 EDIT “Despite the A-list casting, Ghosted painfully bland, failing to deliver any laughs or make us care about the central romance.” – The Daily Dot Apr 21, 2023 Full Review Renfield (2023) 58% 3.5/5 EDIT “It’s easy viewing, which isn’t something you can say of many films involving this much gore and severed limbs.” – The Daily Dot Apr 12, 2023 Full Review Attachment (2022) 95% 4.5/5 EDIT “Rooted in Jewish folklore, this queer horror-comedy sees a woman unexpectedly move in with her girlfriend’s mother – an eccentric and overbearing figure who seems oddly obsessed with supernatural threats.” – The Daily Dot Apr 6, 2023 Full Review Glass Onion: A Knives Out Mystery (2022) 91% 3.5/5 EDIT “This hilarious and intricately-plotted ‘Knives Out’ sequel is just as fun as the original —even if some of the characters and social satire don’t pack quite the same punch. ” – The Daily Dot Feb 20, 2023 Full Review Black Panther: Wakanda Forever (2022) 84% 3.5/5 EDIT “The sheer volume of subplots makes the finished product rather unwieldy, struggling to maintain the tight thematic focus of ‘Black Panther.’” – The Daily Dot Feb 20, 2023 Full Review The Wonder (2022) 85% 3.5/5 EDIT “Oddly though, the contemporary framing device feels even more superfluous when it returns for the final shot. ” – The Daily Dot Feb 20, 2023 Full Review Triangle of Sadness (2022) 72% 4.5/5 EDIT “Set on a luxury cruise, this dark comedy feels like a psychological experiment crossed with the gross-out humor of 'Jackass.'” – The Daily Dot Feb 20, 2023 Full Review Nanny (2022) 91% 3.5/5 EDIT “Anna Diop stars as a nanny in this Sundance award-winning horror thriller, blending supernatural elements with race and class tensions in a Manhattan household.” – The Daily Dot Feb 20, 2023 Full Review Huesera: The Bone Woman (2022) 97% 4/5 EDIT “Building on the genre defined by Rosemary’s Baby in the 1960s, director Michelle Garza Cervera blends feminist commentary with folkloric horror. ” – The Daily Dot Feb 20, 2023 Full Review
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