Gustavo Herrera Taboada
Gustavo Herrera Taboada's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Biography:
I am a Peruvian film scholar who wants to stay connected with the outside world through film criticism. My life as a moviegoer started in Lima but I only became a real cinephile as a Screen Studies student at Clark University. I then went further into academia via the MA in Film & Media Studies at Columbia University and I am currently doing a PhD at the University of Edinburgh. I remain a movie buff at heart so I appreciate the opportunity to share some of my reviews down below. You can also find me on Academia.edu and Letterboxd.
Hamnet (2025)
86%
EDIT
“[Jacobi Jupe] is the film's greatest revelation and certainly a match for Buckley. [Full review in Spanish]” –
Cinencuentro
Jan 26, 2026
Full Review
Pillion (2025)
100%
EDIT
“With the exception of its rushed and predictable ending, Harry Lighton's film is a largely satisfying experiment that demonstrates it's still possible to innovate and subvert the conventions of the most conservative film genres...[Full review in Spanish]” –
Cinencuentro
Dec 3, 2025
Full Review
Frankenstein (2025)
85%
EDIT
“[Guillermo Del Toro's] conception of the Creature and his choice of Jacob Elordi to embody it fortunately salvage this Oedipal reading of the novel...[Full review in Spanish]” –
Cinencuentro
Nov 10, 2025
Full Review
The Mastermind (2025)
90%
EDIT
“...beyond an electrifying soundtrack and O'Connor's superb performance, Mastermind seems to offer a raw essay on deficient, pathetic, and narcissistic fatherhood that is more impactful than an abstract painting by Arthur Dove. [Full review in Spanish]” –
Cinencuentro
Oct 31, 2025
Full Review
Through Rocks and Clouds (2024)
40%
EDIT
“...its honest and empathetic look at the problems and challenges facing Cusco and much of the country makes it a must-see for Peruvians of all ages. [Full review in Spanish]” –
Cinencuentro
Oct 17, 2025
Full Review
The Prince of Nanawa (2025)
EDIT
“...the documentary manages to offer a compelling testimony about the fragility of future generations in a Paraguay and Latin America still lacking well-being and social solidarity. [Full review in Spanish]” –
Cinencuentro
Aug 11, 2025
Full Review
Ramón y Ramón (2024)
EDIT
“[The film's] contextualization of the pandemic ends up being superfluous and even offensive in relation to Andean migrants, who only serve as a fleeting reminder of the persistent and overwhelming inequality among Peruvians. [Full review in Spanish]” –
Cinencuentro
Aug 4, 2025
Full Review
Runa Simi (2025)
EDIT
“[Fernando] Valencia's ambition to create an official Quechua dubbing for The Lion King stands as a story as exciting and captivating as that of Simba himself. [Full review in Spanish]” –
Cinencuentro
Jun 6, 2025
Full Review
The Good Sister (2025)
EDIT
“The success of the film lies in an intimate, non-judgmental look that merely observes the martyrdom that the protagonist goes through when she cannot reconcile her feelings with her moral integrity. [Full review in Spanish]” –
Cinencuentro
Feb 14, 2025
Full Review
The Outrun (2024)
82%
EDIT
“The Outrun is a notable example of a literary adaptation that is not content with simply offering a dramatization, taking advantage of the power of its cinematic medium. [Full review in Spanish]” –
Cinencuentro
Aug 22, 2024
Full Review
Armand (2024)
73%
EDIT
“Tøndel does not reinvent cinematic language or dramaturgy here like his grandfather, but he honors his legacy by offering an intelligent and exciting film that, starting from a simple premise, tests the limits of human behaivor. [Full review in Spanish]” –
Cinencuentro
Aug 19, 2024
Full Review
Sing Sing (2023)
97%
EDIT
“Apart from being an uplifting and emotional fictional work, this film constitutes an ambitious and categorical test of the power of artistic rehabilitation and the importance of second chances. [Full review in Spanish]” –
Cinencuentro
Aug 19, 2024
Full Review
Mexico 86 (2024)
93%
EDIT
“Mexico 86 misses the opportunity to be a memorable cinematic tribute... [Full review in Spanish]” –
Cinencuentro
Aug 13, 2024
Full Review
MaXXXine (2024)
73%
EDIT
“A film that inspires a strange nostalgia for an imperfect and dangerous 80s cultural context, and for a type of shameless, perverse but ultimately entertaining and convincing cinema. [Full reivew in Spanish]” –
Cinencuentro
Jul 17, 2024
Full Review
Kinds of Kindness (2024)
71%
EDIT
“The stories go from more to less, the third one being the weakest even on a humoristic level, but the power of the first two compensates for it. [Full review in Spanish]” –
Cinencuentro
Jul 8, 2024
Full Review
Challengers (2024)
88%
EDIT
“After all, more than a bisexual erotic thriller, this is a sports romantic comedy daring enough to fit commercial sensibilities and one that a young Almodóvar would have liked to direct. [Full review in Spanish]” –
Cinencuentro
May 13, 2024
Full Review
Queens (Reinas) (2024)
85%
EDIT
“... Reynicke's film stands out for its happy, warm atmosphere, and entertaining and powerful script.” –
Cinencuentro
Jan 25, 2024
Full Review
Frida (2024)
89%
EDIT
“Carla Gutiérrez's documentary has at least restored the essence of the Mexican vernacular in cinema and pays sincere tribute to a woman who is essential for the understanding of contemporary art and society. [Full review in Spanish]” –
Cinencuentro
Jan 22, 2024
Full Review
20 Days in Mariupol (2023)
100%
EDIT
“The dramatic soundtrack is probably the only dissonant and unnecessary component in an extremely brave and essential documentary that is dedicated to portraying the horror of a specific city and its population... [Full review in Spanish]” –
Cinencuentro
Jan 19, 2024
Full Review
Maestro (2023)
78%
EDIT
“... It is incomprehensible that this movie is interpreted as a tribute worthy of the name Maestro. [Full review in Spanish]” –
Cinencuentro
Dec 19, 2023
Full Review
Saltburn (2023)
72%
EDIT
“The platonic romance between Oliver and Felix is just the icing on a somewhat bloated but undoubtedly lavish and tasty social satirical cake. [Full review in Spanish]” –
Cinencuentro
Nov 27, 2023
Full Review
May December (2023)
91%
EDIT
“Despite the high controversy of the central theme, the black comedy peeks shamelessly throughout the script co-written by Samy Burch and Alex Mechanik. [Full review in Spanish]” –
Cinencuentro
Nov 22, 2023
Full Review
The Other Son (2023)
100%
EDIT
“The Other Son is sufficiently lucid, moving and accessible, especially for a teenage audience. [Full review in Spanish]” –
Cinencuentro
Nov 15, 2023
Full Review
Foe (2023)
24%
EDIT
“Although Davis obtains notable powerful performances from his leading duo, the experiment sadly turns out to be insipid, confusing and unnecessary, and a real scam as futuristic cinema. [Full review in Spanish]” –
Cinencuentro
Nov 1, 2023
Full Review
All of Us Strangers (2023)
96%
EDIT
“With All of Us Strangers (2023) Haigh returns to the most intimate and melancholic portrait of a contemporary homosexual experience similar to Weekend... [Full review in Spanish]” –
Cinencuentro
Oct 16, 2023
Full Review
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