Love on Trial (2025)
3/5
EDIT
““Love on Trial” takes over an hour to reach the courtroom, which also gives the director ample time to demonstrate that he isn’t out to demonize. ” –
Japan Times
Jan 22, 2026
Full Review
Vicissitude (2024)
3/5
EDIT
“Working with actors who clearly know their way around a ball field, Ijichi (a former high school baseball player himself) captures the sport’s rituals and spartan rigors with bracing immediacy.” –
Japan Times
Jan 17, 2026
Full Review
10DANCE (2025)
2/5
EDIT
“Playing more like an extended warm-up routine, “10 Dance” leaves the floor in anticipation of a sequel that it hasn’t earned. As dance movies go, this one doesn’t make it past the qualifiers.” –
Japan Times
Dec 29, 2025
Full Review
The Chatterboxes (2025)
3/5
EDIT
““The Chatterboxes,” Ken Kawai’s scruffy and cynical crowd-pleaser, is a linguistic comedy of errors with some unusual players.” –
Japan Times
Dec 10, 2025
Full Review
Sato and Sato (2025)
3/5
EDIT
“There’s enough richness in the human drama for the film to avoid feeling didactic.” –
Japan Times
Dec 8, 2025
Full Review
A Light in the Harbor (2025)
2/5
EDIT
“If Fujii had fed the contents of distributor Toei’s archives into ChatGPT, he probably could have come up with something more original. ” –
Japan Times
Nov 22, 2025
Full Review
Flames of a Flower (2025)
3/5
EDIT
“Yamamoto is a magnetic lead, his brooding, emotionally restrained performance standing in contrast to some of the more theatrical support turns.” –
Japan Times
Nov 3, 2025
Full Review
Climbing for Life (2025)
2/5
EDIT
“Junji Sakamoto’s “Climbing for Life” is a perfectly watchable biopic that mostly avoids corniness, but it can’t resist the gravitational pull of its star, Sayuri Yoshinaga.” –
Japan Times
Nov 3, 2025
Full Review
Hokusai's Daughter (2025)
3/5
EDIT
“Omori lingers too long over the minutiae of daily life during these scenes; the remainder of the film has a more telescoped and episodic quality, even as it sounds some deep emotional notes.” –
Japan Times
Oct 18, 2025
Full Review
Transcending Dimensions (2025)
4/5
EDIT
“Yes, the movie’s plot is thin, the pacing erratic, and it could have ended on a stronger note. But make no mistake: “Transcending Dimensions” will take you places.” –
Japan Times
Oct 17, 2025
Full Review
Hero's Island (2025)
3/5
EDIT
“While the payoff doesn’t justify the three-hour trip it took to get there, the journey itself isn’t without interest.” –
Japan Times
Oct 6, 2025
Full Review
There Was Such a Thing Before (2025)
2/5
EDIT
“There’s no doubting Matsui’s sincerity, but this is deeply paranoid stuff.” –
Japan Times
Sep 23, 2025
Full Review
Faking Beethoven (2025)
2/5
EDIT
“It left me feeling like the schoolboy in those modern-day segments — stuck in a classroom with a teacher who doesn’t know when to stop.
” –
Japan Times
Sep 15, 2025
Full Review
Happy Life (2024)
3/5
EDIT
“By keeping the focus on its young heroine, the film manages to tackle some pressing issues without feeling like an “issues movie.” It feels like real life.” –
Japan Times
Aug 29, 2025
Full Review
Yukikaze (2025)
1/5
EDIT
“It makes for a drab and soporific drama, but “Yukikaze” ascends to true awfulness during its epilogue, in which it cycles through a series of possible endings, each more ill-advised than the last.” –
Japan Times
Aug 19, 2025
Full Review
The Army in the Trees (2025)
3/5
EDIT
“Tsutsumi is as solid as ever, but the bigger surprise is Yamada, whose career to date has traded more on his looks than his dramatic range.” –
Japan Times
Aug 1, 2025
Full Review
Rainy Blue (2025)
2/5
EDIT
“Maybe there’s a version of the film that unites its cinephile fantasies, comic digressions and adolescent yearning into a more cohesive whole. The puckish energy and heartfelt emotions of “Rainy Blue” only get it so far. ” –
Japan Times
Jul 25, 2025
Full Review
New Religion (2022)
89%
2/5
EDIT
“ “New Religion” is weird, all right, but it’s wearying, too.” –
Japan Times
Jul 18, 2025
Full Review
Young & Fine (2025)
4/5
EDIT
“The musical score, which consists of nothing but the sounds of a school band warming up, sets just the right tone. ” –
Japan Times
Jul 15, 2025
Full Review
Sham (2025)
81%
2/5
EDIT
“The problems arise when the film quietly ditches this he-said-she-said format and plants its sympathies squarely with the defendant, without making any effort to reconcile the differences between the two accounts.” –
Japan Times
Jun 29, 2025
Full Review
A Unique Country in Asia (2025)
3/5
EDIT
“The film’s messy mingling of sex and politics reaches its climax during an uproarious bedroom sequence that will probably strike Abe fans as sacrilegious, but left this viewer chortling.” –
Japan Times
Jun 25, 2025
Full Review
Strangers in Kyoto (2025)
3/5
EDIT
“Madoka’s personal dramas end up eclipsing a more interesting exploration of how traditions endure, and who gets to claim them. Kyoto natives will doubtless find cause for offense, but good luck getting them to admit it.” –
Japan Times
Jun 6, 2025
Full Review
Jinsei (2025)
4/5
EDIT
“When the story leaves all familiar reference points behind and hurtles into the future, it sacrifices some of the texture and richness of the earlier chapters. But this one-man indie wonder is a work of true vision.” –
Japan Times
May 18, 2025
Full Review
My Edison (2025)
3/5
EDIT
“Director Gaku Kawasaki, who wrote the original play, proves to be a steady set of hands, while there’s enough variety in the locations to make you forget the material’s stage origins.” –
Japan Times
May 14, 2025
Full Review
The Killer Goldfish (2024)
2/5
EDIT
“The outlandish concepts and discordant stylistic flourishes never cohere into an entertaining film.” –
Japan Times
May 9, 2025
Full Review
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