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Jordan Bassett

Jordan Bassett's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).

Reviews

Movies TV Shows
Marty Supreme (2025) 93% 5/5 EDIT “A huge-hearted epic about love, family, friendship, talent, ambition… and ping-pong.” – NME (New Musical Express) Jan 6, 2026 Full Review Keeper (2025) 53% 2/5 EDIT “When Keeper finally reveals itself to be a run-of-the-mill horror with some underwhelming spooks, its artful presentation feels like even more of a cheat. ” – NME (New Musical Express) Nov 13, 2025 Full Review Black Phone 2 (2025) 72% 4/5 EDIT “This wildly imaginative sequel is actually better than the original. As ice splits and snow is streaked with blood, you can almost see the filmmakers cackling at their own untrammelled creativity” – NME (New Musical Express) Oct 16, 2025 Full Review The Conjuring: Last Rites (2025) 58% 3/5 EDIT “For at least half of its runtime, Last Rites is as handsome, solidly made and jumpy as the original. It’s never actually scary but Michael Chaves has been generous with the popcorn-flinging set pieces that make these movies perfect date-night fodder.” – NME (New Musical Express) Sep 3, 2025 Full Review Caught Stealing (2025) 85% 4/5 EDIT “It’s essentially a tongue-in-cheek pastiche of the ‘90s thriller trope that sees an ordinary person become embroiled in a conspiracy and go on the run. It's loads of fun, which is what Aronofsky wanted to offer whilst the real word is in such a mess.” – NME (New Musical Express) Aug 29, 2025 Full Review 28 Years Later (2025) 88% 5/5 EDIT “While 28 Weeks Later explored post-7/7 paranoia, this post-Brexit successor seems to be as much about the insanity of isolationism as it is the bewildering madness of COVID” – NME (New Musical Express) Jun 19, 2025 Full Review Final Destination Bloodlines (2025) 92% 4/5 EDIT “A deliriously daft celebration of all the silliness that made the franchise so much fun in the first place, as characters pick apart the premise in a manner reminiscent of Scream” – NME (New Musical Express) May 16, 2025 Full Review Saturday Night (2024) 77% 3/5 EDIT “The film lacks narrative drive and genuine comedy, but as it barrels towards its inevitable conclusion a funny thing happens. Out of the chaos emerges a rather inspiring ode to making it up as you go along, saying ‘yes’ and hoping for the best” – NME (New Musical Express) Jan 30, 2025 Full Review Bird (2024) 86% 5/5 EDIT “An unclassifiable film with a dayglo aesthetic and an ambiguous, porous narrative that invites you to fill it with your own meaning” – NME (New Musical Express) Oct 21, 2024 Full Review Maria (2024) 76% 3/5 EDIT “"The third film in Larraín’s ‘Great Women’ trilogy, following Jackie (2016) and Spencer (2021), can’t quite summon Callas’ own playfulness, which comes to life in archival footage when the credits roll” – NME (New Musical Express) Oct 18, 2024 Full Review Twisters (2024) 75% 5/5 EDIT “Every cent of the $200m budget is visible in a series of dizzying set-pieces that surely amount to the most entertaining film of the year” – NME (New Musical Express) Jul 16, 2024 Full Review The Exorcism (2024) 26% 3/5 EDIT “Alas, what begins as an emotive meta-movie about shame, forgiveness and redemption soon devolves into the worst kind of chaos” – NME (New Musical Express) Jun 20, 2024 Full Review The United States vs. Billie Holiday (2021) 55% 4/5 EDIT “This loving portrait sheds little new light on the star, but is compelling nonetheless.” – NME (New Musical Express) Jun 17, 2021 Full Review Hail to the Deadites (2020) 78% 3/5 EDIT “At an hour and 19 minutes long, Hail To The Deadites suffers from the typical blight of the mega-fan: loving your subject so much that you can't pick apart the good from the bad.” – NME (New Musical Express) Jun 17, 2021 Full Review Heart Like a Hand Grenade (2008) 2/5 EDIT “Green Day's American Idiot was a 15-million-selling monster. The film that documents its making is nowhere near as good.” – NME (New Musical Express) Jun 8, 2021 Full Review T2 Trainspotting (2017) 81% 4/5 EDIT “Danny Boyle has served up a film that unleashes a rush almost as satisfying as the original hit.” – NME (New Musical Express) May 5, 2021 Full Review Liam Gallagher: As It Was (2019) 63% 4/5 EDIT “This comeback documentary is also, in some ways, a poison pen letter to Noel...” – NME (New Musical Express) Apr 29, 2021 Full Review Billie (2019) 97% 4/5 EDIT “This loving portrait sheds little new light on the star, but is compelling nonetheless...” – NME (New Musical Express) Apr 22, 2021 Full Review
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