7 Keys (2024)
3.5/4
EDIT
“For a $300K debut, 7 Keys is stylish, but not slick, with each section represented by a different color scheme and a score that ranges from suspenseful to ominous as Lena and Daniel reveal more of themselves.” –
Seattle Film Blog
Jan 18, 2026
Full Review
28 Years Later: The Bone Temple (2026)
93%
4/4
EDIT
“From her 2018 debut Little Woods through Hedda, Nia DaCosta has a solid track record, but there was no guarantee she was going to pull off this high-stakes sequel in such fine style, but I'll be damned: she does. And then some.” –
Seattle Film Blog
Jan 15, 2026
Full Review
Father Mother Sister Brother (2025)
81%
3.5
EDIT
“All told, it's one of his most understated films, even as it asks some of the biggest questions, like, "Can we ever really know our parents?" And, "Can we ever really know our kids?" ” –
Seattle Film Blog
Jan 9, 2026
Full Review
Radio On (1980)
4/4
EDIT
“Radio On would make for the ideal double bill with Border Radio, the restless black and white debut from fellow [Wim] Wenders acolyte Alison Anders. ” –
Seattle Film Blog
Dec 24, 2025
Full Review
Fame Whore (1997)
2/4
EDIT
“Their desperate need to succeed has all the narrative drive and technical expertise of a glorified home movie--one featuring a soundtrack by Dub Narcotic Soundsystem, Emily's Sassy Lime, and Barbara Manning--but a home movie, nonetheless.” –
Seattle Film Blog
Dec 24, 2025
Full Review
The Aura (2005)
88%
3.5/4
EDIT
“El Aura starts out as a two-hander, like Nine Queens, but soon segues into something darker and altogether stranger. On the one hand, it's more ambitious. On the other, it's more difficult.” –
Seattle Film Blog
Dec 24, 2025
Full Review
No Other Choice (2025)
97%
3/4
EDIT
“Park [Chan-wook] is such a strong visual stylist that it comes as little surprise that he ditches the first-person narration of Westlake's novel such that Lee does more showing than telling, so it's fortunate that he's such a magnetic performer.” –
Seattle Film Blog
Dec 21, 2025
Full Review
Mala Noche (1986)
96%
3.5/4
EDIT
“Sensitive, but never sentimental, it's the work of a born filmmaker.” –
Seattle Film Blog
Dec 14, 2025
Full Review
Drink and Be Merry (2025)
4/4
EDIT
“I was particularly struck by the way the film doubles as a character actor showcase, and every performer, in all their idiosyncrasies, gets the chance to shine. These mostly post-middle-aged actors deserve bigger parts than what they usually get.” –
Seattle Film Blog
Dec 8, 2025
Full Review
Israel Palestine on Swedish TV 1958-1989 (2024)
90%
4/5
EDIT
“Israel Palestine on Swedish TV 1958-1989 is an enlightening, overwhelming document--if taken in all at one sitting--of a turbulent, complicated relationship that doubles as a tribute to the journalistic field, which has faced challenges of its own. ” –
Video Librarian Magazine
Dec 1, 2025
Full Review
Hooligan Sparrow (2016)
97%
3/4
EDIT
“If [Nanfu] Wang never gets to the bottom of the reasons why Sparrow has decided to risk her life for a cause--other than the fact that Chinese women can only benefit from her advocacy--it doesn't weaken her film in any way.” –
Seattle Film Blog
Nov 30, 2025
Full Review
Reflection in a Dead Diamond (2025)
84%
3.5/4
EDIT
“If they [the actors] never wink at the audience, the filmmakers and steadfast editor Bernard Beets do just that with their clever juxtapositions, ensuring that things never get too heavy no matter how close they dance to the edge. ” –
Video Librarian Magazine
Nov 17, 2025
Full Review
Witness (1985)
94%
4/5
EDIT
“In 2023, the year he announced his retirement, Peter Weir received an Honorary Oscar in recognition of his four nominations for Best Director... Witness was the film where he proved he could infuse Hollywood filmmaking with restraint and romanticism.” –
Video Librarian Magazine
Nov 13, 2025
Full Review
His Motorbike, Her Island (1986)
3.5/4
EDIT
“Biker movies tend to exclude women, to make them bystanders, or to push them to the front as in 1970's Stray Cat Rock: Delinquent Girl Boss with the immortal Meiko Kaji, but Nobuhiko Ôbayashi's unique take splits the difference.” –
Seattle Film Blog
Nov 5, 2025
Full Review
Springsteen: Deliver Me from Nowhere (2025)
61%
3.5/4
EDIT
“We know how this story ends, but [Scott] Cooper's trick is to make the film feel suspenseful while retracing the steps it takes to get there, including incidents from Springsteen's childhood which play into the album.” –
Seattle Film Blog
Oct 23, 2025
Full Review
Out (2024)
3.5/5
EDIT
“Jefferson Yaw Frempong-Manson and the rest of the cast are very good, but Bas Keizer is a real standout. He does a lot of acting using his eyes and body language, and it's always clear what he's feeling.” –
Video Librarian Magazine
Oct 21, 2025
Full Review
If I Had Legs I'd Kick You (2025)
92%
3.5/4
EDIT
“If I Had Legs I’d Kick You begins as a dark comedy before edging into horror, punctuated by bursts of sparking, surrealistic imagery.” –
Seattle Film Blog
Oct 16, 2025
Full Review
A HOUSE OF DYNAMITE (2025)
75%
3/4
EDIT
“[Kathryn] Bigelow has filled out the cast with a wide-ranging group of talents, and they give it their all, but I miss the greater care she once took with character, even in stylized genre exercises like The Loveless, Near Dark, and Strange Days.” –
Seattle Film Blog
Oct 10, 2025
Full Review
Peter Hujar's Day (2025)
92%
3.5/4
EDIT
“The 76-minute film is as much a profile of the photographer, at a particular moment in his life, as a showcase for the actor, who first won my heart in Todd Haynes' multi-persona Dylan depiction I'm Not There.” –
Seattle Film Blog
Oct 9, 2025
Full Review
Jimmy in Saigon (2022)
92%
3/5
EDIT
“Peter ends by saying that he feels he has helped his family to heal... We can't know for certain that this is true, but it does seem to have brought him closer to his mother, and to a sense of peace, knowing that Jimmy might have been a kindred spirit.” –
Video Librarian Magazine
Oct 4, 2025
Full Review
The Ice Tower (2025)
80%
3.5/4
EDIT
“These aren't horror movies; they're coming-of-age pictures made with great empathy and imagination, and this is surely one of the most beautiful she has made.” –
Seattle Film Blog
Oct 4, 2025
Full Review
One Battle After Another (2025)
94%
4/4
EDIT
“One Battle After Another, [PT Anderson's] 10th feature, doesn't recreate Reagan's America, but rather Trump's America, and everything about it feels up to the minute, because one directly leads to the other.” –
Seattle Film Blog
Sep 25, 2025
Full Review
The Warriors (1979)
88%
4/5
EDIT
“If Walter Hill's 1979 comic book-style turfwar thriller The Warriors received mixed reviews upon its initial release--Pauline Kael praised it and Roger Ebert panned it--time has made it iconic. ” –
Video Librarian Magazine
Sep 12, 2025
Full Review
Compensation (1999)
93%
4/4
EDIT
“From today's perspective, [Zeinabu irene] Davis's concerns don't seem radical necessarily, but though rooted in the realities of the past, her film really was ahead of its time. ” –
Seattle Film Blog
Sep 9, 2025
Full Review
Lake Tahoe (2008)
85%
3/4
EDIT
“If Lake Tahoe isn't as funny as Duck Season, a low-income twist on Risky Business, i.e. bored teenager makes the most of an unsupervised Sunday, it's a richer work. ” –
Seattle Film Blog
Sep 7, 2025
Full Review
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