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Paz O'Farrell

Paz O'Farrell's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
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Overlord: The Sacred Kingdom (2024) EDIT “There [are] many female characters, but they don't feel very well roughed out. Then again, no one does. Not even the battles, which mainly consist of cries of "fire ball".” – ScreenAnarchy Dec 17, 2025 Full Review The Universal Theory (2023) 71% EDIT “Oscillates between creepy and beautiful, with scant hilarious dialogue in dead-pan delivery. The suspense doesn't hold up for the entirety of the film, with the viewer becoming accustomed to the slow pace, but again, there's plenty to look at.” – ScreenAnarchy Sep 30, 2024 Full Review Mickey Hardaway (2023) 97% EDIT “Mickey Hardaway is about the toll that abuse, effort, and unfortunate circumstances can take on someone. This type of narrative about artists is usually reserved for white characters.” – ScreenAnarchy Aug 13, 2024 Full Review June Zero (2022) 86% EDIT “This is a good movie, objectively. The shots are creative, the actors talented, the story heavy. ... Director Jake Paltrow ... chose to make this beautiful movie now. Never again, and yet.” – ScreenAnarchy Jul 8, 2024 Full Review Latency (2024) 28% EDIT “Overall, Latency lacks tension. The sound is doing most of the lifting, with a screeching noise that made me lower the volume of my laptop quite often, only adding to Hana's distress.” – ScreenAnarchy Jun 13, 2024 Full Review Challengers (2024) 88% EDIT “It's not as much about tennis as you may think, and ... it is also not as gay as you think. ... The performances were great, and the music by Trent Reznor really worked as a juxtaposition to dramatic scenes. ... There was a lot off slow-mo.” – ScreenAnarchy Apr 30, 2024 Full Review Disco Boy (2023) 88% EDIT “Disco Boy, directed by Giacomo Abbruzzese, is about the search for independence and its subsequent consequences. ... In short, a stunning piece with much to say, and decidedly human.” – ScreenAnarchy Feb 6, 2024 Full Review Tótem (2023) 97% EDIT “Director Lila Avilés' second film is domestic and universal, heartbreaking and morbidly hilarious. ” – ScreenAnarchy Feb 6, 2024 Full Review Inshallah a Boy (2023) 100% EDIT “The point is that Inshallah A Boy does not take a didactic or unitone stance about female relationships or domestic spaces, instead showing their range and complexity as they interact.” – ScreenAnarchy Jan 16, 2024 Full Review Wonka (2023) 82% EDIT “At this point in late stage capitalism, we are used to reboots, remakes, and sequels. Wonka is the latest victim ... It ignores the tone of its predecessors, trying for whimsy over delusion, the result a boring hour and fifty-two minutes.” – ScreenAnarchy Dec 15, 2023 Full Review
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