Send Help (2026)
94%
2.5/5
EDIT
“All so very much what one could expect from Raimi when he doesn’t have a strong studio hand keeping him in check. If you like his signature raisin soup, Send Help will be a gut buster. But it really seems like this latest batch has started to curdle.
” –
Austin Chronicle
Jan 27, 2026
Full Review
Mercy (2026)
23%
0/5
EDIT
“A premise that’s endlessly more reactionary than it seems to realize and delivered with such intellectual dishonesty and overwhelming incompetence that the ticking clock feels like a threat. ” –
Austin Chronicle
Jan 22, 2026
Full Review
In Cold Light (2025)
43%
2/5
EDIT
“In Cold Light is far better constructed and executed than its generic, straight-to-video title might imply, but it’s too monotonous – in the literal meaning of the word – to reach its aspirations or to really use its cast.” –
Austin Chronicle
Jan 22, 2026
Full Review
The Voice of Hind Rajab (2025)
95%
4/5
EDIT
“It’s a reminder that the constant smears against human rights organizations and aid agencies are vile slanders by people who want this to happen again and again and again.” –
Austin Chronicle
Jan 15, 2026
Full Review
The Choral (2025)
67%
3.5/5
EDIT
“A reenvisioning of Elgar’s Catholic devotional that ties it in a profound and moving fashion to the time and place of The Choral, and the underlying idea that a little music, a little companionship, can’t stop the horror but it can provide a respite.” –
Austin Chronicle
Jan 15, 2026
Full Review
Night Patrol (2025)
59%
2.5/5
EDIT
“Luckily, the plentiful and creative gore splatters enough blood and ichor to provide camouflage disguising those shortcomings. Or rather, enough to make Night Patrol entertaining – just not enough to completely obfuscate what it could have been.” –
Austin Chronicle
Jan 15, 2026
Full Review
All You Need Is Kill (2025)
83%
3/5
EDIT
“The process of learning Darol’s nature and weaknesses becomes an act of healing for both, and a poignant metaphor for how we cannot avoid the future, much as we may try.” –
Austin Chronicle
Jan 15, 2026
Full Review
28 Years Later: The Bone Temple (2026)
93%
3.5/5
EDIT
“DaCosta finds new elements of pathos and even comedy, both centered around Fiennes’ tragicomic performance as the man closing the book on that last chapter of history.” –
Austin Chronicle
Jan 13, 2026
Full Review
Dead Man's Wire (2025)
91%
2.5/5
EDIT
“It’s the other elements, about trust in the media and the loss of universally known and respected figures like Heckman, that seem especially underdeveloped, especially by comparison to the documentary.” –
Austin Chronicle
Jan 8, 2026
Full Review
Resurrection (2025)
89%
4/5
EDIT
“A cavalcade of strange images that take the language of cinema into his sleeping fantasies and bring it back more vibrant than ever.
” –
Austin Chronicle
Jan 2, 2026
Full Review
We Bury the Dead (2024)
86%
2/5
EDIT
“We Bury the Dead is already too slow and mournful to pass as popcorn entertainment, and it’s rarely quite thoughtful enough to bring its art house horror aspirations to life.” –
Austin Chronicle
Jan 2, 2026
Full Review
The Plague (2025)
97%
4/5
EDIT
“Yet while Polinger has crafted a period piece, there’s a chilling immediacy to these struggles within what’s supposed to just be a fun time for the boys.” –
Austin Chronicle
Jan 2, 2026
Full Review
Marty Supreme (2025)
93%
3.5/5
EDIT
“Win or lose, you’ll still kind of want Marty to take a punch to the schnozz. But at least you’ll understand why he’s that way.” –
Austin Chronicle
Dec 24, 2025
Full Review
Song Sung Blue (2025)
78%
3/5
EDIT
“Yet it’s still a touching depiction of two people in love. At the end of the day, Brewer reminds us, it’s all about hands touching hands.” –
Austin Chronicle
Dec 24, 2025
Full Review
Anaconda (2025)
48%
1/5
EDIT
“By the time the final act slithers on the screen, Gormican has abandoned any sense of originality and just props the film up on nostalgia-manipulating cameos and clumsy, overused needle drops.” –
Austin Chronicle
Dec 23, 2025
Full Review
Avatar: Fire and Ash (2025)
66%
3.5/5
EDIT
“If future films deliver similar spectacle and true, epic filmmaking, then this lengthy sequel can afford to be a prelude.” –
Austin Chronicle
Dec 16, 2025
Full Review
Silent Night, Deadly Night (2025)
77%
EDIT
“When what Billy and Charlie are really up to is revealed, it turns the original’s sick-making nature into a fun little morality tale with the wicked getting exactly what they deserve.” –
Austin Chronicle
Dec 11, 2025
Full Review
Dust Bunny (2025)
85%
3/5
EDIT
“Here, [Fuller] takes a story that should be horrifying – an orphaned child who turns to her murderous neighbor for assistance and revenge – and makes a fairy tale of it. ” –
Austin Chronicle
Dec 11, 2025
Full Review
Kill Bill: The Whole Bloody Affair (2006)
100%
4.5/5
EDIT
“With Kill Bill: The Whole Bloody Affair, [Tarantino] finally gets to complete his own work of cinematic archeology, and what he exhumes springs to life like the first time it was projected. Viva Kill Bill!” –
Austin Chronicle
Dec 4, 2025
Full Review
100 Nights of Hero (2025)
68%
3/5
EDIT
“The bittersweet moral is that changing the world never happens overnight, on our planet or another.” –
Austin Chronicle
Dec 4, 2025
Full Review
Zootopia 2 (2025)
91%
3.5/5
EDIT
“The heart of the story remains Hopps and Wilde, and the sparkling, witty, and endearing energy between them. ” –
Austin Chronicle
Nov 26, 2025
Full Review
Wake Up Dead Man: A Knives Out Mystery (2025)
92%
3.5/5
EDIT
“Wake Up Dead Man is a cunning and entertaining mystery, a return to form for the franchise. ” –
Austin Chronicle
Nov 26, 2025
Full Review
The Carpenter's Son (2025)
31%
3/5
EDIT
“As much as The Carpenter’s Son threatens to swallow you whole, and as much as it probes the oft-ignored darkness inherent in the Bible even outside of the Apocrypha, its thesis remains a little too academic to move the soul.
” –
Austin Chronicle
Nov 14, 2025
Full Review
The Running Man (2025)
62%
3/5
EDIT
“When it’s really up to speed, The Running Man laps the competition.” –
Austin Chronicle
Nov 14, 2025
Full Review
Predator: Badlands (2025)
86%
3.5/5
EDIT
“Schuster-Koloamatangi plays Dek with a certain pompous exasperation that, even under layers of latex and CG, is undeniably and deliberately hilarious. If it bleeds, you can laugh at it.
” –
Austin Chronicle
Nov 6, 2025
Full Review
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