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Riverfront Times

Riverfront Times is not a Tomatometer-approved publication. Reviews from this publication only count toward the Tomatometer® when written by the following Tomatometer-approved critic(s): Andrew Wyatt, Felicia Feaster.

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Rating Title | Year Author Quote
Monkey Man (2024) Andrew Wyatt Patel’s feature feels like something of a course-correction for the past decade of action cinema, being perhaps the first post-John Wick action thriller to offer a fresh aesthetic sensibility.
Posted Apr 05, 2024  Edit critic review
Dune: Part Two (2024) Andrew Wyatt Dune: Part Two brings the novel's themes to the forefront in a way that the first film could never quite manage, while also still delivering plenty of visceral action and awestruck world-building.
Posted Feb 29, 2024  Edit critic review
Between Two Worlds (2021) Andrew Wyatt Like its investigative journalist protagonist, Between Two Worlds has good intentions, but it never finds a way to satisfyingly resolve its disparate identities.
Posted Aug 25, 2023  Edit critic review
Past Lives (2023) Andrew Wyatt A deeply romantic film that isn't really about romance per se, it has sort of screenplay that can only come from lived experience and keen observation.
Posted Jun 22, 2023  Edit critic review
Spider-Man: Across the Spider-Verse (2023) Andrew Wyatt Across the Spider-Verse was practically obliged to up the ante, creatively speaking, and it unquestionably delivers (and then some).
Posted Jun 05, 2023  Edit critic review
Downton Abbey: A New Era (2022) Felicia Feaster Another feel-good warm bath of niceness set amidst the Brits, A New Era feels like a period answer to Ted Lasso, a similarly sweet confection in which simple goodness always prevails and everyone is relatively well-behaved.
Posted May 19, 2022  Edit critic review
Petite Maman (2021) Felicia Feaster This is not a children’s movie but one, instead, that records in exacting detail the unique perception, imagination and even the slower, more prolonged sense of time that defines how children experience the world.
Posted May 12, 2022  Edit critic review
No Exit (2022) Felicia Feaster No Exit’s script ladles on the usual plot twists and body horror, introducing new, grisly ways to assault flesh and bone. But the tension is lukewarm.
Posted Apr 26, 2022  Edit critic review
The Outfit (2022) Felicia Feaster It's largely Rylance who carries the plot on charisma and an onion-peel performance that reveals its layers as The Outfit unfolds.
Posted Apr 26, 2022  Edit critic review
Everything Everywhere All at Once (2022) Felicia Feaster Real life adulting is the ultimate foe to be vanquished in this deliriously haywire fantasy, a cinematic tab of acid buried in a metaphysical fable.
Posted Apr 26, 2022  Edit critic review
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