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Peliplat

Peliplat is not a Tomatometer-approved publication. Reviews from this publication only count toward the Tomatometer® when written by the following Tomatometer-approved critic(s): Nicolás Medina, Sara Clements.

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Rating Title | Year Author Quote
4/10
Death of a Unicorn (2025) Nicolás Medina "Death of a Unicorn doesn't even earn the honor of outright hatred. It's just a tiresome trot through a forest of half-chewed ideas that neither shocks nor entertains." [Full review in Spanish]
Posted Dec 04, 2025Edit critic review
4/10
A Useful Ghost (2025) Nicolás Medina "Instead of letting the ghosts speak for themselves, the film turns them into mouthpieces for other people's speeches. And in that process, some of the mystery, emotion, and genuine grief is diluted." [Full review in Spanish]
Posted Dec 04, 2025Edit critic review
6/10
Death Does Not Exist (2025) Nicolás Medina "It contains dense passages, symbolism that borders on overload, and a narrative that is not afraid to lose itself in order to find itself again. But it is also an urgent, beautiful, brutal, and necessary work." [Full review in Spanish]
Posted Dec 04, 2025Edit critic review
7/10
Love Letters (2025) Nicolás Medina "Love Letters denounces not only legal inequality, but also the emotional wounds that this inequality reactivates. " [Full review in Spanish]
Posted Dec 04, 2025Edit critic review
7/10
Once Upon a Time in Gaza (2025) Nicolás Medina "What the Nasser brothers are doing is reviving the Gazan imagination, not as a means of escape, but as a space for criticism, memory, and subversion." [Full review in Spanish]
Posted Dec 04, 2025Edit critic review
7/10
Kontinental '25 (2025) Nicolás Medina "What makes Jude's films so unique is his obsession with uncomfortable details, with shots that linger longer than expected, with gestures that insist on their banality until they become political." [Full review in Spanish]
Posted Dec 04, 2025Edit critic review
8/10
Some Rain Must Fall (2024) Nicolás Medina "Far from miserabilism or emotional pornography, Some Rain Must Fall proposes an ethic of looking that is constructed from waiting, repetition, and weariness. " [Full review in Spanish]
Posted Dec 04, 2025Edit critic review
1/10
Afternoons of Solitude (2024) Nicolás Medina "An icon of male sacrifice, a ritual machine, a body offered up to the camera and the public. A postcard that, far from being beautiful, is profoundly hollow and immoral." [Full review in Spanish]
Posted Dec 04, 2025Edit critic review
7/10
We Believe You (2025) Nicolás Medina "It is commendable that the film does not seek to construct a villain through superficial decisions, which would be the quickest and most functional approach." [Full review in Spanish]
Posted Dec 04, 2025Edit critic review
8/10
Paul (2025) Nicolás Medina "There is a hidden richness in Paul, and that is the idea that cinema is a saviour." [Full review in Spanish]
Posted Dec 04, 2025Edit critic review
5/10
That Summer in Paris (2025) Nicolás Medina "Beyond its charm and its willingness to inhabit the margins of the official narrative, That Summer in Paris also challenges, albeit subtly, the very notion of heroism in contemporary fiction." [Full review in Spanish]
Posted Dec 04, 2025Edit critic review
6/10
Night Stage (2025) Nicolás Medina "Its ability to reinterpret the erotic thriller from a queer perspective makes it a work that many will find relevant and necessary, while others will find it unnecessarily explicit." [Full review in Spanish]
Posted Dec 04, 2025Edit critic review
7/10
Ari (2025) Nicolás Medina "Just as the hippocampus is essential for organizing and remembering past experiences, Ari finds herself caught up in a constant process of reconstructing her identity." [Full review in Spanish]
Posted Dec 04, 2025Edit critic review
5/10
Wolf Man (2025) Nicolás Medina "The lack of a real point of view or purpose beyond paying homage to a Universal classic makes the experience feel superficial." [Full review in Spanish]
Posted Dec 04, 2025Edit critic review
8/10
Lost in the Night (2023) Nicolás Medina "What Escalante does very well is articulate a critique of the art world and the elite that consumes it, that art that purports to speak for the "voiceless" while remaining a vehicle for self-aggrandizement." [Full review in Spanish]
Posted Dec 04, 2025Edit critic review
6/10
A Real Pain (2024) Nicolás Medina "At its core, A Real Pain is a story about journeys. The literal journey to Poland and the internal journey of two characters who try, in their own way, to make sense of their family history. " [Full review in Spanish]
Posted Dec 04, 2025Edit critic review
7/10
From Hilde, With Love (2024) Nicolás Medina "Instead of scenes laden with explicit violence, Dresen treats us to shots filled with natural light, subtle gestures and silences that say more than any dialogue ever could." [Full review in Spanish]
Posted Dec 04, 2025Edit critic review
5/10
Here (2024) Nicolás Medina "We can recognize in the American director a daring artist who, even at 72, never stops reinventing himself." [Full review in Spanish]
Posted Dec 04, 2025Edit critic review
7/10
Alien: Romulus (2024) Nicolás Medina "It shows the director's comfort with genre and his ability to exploit the possibilities of sensory horror to the fullest, while recapturing the essence of the first films without falling into pastiche." [Full review in Spanish]
Posted Dec 04, 2025Edit critic review
6/10
The Seed of the Sacred Fig (2024) Nicolás Medina "Cinema, like life itself, cannot flourish under the yoke of fear. But if these filmmakers have proven anything, it is that no matter how hard they try, repression cannot erase art. " [Full review in Spanish]
Posted Dec 04, 2025Edit critic review
4/10
September 5 (2024) Nicolás Medina "For a film that deals with such a tragic event, its narrative feels strangely empty." [Full review in Spanish]
Posted Dec 04, 2025Edit critic review
5/10
A Complete Unknown (2024) Nicolás Medina "In short, although visually accomplished, the film lacks the boldness necessary to capture the complexity of its subject." [Full review in Spanish]
Posted Dec 04, 2025Edit critic review
6/10
Solo Leveling -ReAwakening- (2024) Nicolás Medina "Although it leaves a bitter aftertaste due to its rushed and recycled structure, the film also delivers a visual and emotional spectacle worthy of the big screen." [Full review in Spanish]
Posted Dec 04, 2025Edit critic review
5/10
The Brutalist (2024) Nicolás Medina "Cinema, like architecture, needs more than just grandiloquence to stand the test of time." [Full review in Spanish]
Posted Dec 04, 2025Edit critic review
8/10
Conclave (2024) Nicolás Medina "If someone had told me that I would find a film with an extremely compelling premise set in the Vatican, presented as a political thriller rather than a simple moral exploration, I would have thought it was a joke." [Full review in Spanish]
Posted Dec 04, 2025Edit critic review
9/10
Dìdi (2024) Nicolás Medina "Dìdi is not just a film about the past; it is a call to confront how the traces of our personal history continue to shape who we are, even when time threatens to erase them." [Full review in Spanish]
Posted Dec 04, 2025Edit critic review
9/10
Flow (2024) Nicolás Medina "The community, like this ship full of disparate personalities, is the only thing that allows life to keep flowing." [Full review in Spanish]
Posted Dec 04, 2025Edit critic review
5/10
Queer (2024) Nicolás Medina "It's not that the idea of adapting Queer is bad, it's that the way Guadagnino does it is, at times, a mockery of Burroughs' own text." [Full review in Spanish]
Posted Dec 04, 2025Edit critic review
7/10
A Different Man (2024) Nicolás Medina "A piece that flirts with physical horror, but uses it to explore what truly distorts human beings: the fear of not being enough." [Full review in Spanish]
Posted Dec 04, 2025Edit critic review
8/10
Civil War (2024) Nicolás Medina "Alex Garland doesn't make movies to escape reality. He does it to force us to confront it." [Full review in Spanish]
Posted Dec 04, 2025Edit critic review
9/10
Juror #2 (2024) Nicolás Medina "The film finds its heart not in the final verdict, but in the internal process that each of the characters experiences as they confront their own ethical limits." [Full review in Spanish]
Posted Dec 04, 2025Edit critic review
7/10
Wicked (2024) Nicolás Medina "It's brilliant, it's fun, and it has that touch of magic that, while it won't change your life, will leave you with a smile." [Full review in Spanish]
Posted Dec 04, 2025Edit critic review
4/10
Gladiator II (2024) Nicolás Medina "Gladiator II seems more interested in spectacle than introspection, an approach that, while effective in visual terms, ultimately detracts from its depth". [Full review in Spanish]
Posted Dec 04, 2025Edit critic review
8/10
Bird (2024) Nicolás Medina Bird is a film that does not promise answers, that does not seek comfort, and yet it lodges itself in the viewer's mind like a persistent buzzing. [Full review in Spanish]
Posted Dec 04, 2025Edit critic review
8/10
The Bookseller of Belfast (2012) Nicolás Medina There remains a sense of community that manages to convey, without showing or telling too much about the city, in the same way that she portrays Clancy and his old profession of repairing and restoring books in a very subtle way. [Full review in Spanish]
Posted Dec 04, 2025Edit critic review
7/10
The Room Next Door (2024) Nicolás Medina Once again, Almodóvar proves himself a master at exploring human emotions, inviting us to reflect on life, death, and everything that happens in between. [Full review in Spanish]
Posted Dec 04, 2025Edit critic review
3/10
Kill the Jockey (2024) Nicolás Medina Instead of imparting a subtle lesson, it ends up becoming an instruction manual on what should be obvious, as if it wanted to boast about a flat aestheticism with great fanfare. [Full review in Spanish]
Posted Dec 04, 2025Edit critic review
1/10
Joker: Folie à Deux (2024) Nicolás Medina It is nothing more than a bad joke that humiliates and fears the very source material that gave rise not only to the character, but also to the film as a sequel. [Full review in Spanish]
Posted Dec 04, 2025Edit critic review
7/10
The Watchers (2024) Nicolás Medina The strength of the film does not lie in big revelations or plot twists, which at least distances Ishana somewhat from her father's cinema. [Full review in Spanish]
Posted Dec 04, 2025Edit critic review
9/10
The Substance (2024) Nicolás Medina The Substance may be too much. Too much form and too much content for what we are used to receiving today. (...) But at the end of the day, an overflowing film is worth much more than a forgettable experience. [Full review in Spanish]
Posted Dec 04, 2025Edit critic review
5/10
Beetlejuice Beetlejuice (2024) Nicolás Medina "The first thing to say about Beetlejuice Beetlejuice is that the film is as much a product of its time as the original 1988 movie. And that is not a compliment." [Full review in Spanish]
Posted Dec 04, 2025Edit critic review
8/10
Cloud (2024) Nicolás Medina "That dark and endless thing that is cyberspace seems to promise anonymity and clandestine freedom, but ends up trapping us in a network of hostility and invisible resentments." [Full review in Spanish]
Posted Dec 04, 2025Edit critic review
6/10
TWST - Things We Said Today (2024) Nicolás Medina "Ujică opts for a fragmented and multifaceted approach, a kind of cacophony of sounds, images, and voices that defined an era but never become fully harmonious with one another." [Full review in Spanish]
Posted Dec 04, 2025Edit critic review
4/10
Why War (2024) Nicolás Medina "Gitai falls short in his desire to turn his films into a much larger and more ambitious dialogue than the correspondence between the German physicist and the father of psychoanalysis." [Full review in Spanish]
Posted Dec 04, 2025Edit critic review
Wake Up Dead Man: A Knives Out Mystery (2025) Sara Clements Johnson has crafted not only his best script yet, but perhaps his most human work as a sermon disguised as a whodunit, offering unlikely grace to a broken, divided world.
Posted Dec 03, 2025Edit critic review
Zootopia 2 (2025) Sara Clements Zootopia 2 arrives with an ambition that is both exhilarating and unexpected. It picks up precisely where the first film ended. But that’s not only in timeline; it captures the same emotional tension, social complexity, and thematic daring.
Posted Nov 27, 2025Edit critic review
Train Dreams (2025) Sara Clements Train Dreams is one of the best films of the year. It’s a breathtaking work of art that fuses history, emotion, and nature into a single, haunting melody.
Posted Nov 14, 2025Edit critic review
Frankenstein (2025) Sara Clements With Frankenstein, [Del Toro] brings Mary Shelley’s novel to life as intricately as the Doctor does his Creature, rendered in baroque decadence, steeped in melancholy, and pulsing with the raw ache of creation.
Posted Oct 30, 2025Edit critic review
Hedda (2025) Sara Clements In DaCosta’s hands, Hedda is a masterful play of tension and manipulation. Her adaptation is intoxicating and intelligent; a story about women who will not stay dead, no matter how society tries to bury them.
Posted Oct 24, 2025Edit critic review
Christy (2025) Sara Clements Sydney Sweeney’s portrayal is as bruising as it is brave, capturing the paradox of a woman who had to become both a fighter and a prisoner to survive.
Posted Oct 08, 2025Edit critic review
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