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Blu-ray.com is not a Tomatometer-approved publication. Reviews from this publication only count toward the Tomatometer® when written by the following Tomatometer-approved critic(s): Brian Orndorf.

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Rating Title | Year Author Quote
B
Shelter (2026) Brian Orndorf While it’s not particularly memorable, "Shelter" isn’t goofy like many of Statham’s recent releases, making for a slightly more interesting viewing experience.
Posted Jan 28, 2026  Edit critic review
D+
The Wrecking Crew (2026) Brian Orndorf Absolutely endeavors to get by on charm and star power, but there isn’t a lot of that to embrace. Instead, there’s dismal routine and a lame sense of humor, severely limiting the blast-from-the-past atmosphere Soto hopes to deliver.
Posted Jan 28, 2026  Edit critic review
D+
Worldbreaker (2025) Brian Orndorf There’s no real introduction and very little resolution, keeping the offering at a distance, despite heavy emotions in play at times.
Posted Jan 28, 2026  Edit critic review
B
Islands (2025) Brian Orndorf "Islands" sneaks up on the audience, and while there’s no grand escalation, there are dramatic textures to feel around for, helping to stay involved in a fairly leisurely crisis.
Posted Jan 28, 2026  Edit critic review
C
Grizzly Night (2026) Brian Orndorf There’s a body count, and the material explores the shock of death, but those coming to the film with hopes to enjoy a more charged viewing experience might find themselves sorely disappointed with the effort’s pokiness.
Posted Jan 28, 2026  Edit critic review
B+
Send Help (2026) Brian Orndorf Raimi-isms aren’t dialed up to 11, but he retains tremendous fondness for deliciously macabre events, and he’s gifted a phenomenal performance from Rachel McAdams.
Posted Jan 26, 2026  Edit critic review
D+
Return to Silent Hill (2026) Brian Orndorf Gans seems primed to deliver a refreshed nightmare experience with the sequel, but clunkiness, pokiness, and limited thespian might work to bring down the picture.
Posted Jan 26, 2026  Edit critic review
D+
Untitled Home Invasion Romance (2025) Brian Orndorf The offering ends up with too many characters and too little time to sort through things, keeping everything frustratingly half-baked, resulting in an unsatisfying film.
Posted Jan 23, 2026  Edit critic review
A-
Arco (2025) Brian Orndorf "Arco" is wonderful work from Bienvenu, who puts real care into the production, offering a tender understanding of emotional states and strong future world imagination.
Posted Jan 21, 2026  Edit critic review
D
Mercy (2026) Brian Orndorf "Mercy" is as crude as the rest of Bekmambetov’s oeuvre, but it’s also too brainless to deal interestingly with its fantasy premise, leaving audiences with a dismal mystery and an A.I.-powered world that doesn’t make enough sense.
Posted Jan 21, 2026  Edit critic review
B
Pillion (2025) Brian Orndorf Thankfully, Lighton doesn’t lose his nerve with the tone of "Pillion," preferring softness when dealing with the sometimes hostile relationship between Colin and Ray.
Posted Jan 21, 2026  Edit critic review
B
In Cold Light (2025) Brian Orndorf "In Cold Light" is dedicated to steely looks and threatening moments, and the picture ultimately finds its way to charged moments during its unusual odyssey into the depths of guilt.
Posted Jan 21, 2026  Edit critic review
C-
Mother of Flies (2025) Brian Orndorf "Mother of Flies" has a few interesting ideas on the state of finality and acceptance, but one as to work through stilted dialogue and stiff performances to get there.
Posted Jan 21, 2026  Edit critic review
B
28 Years Later: The Bone Temple (2026) Brian Orndorf It seemed the next stop on this cinematic journey would be a dive into complete camp, but, mercifully, "The Bone Temple" pulls out of this tonal tailspin, offering a darker, more story driven focus on the pains of this ruinous world.
Posted Jan 16, 2026  Edit critic review
B+
The Rip (2026) Brian Orndorf Crisply acted and well-paced, providing a dark exploration of character that stays within the helmer’s love of testosterone-laden confrontations, non-stop cursing, and gritty happenings with untrustworthy people.
Posted Jan 16, 2026  Edit critic review
B-
Killer Whale (2026) Brian Orndorf Brechin manages to secure a passable amount of tension with B-movie elements, giving the release some needed jolts of energy while the writing hopes to make a more meaningful nature-gone-mad effort.
Posted Jan 14, 2026  Edit critic review
C
Charlie the Wonderdog (2025) Brian Orndorf Wageman overstuffs the script with too much plot and payoff, making the endeavor play too heavy when it desires to be a livelier understanding of companionship and heroic duty.
Posted Jan 14, 2026  Edit critic review
D+
Night Patrol (2025) Brian Orndorf "Night Patrol" has the right idea with its vision of police corruption and genre additions, but Prows prefers a scattergun approach to the endeavor, making the viewing experience more unpleasantly overwhelming and half-baked than thrilling.
Posted Jan 14, 2026  Edit critic review
B
The Piano Accident (2025) Brian Orndorf Sagginess is present, but laughs remain, and Dupieux reaffirms his love of dark personalities experiencing self-made torment, still providing the offering with a few kicks before it concludes.
Posted Jan 14, 2026  Edit critic review
B
Father Mother Sister Brother (2025) Brian Orndorf Specialized work, really only out to reach the Jarmusch faithful, and while it doesn’t penetrate with any sort of dramatic power, the endeavor remains compelling through performances and the occasional offering of absurdity.
Posted Jan 09, 2026  Edit critic review
B
People We Meet on Vacation (2026) Brian Orndorf Isn’t completely successful when it comes to shaking up romantic comedy expectations, but Haley gets most of the way there with help from Bader and Blyth, who bring charm and energy to the offering.
Posted Jan 09, 2026  Edit critic review
C
Greenland 2: Migration (2026) Brian Orndorf There’s a goal in the crater, which contains nature and life, and if the plot of "Migration" sounds a little like "The Land Before Time," well, I agree with you.
Posted Jan 08, 2026  Edit critic review
B
Primate (2025) Brian Orndorf "Primate" won’t win hearts and minds, but as a B-movie, the endeavor is compellingly violent, giving viewers a chance to be frightened by this exploration of a chimp gone mad.
Posted Jan 07, 2026  Edit critic review
C
I'm Chevy Chase and You're Not (2025) Brian Orndorf Surface-level understanding of professional achievements and personal woes, and Zenovich isn’t getting anything out of Chase’s participation, which helps to derail a potentially honest and illuminating look at a complicated man.
Posted Jan 07, 2026  Edit critic review
C
Oscar Shaw (2026) Brian Orndorf "Oscar Shaw" is concerned about the way of the world, but sincerity is stuck in a largely inert mystery, limiting the potency of its messages as dramatic momentum never takes command of the picture.
Posted Jan 07, 2026  Edit critic review
B
Dead Man's Wire (2025) Brian Orndorf Perhaps there’s not enough in "Dead Man’s Wire" to carry an entire feature, but Van Sant works well with editorial ideas and anti-capitalist themes to keep the offering involving.
Posted Jan 07, 2026  Edit critic review
D+
Sleepwalker (2026) Brian Orndorf "Sleepwalker" is more of a "Twilight Zone" episode with increasingly tedious jump scares and acting that can’t quite sell the frightmare developing over the run time.
Posted Jan 07, 2026  Edit critic review
C
The Chronology of Water (2025) Brian Orndorf Creative ideas are executed well by the helmer, but she comes up short when securing a reason why this book needed to become a film.
Posted Jan 07, 2026  Edit critic review
B-
Corey Feldman vs the World (undefined) Brian Orndorf Hume certainly has access to Feldman’s personal choices and demands, but she comes up a bit short when trying to make a complete movie out of all this messiness.
Posted Jan 02, 2026  Edit critic review
C
Dreams (2025) Brian Orndorf It’s not an extreme viewing experience, and not much of a dramatic one either, finding the material bordering on ridiculousness at times as the production searches for potency.
Posted Jan 02, 2026  Edit critic review
D+
Dracula (2025) Brian Orndorf "Dracula" is flashy but ultimately empty, making it difficult to get excited about yet another take on a tale that’s been done to death.
Posted Jan 02, 2026  Edit critic review
B+
We Bury the Dead (2024) Brian Orndorf This isn’t a hard-charging horror event, but something quieter and reflective (Ridley’s acting shines during these moments), making it a little different than the usual submission of gnarly terror.
Posted Dec 25, 2025  Edit critic review
B+
Where to Land (2025) Brian Orndorf It’s a return to form for Hartley, who manages concerns and mild comedy with confidence, making the endeavor a treat for those who’ve been following his career since it began.
Posted Dec 25, 2025  Edit critic review
B
The Choral (2025) Brian Orndorf Despite a general lack of electricity, "The Choral" is well-made and compellingly acted, periodically dipping into interesting areas of longing and loss while it tries to deliver reliable storytelling.
Posted Dec 25, 2025  Edit critic review
C
Alpha (2025) Brian Orndorf "Alpha" doesn’t offer such a thrill, remaining limited in its emotional reach and characterization, making for a cold, sluggish viewing experience.
Posted Dec 25, 2025  Edit critic review
B+
H Is for Hawk (2025) Brian Orndorf There’s a lot in this central quest for light that gives the feature texture and heart, keeping viewers involved in Helen’s odyssey of acceptance.
Posted Dec 25, 2025  Edit critic review
C
The Testament of Ann Lee (2025) Brian Orndorf Fastvold is more committed to theatricality and showy performances, caught up in the artistry of it all, which isn’t as interesting as a more in-depth inspection of religious deliverance found in the messiness of grief-induced insanity.
Posted Dec 25, 2025  Edit critic review
B-
Anaconda (2025) Brian Orndorf The new "Anaconda" is meant to be silly, and it absolutely is, but it could definitely be a bit funnier as it goes about its winky business, often resembling a picture that was made up on the spot.
Posted Dec 25, 2025  Edit critic review
D+
The Housemaid (2025) Brian Orndorf A questionable study of survival that’s weighed down by uneven acting and a lack of sharp editing, making for a long sit as concepts that probably made sense on the page seem quite ludicrous on film.
Posted Dec 17, 2025  Edit critic review
B
The SpongeBob Movie: Search for SquarePants (2025) Brian Orndorf "Search for SquarePants" is reliable ridiculousness, and for a third sequel, it’s nice to know there’s still gas in the tank when it comes to Bikini Bottom absurdity.
Posted Dec 17, 2025  Edit critic review
B-
The Great Flood (2025) Brian Orndorf After about an hour of near-misses and panic, a good case for simplicity in spectacle is made, finding the offering a bit too knotted for its own good.
Posted Dec 17, 2025  Edit critic review
B
Rental Family (2025) Brian Orndorf A charming, sensitive study of human connection, and that’s just the stuff I think most viewers could use during these bleak days.
Posted Dec 17, 2025  Edit critic review
C
David (2025) Brian Orndorf The movie really wants to inspire with its messages of Godly submission, but "David" isn’t very compelling, offering mostly uninspired tunes and routine animation as it provides a look at the main character’s journey of devotion.
Posted Dec 17, 2025  Edit critic review
C
Avatar: Fire and Ash (2025) Brian Orndorf It’s difficult to get lost in "Fire and Ash" when most of the film has been done before, watching the second sequel play a strange game of recycling.
Posted Dec 16, 2025  Edit critic review
B+
Goodbye June (2025) Brian Orndorf Winslet enjoys the services of an outstanding cast, and she does a commendable job keeping stickiness at bay, making a lovely, deeply felt examination of relationships in need of repair during a trying time of acceptance.
Posted Dec 11, 2025  Edit critic review
D
Ella McCay (2025) Brian Orndorf Sadly, brightness of spirit is buried in a mess of a movie, watching Brooks build a maze of characters and motivations he ultimately can’t find his way out of.
Posted Dec 11, 2025  Edit critic review
D+
Song Sung Blue (2025) Brian Orndorf It’s an incredible tale, but Brewer is much too manipulative and melodramatic with the picture, preferring gloss and predictability to a more realistic depiction of endurance and obsession.
Posted Dec 10, 2025  Edit critic review
B+
Silent Night, Deadly Night (2025) Brian Orndorf Blood and guts are present, but Nelson goes darker and stranger with the endeavor, which is easily the best "Silent Night, Deadly Night" of them all.
Posted Dec 10, 2025  Edit critic review
D-
Merv (2025) Brian Orndorf Painful to sit through, watching the production team put in the least amount of effort to deliver streaming pablum for the masses.
Posted Dec 10, 2025  Edit critic review
B-
Influencers (2025) Brian Orndorf Once again, most of the picture’s appeal is packed into the first act, which returns Harder to the ways of murder and content creators, giving the material some initial power as returning characters fall into position.
Posted Dec 10, 2025  Edit critic review
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