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Rating Title | Year Author Quote
4/4
The Whisper (2025) Pablo O. Scholz What makes The Whisper so appealing is how it manages to generate suspense, and scare us, with a simple repeated camera pan, combined with the use of sound and the soundtrack. [Full review in Spanish]
Posted Jan 23, 2026Edit critic review
3/4
Mercy (2026) Pablo O. Scholz Mercy is entertaining, it has a charismatic guy like Chris Pratt, well supported by even Kali Reis and Chris Sullivan, until everything goes haywire. [Full review in Spanish]
Posted Jan 22, 2026Edit critic review
4/4
The Rip (2026) Pablo O. Scholz The best thing about The Rip is that it's an unpretentious film that grows as the events unfold...[Full review in Spanish]
Posted Jan 20, 2026Edit critic review
4/4
The Virgin of the Quarry Lake (2025) Pablo O. Scholz [Laura Casabé has] crafted a unique, auteur-driven film from the fantasy-horror genre — there's no gore or overly explicit content here — that ends as it begins: with a bang. [Full review in Spanish]
Posted Jan 16, 2026Edit critic review
2/4
Papá x Dos (2025) Pablo O. Scholz ..."Papá x Dos" needed more precise timing in its scenes, which wasn't always quite right, and as a result, the humor suffered. [Full review in Spanish]
Posted Jan 16, 2026Edit critic review
3/4
Verano Trippin (2025) Pablo O. Scholz It's a film more for adults than for teenagers, in which everything is quite heated and intense, from the action sequences (or not) interwoven with the conversations to the relationship between the two friends. [Full review in Spanish]
Posted Jan 16, 2026Edit critic review
3/4
Marty Supreme (2025) Pablo O. Scholz Perhaps the best part of Marty Supremo is the final few minutes. [Full review in Spanish]
Posted Jan 15, 2026Edit critic review
3/4
No Other Choice (2025) Pablo O. Scholz Lee Byung-hun, the villain from Squid Game, doesn't disappoint in this role, which requires him to evoke both empathy and the opposite in the viewer. [Full review in Spanish]
Posted Jan 15, 2026Edit critic review
2/4
28 Years Later: The Bone Temple (2026) Pablo O. Scholz The characters, and the viewers at least, deserve better. [Full review in Spanish]
Posted Jan 15, 2026Edit critic review
3/4
KPop Demon Hunters (2025) Pablo O. Scholz It's a film that kids and K-Pop fans enjoy time and time again - hence its success - and if it wins the awards it's expected to get, it will help to further establish a phenomenon that already goes beyond the limits of music. [Full review in Spanish]
Posted Jan 12, 2026Edit critic review
2/4
Primate (2025) Pablo O. Scholz While last year saw horror films reinvent the genre, like Weapons, Primate ignores them and relies on every single cliché. [Full review in Spanish]
Posted Jan 09, 2026Edit critic review
3/4
Song Sung Blue (2025) Pablo O. Scholz Jackman proves he's a great showman, and who cares if the tribute band is a bit cheesy? We believe everything he says because he gives it his all. [Full review in Spanish]
Posted Jan 08, 2026Edit critic review
2/4
Kiss of the Spider Woman (2025) Pablo O. Scholz The reason for the lack of enthusiasm in the musical's performance lies in its slow pace and lack of rhythm. It lacks that revolutionary touch. [Full review in Spanish]
Posted Jan 08, 2026Edit critic review
3/4
Rental Family (2025) Pablo O. Scholz "Rental Family" is a film you watch, you have a good time during the screening, and not much more. [Full review in Spanish]
Posted Jan 08, 2026Edit critic review
4/4
Left-Handed Girl (2025) Pablo O. Scholz Beautiful from every angle, The Left-Handed Girl speaks of family ties, of what is not said, of secrets and truths, of teachings and resentments. [Full review in Spanish]
Posted Jan 05, 2026Edit critic review
3/4
Nouvelle Vague (2025) Pablo O. Scholz It's like a love letter from a die-hard fan. And a fan isn't usually objective, but passionate. [Full review in Spanish]
Posted Jan 02, 2026Edit critic review
2/4
The Housemaid (2025) Pablo O. Scholz The worst thing about The Housemaid is that it's violent at times, but cloying at others. We'll never know if Sweeney's performance is the way it is because of the Bridesmaids director's choices or the script. [Full review in Spanish]
Posted Jan 02, 2026Edit critic review
4/4
Goodbye June (2025) Pablo O. Scholz Goodbye June is not a tearjerker, but it knows how to move us, how to pull the strings so that we feel involved in what is happening, despite some forced situations...[Full review in Spanish]
Posted Dec 29, 2025Edit critic review
3/4
Anaconda (2025) Pablo O. Scholz Anaconda isn't that scary. The scares come at the beginning, and even then, it's not really the film itself. [Full review in Spanish]
Posted Dec 29, 2025Edit critic review
5/4
Sentimental Value (2025) Pablo O. Scholz The film is a family drama that gradually draws us in, seemingly treating the themes lightly on the surface, but it resonates deeply, reaching the core within just half an hour of the story. [Full review in Spanish]
Posted Dec 29, 2025Edit critic review
4/4
Avatar: Fire and Ash (2025) Pablo O. Scholz One can't help but be awestruck, mouth agape, when the images from James Cameron's Avatar: Fire and Ash begin to appear on the screen. [Full review in Spanish]
Posted Dec 18, 2025Edit critic review
4/4
Wake Up Dead Man: A Knives Out Mystery (2025) Pablo O. Scholz Wake Up Dead Man is a mystery film with truly unexpected twists. But it's enjoyable from beginning to end. [Full review in Spanish]
Posted Dec 15, 2025Edit critic review
3/4
Bugonia (2025) Pablo O. Scholz Bugonia is one of those films that generates both applause and disdain, that does not leave the viewer indifferent, but for those who have been following [Yorgos Lanthimos] it may be somewhat tiring, or more of the same. [Full review in Spanish]
Posted Dec 11, 2025Edit critic review
3/4
Dreams (2025) Pablo O. Scholz ...wait until the end of the film. That's where the breeze turns into a whirlwind, and from there it becomes a cyclone, with an unleashed Jessica Chastain. [Full review in Spanish]
Posted Dec 11, 2025Edit critic review
3/4
Lali: Time to Step Up (2025) Pablo O. Scholz ...designed and conceived for the enjoyment of her fans, Lali: Time to Step Up...shows [Lali Espósito] as the whirlwind that she is. [Full review in Spanish]
Posted Dec 11, 2025Edit critic review
4/4
Un Cabo Suelto (2025) Pablo O. Scholz ...the actors shine - and it shows - without too much effort, because the characters and their dialogue are so fluid and sometimes witty that delivering those lines must have been a joy. [Full review in Spanish]
Posted Dec 05, 2025Edit critic review
4/4
It Was Just an Accident (2025) Pablo O. Scholz Even a viewer unfamiliar with Panahi's work should still feel moved and challenged by what they see. [Full review in Spanish]
Posted Dec 04, 2025Edit critic review
2/4
Please Don't Feed the Children (2025) Pablo O. Scholz The film goes through several filters, one of them being gore, the horror filter, with supposedly scary scenes that are more funny than scary, and even a little bit disgusting. [Full review in Spanish]
Posted Dec 03, 2025Edit critic review
3/4
Zootopia 2 (2025) Pablo O. Scholz ...Zootopia 2 certainly has a couple of nods to classic films that young people—and the adults accompanying them—might notice and even enjoy. [Full review in Spanish]
Posted Dec 03, 2025Edit critic review
4/4
Undercover (2024) Pablo O. Scholz Although there are moments when nervousness and uncertainty take over the plot ...Undercover gains more of the viewer's empathy through the performances and the dialogues between Angel and Arantxa. [Full review in Spanish]
Posted Dec 02, 2025Edit critic review
4/4
Train Dreams (2025) Pablo O. Scholz Train Dreams isn't a masterpiece, but it is a film that surprises with its storytelling, immediately making us empathize with its protagonists, suffer, and feel every misfortune that befalls them. [Full review in Spanish]
Posted Nov 25, 2025Edit critic review
3/4
Jay Kelly (2025) Pablo O. Scholz Neither too much nor too little, Jay Kelly is a comedy with touches of drama, or a drama brushed with humorous notes, depending on your perspective. [Full review in Spanish]
Posted Nov 20, 2025Edit critic review
4/4
Wicked: For Good (2025) Pablo O. Scholz The production design, costumes, cinematography, sound — everything is impeccable in [Wicked: For Good], which, while not reaching the high points of the first film, is better than the second act of the stage musical. [Full review in Spanish]
Posted Nov 20, 2025Edit critic review
4/4
A HOUSE OF DYNAMITE (2025) Pablo O. Scholz It's a psychological thriller, in which not a single drop of blood is spilled, but in which...ten million lives could be lost. And another great film by Bigelow, someone who knows how to tell stories with flair and talent. [Full review in Spanish]
Posted Nov 17, 2025Edit critic review
4/4
Belén (2025) Pablo O. Scholz Certainly less intimate than her debut film, Blondi, but more intense and powerful, Belén has a more classic treatment, comparable to a certain "courtroom drama" that Hollywood has mastered. [Full review in Spanish]
Posted Nov 14, 2025Edit critic review
4/4
The Currents (2025) Pablo O. Scholz The Currents will immerse us in the protagonist's inner journey, but the director narrates every moment we see and experience with Lina with a meticulousness that is overwhelming, yet fascinating.[Full review in Spanish]
Posted Nov 14, 2025Edit critic review
2/4
Modi: Three Days on the Wing of Madness (2025) Pablo O. Scholz The opening scene of the film, which is equally disconcerting in its introduction of the protagonist sketching women in a restaurant for coins, fails because the humor is clumsy, naive, and not at all original. [Full review in Spanish]
Posted Nov 14, 2025Edit critic review
3/4
Good Fortune (2025) Pablo O. Scholz Good Fortune has no greater ambition than to be a laugh-out-loud comedy, a goal it manages to achieve, with some gags that are effective and others that don't quite hit the mark. [Full review in Spanish]
Posted Oct 30, 2025Edit critic review
3/4
Springsteen: Deliver Me from Nowhere (2025) Pablo O. Scholz There are no spoofs or nods like in Bohemian Rhapsody, because what matters here is the introspection of the creator, the author, the virtuoso who knows what he wants and what he doesn't want. [Full review in Spanish]
Posted Oct 23, 2025Edit critic review
4/4
Good Boy (2025) Pablo O. Scholz Good Boy offers a new twist to a genre like horror, which has been in need of a new lease on life. [Full review in Spanish]
Posted Oct 23, 2025Edit critic review
3/4
Frankenstein (2025) Pablo O. Scholz Guillermo del Toro is a creative genius, and he's earned every right to express his ideas as he sees fit. But his romantic vision [of Frankenstein]...was more resounding...when he put forth another monster in The Shape of Water. [Full review in Spanish]
Posted Oct 22, 2025Edit critic review
3/4
The Woman in Cabin 10 (2025) Pablo O. Scholz The Woman in Cabin 10 takes a lot from Agatha Christie, less from Hitchcock, and even has points in common with the Knives Out saga (which Netflix bought...), with so many rich characters suspected of a presumed murder. [Full review in Spanish]
Posted Oct 20, 2025Edit critic review
3/4
The Mastermind (2025) Pablo O. Scholz ...The Mastermind isn't the kind of film that George Clooney's The American Hustle is. It embraces the genre, if you will, to deconstruct it: it's much more interested in the character than in the heist. [Full review in Spanish]
Posted Oct 17, 2025Edit critic review
4/4
The Red Turtle (2016) Pablo O. Scholz The Red Turtle is an unspoken film that leaves us speechless. [Full review in Spanish]
Posted Oct 16, 2025Edit critic review
2/4
Black Phone 2 (2025) Pablo O. Scholz What had been an ingenious idea, in a production with an oppressive climate, and extremely disturbing and somewhat perverse,...becomes blurred and unhinged in this sequel. [Full review in Spanish]
Posted Oct 16, 2025Edit critic review
3/4
Madly (2025) Pablo O. Scholz A hit comedy in its home country, Madly has everything it needs to repeat its success in ours. [Full review in Spanish]
Posted Oct 16, 2025Edit critic review
3/4
Downton Abbey: The Grand Finale (2025) Pablo O. Scholz It's worth mentioning that the farewell atmosphere, even if you haven't seen a single image from the series, can move even the most tear-resistant viewer. [Full review in Spanish]
Posted Oct 10, 2025Edit critic review
3/4
TRON: Ares (2025) Pablo O. Scholz Tron: Ares was filmed for IMAX theaters, where it can obviously be appreciated in all its splendor. Sounds and images are like a rhythmic concert that should be followed without further thought. [Full review in Spanish]
Posted Oct 09, 2025Edit critic review
4/4
The Smashing Machine (2025) Pablo O. Scholz ...[Dwayne Johnson] achieves what he never did, and perhaps never intended: to get rid of The Rock and become another character. [Full review in Spanish]
Posted Oct 09, 2025Edit critic review
2/4
After the Hunt (2025) Pablo O. Scholz Like all of Guadagnino's films, After the Hunt is uneven. It's presumptuous, pretentious, and obvious, with no compromises. [Full review in Spanish]
Posted Oct 09, 2025Edit critic review
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