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Livemint is not a Tomatometer-approved publication. Reviews from this publication only count toward the Tomatometer® when written by the following Tomatometer-approved critic(s): Udita Jhunjhunwala.

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Rating Title | Year Author Quote
The History of Sound (2025) Udita Jhunjhunwala ...the film is confident in its choices, content to let the music and its lead actors do the heavy lifting, as Lionel and David fight battles both externally and internally.
Posted Jan 27, 2026Edit critic review
28 Years Later: The Bone Temple (2026) Udita Jhunjhunwala The graphic violence and tone of The Bone Temple will not work for everyone, yet it remains a purposeful sequel, pushing the franchise forward.
Posted Jan 20, 2026Edit critic review
Jay Kelly (2025) Udita Jhunjhunwala Jay Kelly is occasionally uneven and overlong, yet it’s an intelligent, humorous and often emotional exploration of fame’s collateral damage.
Posted Dec 11, 2025Edit critic review
Caught Stealing (2025) Udita Jhunjhunwala The film is brutal—filled with bad luck, questionable choices and broken bodies—but it’s also thrilling, propelled by Butler’s performance and Aronofsky’s compassion for the flawed.
Posted Oct 14, 2025Edit critic review
Kantara: A Legend - Chapter 1 (2025) Udita Jhunjhunwala The first half spends stretches in world-building, layering history, ritual and politics. It’s a breathless visual spectacle, loaded with concepts and commentary. The last 45 minutes, while packed with spectacle, are where the film unravels most.
Posted Oct 06, 2025Edit critic review
Sunny Sanskari Ki Tulsi Kumari (2025) Udita Jhunjhunwala Khaitan and producers Dharma have embraced what one could call ‘wedding album cinema’—opulent sets, attractive costumes and meticulous staging. High on style, but low on logic or storyline.
Posted Oct 02, 2025Edit critic review
Inspector Zende (2025) Udita Jhunjhunwala What could have been an amusing, clever, maybe even a sharp send-up of criminal folklore, is instead riddled with scant humour, muddled history and bargain basement production values.
Posted Sep 09, 2025Edit critic review
The Roses (2025) Udita Jhunjhunwala The Roses scores in the way it has contemporized the story, resetting it with British characters and trading some of that cruelty of the original for a bittersweet edge, balancing sharp humour with a genuine sense of loss.
Posted Sep 02, 2025Edit critic review
The Thursday Murder Club (2025) Udita Jhunjhunwala As a mystery, The Thursday Murder Club lacks bite, but as a cosy crime drama it is a pleasant watch—one that works best as a reminder that friendship and cleverness don’t fade with age.
Posted Sep 02, 2025Edit critic review
Tehran (2025) Udita Jhunjhunwala If one is able to overlook the few flaws, Gopalan’s film is occasionally gripping, offering an un-bombastic take on patriotism while acknowledging the complicated, transactional nature of international alliances and the ethical complexities of espionage.
Posted Aug 19, 2025Edit critic review
Son of Sardaar 2 (2025) Udita Jhunjhunwala ...the film does have visual appeal and a clean production design. But these surface-level strengths can’t compensate for a screenplay that doesn’t know whether it wants to be a satire, a family entertainer, or a commentary on modern relationships.
Posted Aug 04, 2025Edit critic review
The Fantastic Four: First Steps (2025) Udita Jhunjhunwala The Fantastic Four: First Steps is competent at best—a reboot with cosmic ambition that barely attains lift-off.
Posted Jul 29, 2025Edit critic review
Aap Jaisa Koi (2025) Udita Jhunjhunwala Unfortunately, the narrative is burdened by a script that lacks depth and a story that never quite takes off. Interactions are built around overly familiar themes of sexual conservatism, ego, and misunderstanding.
Posted Jul 15, 2025Edit critic review
Heads of State (2025) Udita Jhunjhunwala Heads of State succeeds by playing to its stars’ strengths. It’s pacy, funny, and manages to give its slight premise some bite.
Posted Jul 07, 2025Edit critic review
Jurassic World Rebirth (2025) Udita Jhunjhunwala ...Jurassic arrives with the weight of an extinct franchise on its back and, despite moments of technical brilliance, struggles to escape the shadow of its better predecessors.
Posted Jul 07, 2025Edit critic review
28 Years Later (2025) Udita Jhunjhunwala 28 Years Later is more than a return to form. It’s a filmmaker using genre not just to thrill but to reflect.
Posted Jun 24, 2025Edit critic review
Second Chance (2024) Udita Jhunjhunwala Nia is a complex role for a newcomer, and though Johnson is occasionally out of her depth, Mahajan assuredly steers the narrative home.
Posted Jun 16, 2025Edit critic review
Housefull 5 (2025) Udita Jhunjhunwala Housefull 5 is louder, longer, and completely lost at sea.
Posted Jun 09, 2025Edit critic review
Karate Kid: Legends (2025) Udita Jhunjhunwala Though it holds back on the emotional punches and occasionally plays it safe with crowd-pleasers, Legends remains a respectful, heartfelt, and surprisingly fresh fusion of everything that’s made the franchise endure.
Posted Jun 02, 2025Edit critic review
Logout (2024) Udita Jhunjhunwala Atanu Mukherjee’s editing moves the 108-minute movie along briskly, while Khan holds your attention on screen. He is Pratman—arrogant, stylish, entitled, insecure, validation-seeking, remorseful—and he adeptly transitions through myriad shifting emotions.
Posted May 03, 2025Edit critic review
Thunderbolts* (2025) Udita Jhunjhunwala The humour, juxtaposed with some introspection, offers just enough to make Thunderbolts* a satisfying experience, even if it falls short of building the franchise it both teases and promises.
Posted May 02, 2025Edit critic review
Phule (2025) Udita Jhunjhunwala The film progresses through key life moments, almost as if visually and dutifully depicting Wikipedia entries for the Phules.
Posted Apr 28, 2025Edit critic review
Jaat (2025) Udita Jhunjhunwala [Sunny Deol's] soft-spoken dialogue delivery and suitability to playing an older hero, combined with Hooda’s performance as a chilling antagonist, aren’t strong enough to carry the weight of loud, crude, brutal and, ultimately, puffed up mess.
Posted Apr 11, 2025Edit critic review
TEST (2025) Udita Jhunjhunwala While Nayanthara and Madhavan offer some engaging moments, the film ultimately delivers a disappointing result.
Posted Apr 07, 2025Edit critic review
Disney's Snow White (2025) Udita Jhunjhunwala In an attempt to put a stamp on it, the writer and director have simply impaired a classic and created a musical fantasy that is not much better than a dank, 109-minute-long summer camp stage show.
Posted Mar 24, 2025Edit critic review
Be Happy (2025) Udita Jhunjhunwala The script gets something right in the father-daughter bond but doesn’t excavate the depth and complexities of single parenting, grief and trauma.
Posted Mar 17, 2025Edit critic review
Mere Husband Ki Biwi (2025) Udita Jhunjhunwala The drama in Mere Husband Ki Biwi is heightened, but not punchy, and the few and flat gags just don’t land.
Posted Feb 24, 2025Edit critic review
Bridget Jones: Mad About the Boy (2025) Udita Jhunjhunwala Despite its flaws, the movie will resonate with long-time fans of the franchise, providing enough nostalgic moments and crackling humour to be a satisfying farewell to a well-worn romcom.
Posted Feb 19, 2025Edit critic review
Captain America: Brave New World (2025) Udita Jhunjhunwala While the performances by Ford, Mackie, and Ramirez are solid, the film as a whole struggles with moments of blandness and does not successfully create a distinct enough personality for the new Captain America.
Posted Feb 15, 2025Edit critic review
Loveyapa (2025) Udita Jhunjhunwala Khan and Kapoor are easy with one another but in a film that feels more like a comic strip.
Posted Feb 10, 2025Edit critic review
The Storyteller (2022) Udita Jhunjhunwala The relaxed narrative pace is a blip in an otherwise satisfying retelling of a classic fable that is equally about outwitting another and surmounting self-imposed impediments.
Posted Feb 04, 2025Edit critic review
Sweet Dreams (2025) Udita Jhunjhunwala Low on production values, high on schmaltz (dialogues by Alka Shukla and Mukherjee), punctuated with a few surprises, this love story would have benefitted from a better soundtrack, crisper writing and more inventive storytelling.
Posted Feb 04, 2025Edit critic review
A Real Pain (2024) Udita Jhunjhunwala Eisenberg tenderly and firmly directs the movie, entering the Holocaust experience through a comic road trip, speaking of modern life and several unmined feelings that continue to haunt third generation Americans.
Posted Jan 28, 2025Edit critic review
Mufasa: The Lion King (2024) Udita Jhunjhunwala The script is safe and unoriginal, the voice talent is passable and while the scenes of the creatures racing through fields and prancing through canyons are fine, the drama peaks in the water bodies and on snow-capped mountains.
Posted Jan 15, 2025Edit critic review
Agni (2024) Udita Jhunjhunwala Dholakia’s film is most moving when it captures the warm camaraderie between the officers in the fire station, and their bond when they mourn the loss of a colleague
Posted Jan 15, 2025Edit critic review
Singham Again (2024) Udita Jhunjhunwala Offsetting Singh’s wildness is Devgn’s unmoving performance, Kumar’s disinterested appearance and Padukone’s insufficient presence.
Posted Nov 04, 2024Edit critic review
Bhool Bhulaiyaa 3 (2024) Udita Jhunjhunwala High on concept, low on mood, scares, gags and wit.
Posted Nov 04, 2024Edit critic review
Vicky Vidya Ka Woh Wala Video (2024) Udita Jhunjhunwala The climax becomes a platform to preach about privacy, women's rights and dignity. It's a testing monologue, adding to the already tiresome screenplay.
Posted Oct 15, 2024Edit critic review
Sector 36 (2024) Udita Jhunjhunwala The police work is scanty, the punishments are fleetingly mentioned, yet the makers suggest that this is indeed how the Nithari murders and investigation panned out.
Posted Sep 17, 2024Edit critic review
Khel Khel Mein (2024) Udita Jhunjhunwala Barring a few songs that slacken the narrative and a little preaching, Mudassar Aziz’s script and direction keep things moving along jauntily, even if in most scenes the actors are seated around a dining table.
Posted Aug 19, 2024Edit critic review
Auron Mein Kahan Dum Tha (2024) Udita Jhunjhunwala A protracted, outdated love story.
Posted Aug 06, 2024Edit critic review
Deadpool & Wolverine (2024) Udita Jhunjhunwala A messy multiverse film overrun with guest appearances and Easter eggs.
Posted Jul 29, 2024Edit critic review
Freddy (2022) Udita Jhunjhunwala Aaryan hits a high note when his character finds joy in his otherwise introverted existence, but as a calculating killer, Freddy needed to be less Kartik.
Posted Jul 15, 2024Edit critic review
Blurr (2022) Udita Jhunjhunwala Ajay Bahl’s psychological thriller is a gripping remake of the 2010 Spanish language film Los Ojos De Julia (Julia’s Eyes).
Posted Jul 11, 2024Edit critic review
Beverly Hills Cop: Axel F (2024) Udita Jhunjhunwala Murphy is in great form throughout. Slower in his movements perhaps at 63, but still wonderfully glib. The franchise remains a showcase for his comic timing, and the chaotic policing practices of Axel Foley.
Posted Jul 05, 2024Edit critic review
Mumbaikar (2023) Udita Jhunjhunwala An ungainly mishmash.
Posted Jun 24, 2024Edit critic review
The Flash (2023) Udita Jhunjhunwala For a film about a very fast man, the narrative is slow at times. The tacky CGI and video game artistry make the experience less immersive too.
Posted Jun 24, 2024Edit critic review
Tarla (2023) Udita Jhunjhunwala Warm but underseasoned.
Posted Jun 24, 2024Edit critic review
Bawaal (2023) Udita Jhunjhunwala If this sounds far-fetched it is. Bawaal is what happens when a breezy Imtiaz Ali romantic travelogue crashes into a speeding German tragicomedy.
Posted Jun 24, 2024Edit critic review
Meg 2: The Trench (2023) Udita Jhunjhunwala Things might have felt more perilous with more finessed CGI.
Posted Jun 24, 2024Edit critic review
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