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Screen Comment

Screen Comment is not a Tomatometer-approved publication. Reviews from this publication only count toward the Tomatometer® when written by the following Tomatometer-approved critic(s): Nathanael Hood.

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Rating Title | Year Author Quote
6/10
Special Correspondents (2016) Nathanael Hood I would recommend it for people looking for a decent comedy, but I'd warn them to be prepared for some unexpected ugliness.
Posted Dec 28, 2018Edit critic review
7/10
Children of the Mountain (2016) Nathanael Hood A quiet, heartrending tale of motherhood.
Posted Dec 28, 2018Edit critic review
8/10
Command and Control (2016) Nathanael Hood These are the things of which nightmares are made.
Posted Dec 28, 2018Edit critic review
8/10
Ixcanul (2015) Nathanael Hood The film is comfortably languid.
Posted Dec 28, 2018Edit critic review
7/10
Courted (2015) Nathanael Hood And this is what Courted is truly about: the slow chipping away at the masks that shield us from the world and each other.
Posted Dec 28, 2018Edit critic review
8/10
Obit. (2016) Nathanael Hood It's always the films about death which end up being the most life-affirming, isn't it?
Posted Dec 28, 2018Edit critic review
9/10
Memories of a Penitent Heart (2016) Nathanael Hood the only way to understand Memories of a Penitent Heart is to see it yourself. I hope you do. My words can't do it justice.
Posted Dec 28, 2018Edit critic review
7/10
Magnus (2016) Nathanael Hood The portrait we gather from Magnus is of a young man who does what he does not because he enjoys it but because he is good at it.
Posted Dec 28, 2018Edit critic review
7/10
A Hologram for the King (2016) Nathanael Hood It's also one of the first, if not THE first, American film I've watched that suggests that it's the West that needs the Middle East's economic influence, not the other way around.
Posted Dec 28, 2018Edit critic review
8/10
Elvis & Nixon (2016) Nathanael Hood The film is concerned with the collision of egos, the interplay between two very public figures unsure of how much of their guard or personas they should let down in each other's presence.
Posted Dec 28, 2018Edit critic review
7/10
I'll Sleep When I'm Dead (2016) Nathanael Hood ...a documentary of passion bordering on fanaticism, of drive flirting with self-destruction.
Posted Dec 28, 2018Edit critic review
5/10
Here Alone (2016) Nathanael Hood ...feels like a ninety-minute compilation of filler material.
Posted Dec 28, 2018Edit critic review
5/10
The Human Thing (2016) Nathanael Hood ...a deflated bag, robbed of all ambition and momentum.
Posted Dec 28, 2018Edit critic review
8/10
Do Not Resist (2016) Nathanael Hood ...an essential snapshot of American history.
Posted Dec 28, 2018Edit critic review
5/10
Life, Animated (2016) Nathanael Hood But Life, Animated doesn't seem to have enough confidence in Suskind's story to let it speak for itself.
Posted Dec 28, 2018Edit critic review
6/10
Bad Rap (2016) Nathanael Hood It spends far too little time focusing on the actual history of Asian American rappers...and poorly divides time between the four main rappers.
Posted Dec 28, 2018Edit critic review
6/10
A Kind of Murder (2016) Nathanael Hood It feels more like an exercise in defining the mechanics of suspense than in actually utilizing them.
Posted Dec 28, 2018Edit critic review
7/10
Bugs (2016) Nathanael Hood But Bugs resists the temptation to be benign or harmless.
Posted Dec 28, 2018Edit critic review
4/10
High-Rise (2015) Nathanael Hood ...a jumbled mess of a film.
Posted Dec 28, 2018Edit critic review
7/10
Viva (2015) Nathanael Hood [The] emotional outbursts feel genuine, necessary, even, but not forced.
Posted Dec 28, 2018Edit critic review
6/10
The First Monday in May (2016) Nathanael Hood The First Monday in May is gorgeous, sumptuous. It's also undercooked.
Posted Dec 28, 2018Edit critic review
6/10
Always Shine (2016) Nathanael Hood It's not a good film, but I'd be damned if I said I didn't love every minute of it.
Posted Dec 28, 2018Edit critic review
4/10
AWOL (2016) Nathanael Hood Completely bereft of momentum, it staggers and stumbles its torturous way through an eighty five-minute run-time without offering anything creative or original.
Posted Dec 28, 2018Edit critic review
9/10
The Revenant (2015) Nathanael Hood The Revenant is a film of mud, blood, and carnage set against unforgiving northern wastes of snow and freezing water.
Posted Dec 28, 2018Edit critic review
8/10
Thank You for Playing (2015) Nathanael Hood As an exploration of the human spirit, it is indispensable.
Posted Dec 28, 2018Edit critic review
7/10
Hunt for the Wilderpeople (2016) Nathanael Hood Hunt for the Wilderpeople masks its earnest sweetness with a giggling distrust of authority, making it at once heartfelt and mischievous.
Posted Dec 28, 2018Edit critic review
5/10
Nerdland (2016) Nathanael Hood It isn't even that funny.
Posted Dec 28, 2018Edit critic review
7/10
Among the Believers (2015) Nathanael Hood A chilling documentary that examines Maulana Aziz's Red Mosque network and the roots of Muslim extremism.
Posted Dec 28, 2018Edit critic review
5/10
Steak (R)evolution (2014) Nathanael Hood The documentary feels less informative, less explorative than it does self-indulgent.
Posted Dec 28, 2018Edit critic review
6/10
Slow West (2015) Nathanael Hood It's so obsessed with being a well-constructed, socially conscious film that it forgets to be a good one.
Posted Dec 28, 2018Edit critic review
9/10
In Transit (2015) Nathanael Hood The final feature by Albert Maysles...it utilizes the unobtrusive techniques he helped pioneer...to capture a stirring cross-section of humanity locked in a temporary purgatory.
Posted Dec 28, 2018Edit critic review
6/10
Applesauce (2015) Nathanael Hood But I can't help but feel that his central message of the importance of empathy gets muddled by the slapdash storytelling.
Posted Dec 28, 2018Edit critic review
7/10
Orion: The Man Who Would Be King (2015) Nathanael Hood Funny, compelling, and heart-felt.
Posted Dec 27, 2018Edit critic review
8/10
Autism in Love (2015) Nathanael Hood I have never seen a film that treated autism with the same level of respect and dignity as Matt Fuller's Autism in Love.
Posted Dec 27, 2018Edit critic review
8/10
Scherzo diabolico (2015) Nathanael Hood A near-perfect engine of human cruelty.
Posted Dec 27, 2018Edit critic review
4/10
Sworn Virgin (2015) Nathanael Hood ...it nevertheless deflates Hana's journey of emotional weight.
Posted Dec 27, 2018Edit critic review
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