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The Grio

The Grio is not a Tomatometer-approved publication. Reviews from this publication only count toward the Tomatometer® when written by the following Tomatometer-approved critic(s): Brooke Obie, Candice Frederick, Ronda Racha Penrice.

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Rating Title | Year Author Quote
The Marvels (2023) Brooke Obie With a great cast, a great premise and some fun and funny moments, the final story is, unfortunately, an anti-climactic version of stories we’ve seen before in the MCU, and “representation” alone can’t save it.
Posted Nov 10, 2023Edit critic review
Dicks: The Musical (2023) Brooke Obie There’s something extra sweet about seeing Megan (Thee Stallion) as Gloria reclaim her top spot in bars and put the men who are disrespecting her back in their place — all while having the time of her life in an absolutely bonkers movie.
Posted Sep 26, 2023Edit critic review
Stamped From the Beginning (2023) Brooke Obie While the stories and histories of Black people in America might not be new information, its presentation in “Stamped” is absolutely new, commendable and should be required viewing.
Posted Sep 26, 2023Edit critic review
Lil Nas X: Long Live Montero (2023) Brooke Obie Dismissed as a gimmick, a one-hit wonder, a stunt queen, Lil Nas X has proven the slander wrong. “Long Live Montero” ensures that there’s a record and proves that there are multiple reasons why he’s here to stay.
Posted Sep 26, 2023Edit critic review
They Cloned Tyrone (2023) Brooke Obie “They Cloned Tyrone” is as much a hood manifesto as it is an enthralling dark comedy.
Posted Jul 21, 2023Edit critic review
You People (2023) Brooke Obie In Barris’ hands, it’s just…nothing — for two tedious, aggressively unfunny hours.
Posted Jul 20, 2023Edit critic review
Ant-Man and The Wasp: Quantumania (2023) Brooke Obie Ant-Man and the Wasp: Quantumania is a good time.
Posted Jul 20, 2023Edit critic review
Creed III (2023) Brooke Obie "With his eye toward healing, Jordan’s directorial debut is a fantastic technical and emotional achievement in the “Creed” canon and a triumph of the restorative power of Black male softness."
Posted Jul 20, 2023Edit critic review
Chevalier (2022) Brooke Obie "Starring Kelvin Harrison Jr. at his career best in the title role, “Chevalier” tells the hidden true history of late-18th century Black creole child savant, master violinist, champion fencer and composer Joseph Bologne."
Posted Jul 20, 2023Edit critic review
The Little Mermaid (2023) Brooke Obie "Whether Disney will use its profits to pay its writers fairly and invest in original Black stories is yet to be seen. But a win is a win, and we deserve it."
Posted Jul 20, 2023Edit critic review
The Blackening (2022) Brooke Obie From classic jump scares and misdirects to a horrifying car scene and running for your life through the woods, “The Blackening” combines all of the best tropes of the genre to make an instant Juneteenth classic.
Posted Jul 20, 2023Edit critic review
The Sit-In: Harry Belafonte Hosts The Tonight Show (2020) Candice Frederick Thoughtful and fascinating.
Posted Jul 03, 2021Edit critic review
The One and Only Dick Gregory (2021) Candice Frederick Like its subject, The One and Only Dick Gregory makes an indelible mark in both history and entertainment.
Posted Jul 03, 2021Edit critic review
A Choice of Weapons: Inspired by Gordon Parks (2021) Candice Frederick While there are times when A Choice of Weapons seems at odds with itself, it also accentuates the challenge of telling the story of a figure through your eyes and admiration for him rather than their own words.
Posted Jul 03, 2021Edit critic review
Passing (2021) Candice Frederick It all leads to a shocking and devastating conclusion but with gentle compassion, Hall captures the isolation, admiration, and quiet desperation between the women in a sophisticated story that still resonates nearly a century after it was first told.
Posted Feb 23, 2021Edit critic review
Summer of Soul (...Or, When the Revolution Could Not Be Televised) (2021) Candice Frederick As his longtime fans would probably attest, Thompson's music nerdom and sheer enthusiasm for the story of Black music practically leaps off the screen in Summer of Soul.
Posted Feb 23, 2021Edit critic review
First Date (2021) Candice Frederick Silly, empty, and entirely perplexing, First Date never really hits it off with its audience.
Posted Feb 23, 2021Edit critic review
Ailey (2021) Candice Frederick As a result, it feels immediately hollow. Who is this nebulous voice, more seen than heard, that bears the film's name?
Posted Feb 23, 2021Edit critic review
R#J (2021) Candice Frederick Intellectual audiences might assume in the beginning that the two are simply boning up on their British literature or practicing for a recital. Nope, buckle up, this is the entire ride.
Posted Feb 23, 2021Edit critic review
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