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Gone With The Twins

Gone With The Twins is not a Tomatometer-approved publication. Reviews from this publication only count toward the Tomatometer® when written by the following Tomatometer-approved critic(s): Mike Massie.

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Rating Title | Year Author Quote
3/10
Mercy (2026) Mike Massie A fun idea with a thrilling premise, but the execution is ludicrous.
Posted Jan 21, 2026  Edit critic review
6/10
All You Need Is Kill (2025) Mike Massie It’s purposefully stylized, but it’s not the most straightforwardly pleasing animation.
Posted Jan 19, 2026  Edit critic review
5/10
28 Years Later: The Bone Temple (2026) Mike Massie Though the brunt of this middle chapter wraps up all of its fresh tangents with a decent conclusion, it’s also quite apparent that the parting shots are just another tease for another sequel.
Posted Jan 13, 2026  Edit critic review
6/10
Greenland 2: Migration (2026) Mike Massie Perhaps the most unique aspect of this production is its unlikely, optimistic perspective.
Posted Jan 08, 2026  Edit critic review
5/10
Planet of the Apes (2001) Mike Massie Instead of ratcheting up to an indelible conclusion (which doesn’t provide solutions, like in the 1968 original), the focus shifts to large-scale battles with nonsensical duels.
Posted Jan 03, 2026  Edit critic review
8/10
Bluebeard's Eighth Wife (1938) Mike Massie In the world of Lubitsch’s love stories, contention can be quite alluring.
Posted Jan 03, 2026  Edit critic review
4/10
The Punisher (1990) Mike Massie The script is just generic enough that it’s difficult to care too much about the characters and their outcomes.
Posted Jan 03, 2026  Edit critic review
6/10
Pale Rider (1985) Mike Massie The revenge formula is dependable, with obvious antagonists who require a special kind of cinematic justice.
Posted Jan 03, 2026  Edit critic review
4/10
The Fireball (1950) Mike Massie It isn’t without its entertainment value, but it’s not unique enough or exciting enough to leave much of a mark, particularly as it falls into the realm of an inspirational sports drama.
Posted Jan 03, 2026  Edit critic review
5/10
Forbidden World (1982) Mike Massie Since the performances are so mediocre, it’s difficult to get wrapped up in the thrills; the characters aren’t able to convey appropriate levels of fear or even concern.
Posted Jan 03, 2026  Edit critic review
8/10
The Count of Monte Cristo (2002) Mike Massie The ways in which it plays out its basic concepts of personal reinvention and much-anticipated comeuppances are largely effective.
Posted Jan 03, 2026  Edit critic review
3/10
Constantine (2005) Mike Massie Since the various goings-on are abnormal, puzzling, metaphysical, and embellished by dated computer graphics, it’s difficult to get too wrapped up in the plot.
Posted Jan 03, 2026  Edit critic review
6/10
Gun Shy (2000) Mike Massie Though it focuses on character development and interactions, with a surprisingly capable script (it’s not often that a lead deals with irritable bowels), expertly delivered by Neeson and Platt, it doesn’t move very quickly.
Posted Jan 03, 2026  Edit critic review
5/10
Let's Make It Legal (1951) Mike Massie It’s routinely whimsical and approached with a decided insincerity, but a streak of realism does surface – alongside answers that are annoyingly withheld until characters are seemingly unpardonable.
Posted Jan 03, 2026  Edit critic review
4/10
The Misfits (1961) Mike Massie The film had potential, but in its efforts to unravel the complexities of the human condition of the era, it presents three men who are largely disagreeable, irresponsible, childish, irresolute, and angsty.
Posted Jan 03, 2026  Edit critic review
4/10
We're Not Married (1952) Mike Massie The comedy moments aren’t particularly funny, while the dramatic moments are a touch too severe.
Posted Jan 03, 2026  Edit critic review
8/10
O. Henry's Full House (1952) Mike Massie Each tale is brief and to the point; this vignette arrangement is the perfect way for O. Henry’s works to come to life, revealing their poignant messages without being stretched thin for the sake of individual, feature-length designs.
Posted Jan 03, 2026  Edit critic review
4/10
Clash by Night (1952) Mike Massie The film is ultimately too slow; brooding and drudging and transgressing occur at such an unhurried pace that by the time worthwhile tragedies do crop up, they’re plainly predictable.
Posted Jan 03, 2026  Edit critic review
3/10
Love Nest (1951) Mike Massie Most of the characters are unsympathetic or trivial or, worst of all, unbelievably farfetched for what is meant to be an airy romantic comedy.
Posted Jan 03, 2026  Edit critic review
6/10
The Monster That Challenged the World (1957) Mike Massie For a B-picture, the underwater photography isn’t bad, while the violence is minimal but entertaining in its creative grisliness.
Posted Jan 03, 2026  Edit critic review
6/10
Pocahontas (1995) Mike Massie After the successes of Disney’s previous animated features, this one has a tough time separating itself, despite the drastic shift in period and locations.
Posted Jan 03, 2026  Edit critic review
2/10
There's No Business Like Show Business (1954) Mike Massie A handful of dances are nicely staged (chiefly an O’Connor bit with fountain statues of stone that come to life), while a couple of songs reasonably resonate, but the pacing is too slow and the story too simplistic for a truly memorable movie.
Posted Jan 03, 2026  Edit critic review
3/10
Let's Make Love (1960) Mike Massie The majority of the comic routines fall flat, which is most unforgivable, though since the bulk of the romance is built upon a lie, this is one of those pictures in which the comedy components are necessary to overcome the enormousness of the deceit.
Posted Jan 03, 2026  Edit critic review
3/10
Anaconda (2025) Mike Massie It’s one of the most ineffective and dishonest horror-comedy hybrids of recent memory.
Posted Dec 23, 2025  Edit critic review
4/10
Wake Up Dead Man: A Knives Out Mystery (2025) Mike Massie It may eventually tie up all the loose ends, but it’s not satisfying during the convoluted, verbose process.
Posted Dec 21, 2025  Edit critic review
7/10
Predator: Killer of Killers (2025) Mike Massie As far as Predator-based pictures go, this one is immensely entertaining.
Posted Dec 19, 2025  Edit critic review
5/10
Avatar: Fire and Ash (2025) Mike Massie At a certain point (and this episode could very well be it), these movies will be indistinguishable from one another.
Posted Dec 16, 2025  Edit critic review
6/10
The Housemaid (2025) Mike Massie It tries exceedingly hard, perhaps even to a fault, to keep its audience guessing when the next twist will rear its winding head and where that misdirection might eventually lead.
Posted Dec 16, 2025  Edit critic review
5/10
Frankenstein (2025) Mike Massie This may be a fresh adaptation, with all of the flair that auteur Guillermo del Toro brings to his productions, but there’s little mystery or wonder to the proceedings.
Posted Dec 12, 2025  Edit critic review
5/10
Zootopia 2 (2025) Mike Massie It’s a fitting sequel, well orchestrated for fans and younger audiences, even if it’s not as engaging or timely or unique as before.
Posted Dec 08, 2025  Edit critic review
5/10
Hamnet (2025) Mike Massie As a result of the unadorned, quotidian happenings, the performances become the standout pieces.
Posted Dec 06, 2025  Edit critic review
3/10
Five Nights at Freddy's 2 (2025) Mike Massie Perhaps most outrageous of all is the disinterest in telling a complete story; it’s downright shocking just how many conflicts are created and how few are resolved.
Posted Dec 04, 2025  Edit critic review
6/10
Eternity (2025) Mike Massie The actors are well-cast, particularly Randolph, who gets all the best jokes; she nicely balances the more serious elements with alternatingly bubbly and crass humor.
Posted Dec 01, 2025  Edit critic review
6/10
Wicked: For Good (2025) Mike Massie Though it’s gifted the more interesting story concoctions, it certainly has the less momentous musical numbers.
Posted Nov 19, 2025  Edit critic review
3/10
Now You See Me: Now You Don't (2025) Mike Massie If there are fans of this series – which there probably shouldn’t be – this latest chapter contains all the ingredients they could hope for.
Posted Nov 11, 2025  Edit critic review
6/10
Nuremberg (2025) Mike Massie If this latest take on the Nuremberg trials isn’t especially entertaining or enlightening (resorting to cheaper theatrics on occasion, rather than cold, hard facts), at least it’s still noteworthy for its urgent subject matter.
Posted Nov 05, 2025  Edit critic review
7/10
Predator: Badlands (2025) Mike Massie It may be fairy simple, feeling derivative at times of other pictures that boasted uneasy alliances and twists on who the real enemies are, but it’s spot-on for the series, staying faithful to the films that came before it.
Posted Nov 04, 2025  Edit critic review
10/10
Predator (1987) Mike Massie This superior blend of firepower, machismo, bloodshed, and one of the most exhilarating showdowns in cinema is often imitated but rarely equaled.
Posted Oct 31, 2025  Edit critic review
6/10
Bugonia (2025) Mike Massie It’s the kind of genre-blending thriller, peppered with uncomfortable laughs as it may be, that is more interesting in its commentary on modern society than it is regularly entertaining.
Posted Oct 28, 2025  Edit critic review
4/10
Foxy Brown (1974) Mike Massie It can’t live up to the excitement and hipness generated by its predecessor, though it would go on to be incredibly influential and successful for the genre.
Posted Oct 27, 2025  Edit critic review
8/10
Coffy (1973) Mike Massie The tone is serious, the harshness entertaining, the deserts grandly just (the finale is surprisingly well-written and supremely satisfying), and the star perfectly cast.
Posted Oct 27, 2025  Edit critic review
3/10
Naked Warriors (1973) Mike Massie A hint of tension surfaces during an escape attempt, but the complexity of the plot is too nominal to maintain much excitement; it’s also rather predictable, going through the routines of arena showdowns as opposed to spicing them up with creativity.
Posted Oct 27, 2025  Edit critic review
3/10
Game of Death (1979) Mike Massie Though it barely works as a movie, a handful of fight scenes are undeniably entertaining, including a warehouse brawl with motorcycles and a showdown at the Red Pepper Restaurant.
Posted Oct 27, 2025  Edit critic review
4/10
Web of Seduction (1999) Mike Massie It may be pitiful as a traditional narrative, but it’s quite effective as visual titillation.
Posted Oct 27, 2025  Edit critic review
7/10
Good Fortune (2025) Mike Massie Despite some structural shortcomings, it's surprisingly heartwarming.
Posted Oct 15, 2025  Edit critic review
5/10
After the Hunt (2025) Mike Massie It may be timely and relevant (its closing scenes are exceptionally somber in the context of 2025), but it’s far from satisfying or singular or indelible.
Posted Oct 14, 2025  Edit critic review
6/10
TRON: Ares (2025) Mike Massie The story is a collection of absolute absurdities, but the look of the picture is oozing with slick style and exhilarating sci-fi structures.
Posted Oct 07, 2025  Edit critic review
5/10
The Smashing Machine (2025) Mike Massie In the end, it’s a small story with limited scope and appeal, undoubtedly begging the question as to why it wasn’t centered around Kerr’s best friend Mark Coleman instead.
Posted Oct 02, 2025  Edit critic review
6/10
Kiss of the Spider Woman (2025) Mike Massie The acting is once again the highlight; the cast turns in impressive performances, even if the plot can’t offer up any surprises.
Posted Sep 30, 2025  Edit critic review
6/10
Eyes Wide Shut (1999) Mike Massie Even with its superb sense of unease and the idea that it’s steadily crafting a galvanizing conspiracy, it wanders off on tangents.
Posted Sep 25, 2025  Edit critic review
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