|
|
La Chimera
(2023)
|
CJ Sheu
|
Not just Arthur, the film itself is immersed in the past.
Posted Nov 12, 2024
Edit critic review
|
|
|
Gavagai
(2018)
|
CJ Sheu
|
Cerebrally intriguing but somniferously monotonous, watching Gavagai feels just like reading the first half of this sentence.
Posted Nov 05, 2024
Edit critic review
|
|
|
My First Film
(2024)
|
CJ Sheu
|
Anger’s coming of age isn’t about arriving at the answers, but about knowing how to ask the questions.
Posted Oct 31, 2024
Edit critic review
|
|
|
Clytaemnestra
(2021)
|
CJ Sheu
|
We know that Clytaemnestra’s pressure cooker will explode; the fun is in seeing how the cracks form.
Posted Sep 23, 2024
Edit critic review
|
|
|
Benediction
(2021)
|
CJ Sheu
|
Transcendent performances and visionary direction make for a numinous final film by Terence Davies.
Posted Sep 06, 2024
Edit critic review
|
|
|
Showing Up
(2022)
|
CJ Sheu
|
Reichardt is one of the few directors who truly knows how to use Williams, and the resulting portrait is detailed, deep, and compassionate.
Posted Aug 26, 2024
Edit critic review
|
|
|
The Idea of You
(2024)
|
CJ Sheu
|
The film in general has a reasonable proximity to realist logic, but it’s still a rom-com, so there’s at least some fantasy involved. . . . It’s just a really good film.
Posted Aug 20, 2024
Edit critic review
|
|
|
Hit Man
(2023)
|
CJ Sheu
|
As the object of desire, what Powell gives is less chemistry than capybara, but that’s okay, because Arjona’s performance is so hot that I was surprised the screen didn’t start smoking.
Posted Aug 01, 2024
Edit critic review
|
|
|
Civil War
(2024)
|
CJ Sheu
|
If beauty is the sole standard for their work, then the film’s view of war photography is as an aesthetic death cult.
Posted Jul 15, 2024
Edit critic review
|
|
|
Godzilla Minus One
(2023)
|
CJ Sheu
|
Almost all the men are veterans who’ve seen the horrors behind the old lie, Dulce et decorum est pro patria mori (“It’s sweet and fitting to die for one’s country”). . . . “Not having been to war is something to be proud of[.]”
Posted Jun 26, 2024
Edit critic review
|
|
|
Soviet Bus Stops
(2022)
|
CJ Sheu
|
Indelible bus stops and a retro soundtrack from behind the Iron Curtain can’t hide the fact that this film is essentially a 57-minute commercial for the two photography books from which it’s adapted.
Posted Jun 12, 2024
Edit critic review
|
|
|
Challengers
(2024)
|
CJ Sheu
|
Tashi’s beautiful, but the boys aren’t attracted to HER. What they want is to be near her greatness, to have it, to be great; they don’t want to be in her, they want to BE HER.... No, the real source of sexual chemistry is between the boys.
Posted May 31, 2024
Edit critic review
|
|
|
Hotel by the River
(2018)
|
CJ Sheu
|
So that’s the plot, and it only exists so that the characters can hold forth on gender dynamics in the second act. But before that, we get to luxuriate in the muted winter beauty of the river scenery, accentuated by the crisp black-and-white digital image
Posted May 24, 2024
Edit critic review
|
|
|
Eileen
(2023)
|
CJ Sheu
|
The film’s story and character arcs are broadly predictable, and there are few noteworthy plot details to speak of. ... Once logic goes out the window, it doesn’t come back.
Posted Apr 26, 2024
Edit critic review
|
|
|
The Woman Who Ran
(2019)
|
CJ Sheu
|
Though only one woman has run in The Woman Who Ran, it seems like every woman wants to.
Posted Apr 18, 2024
Edit critic review
|
|
|
The Holdovers
(2023)
|
CJ Sheu
|
Absolutely nothing new happens in Alexander Payne’s surprisingly warm and fuzzy film, but it’s a perfectly fine way to while away 135 minutes. And — who knows? — you might even remember some well-worn yet valuable life lessons.
Posted Apr 01, 2024
Edit critic review
|
|
|
Anatomy of a Fall
(2023)
|
CJ Sheu
|
At the end of the film’s 150 minutes, there’s a verdict, but Sandra is still the only person who knows if she killed Samuel. The only thing we can be sure of is that the trial, and any such trial, is a farce.
Posted Mar 24, 2024
Edit critic review
|
|
|
Girls and Panzer the Finale: Part II
(2019)
|
CJ Sheu
|
The girls are funny and cute, the tanks are historically accurate, and the battles are fierce and competently portrayed for the most part.
Posted Mar 18, 2024
Edit critic review
|
|
|
Girls und Panzer das Finale: Part IV
(2023)
|
CJ Sheu
|
Despite its ridiculous premise, this hit anime franchise has action, humor, historical accuracy, and heart — though the latest installment takes a slight dip.
Posted Mar 18, 2024
Edit critic review
|
|
|
Girls und Panzer das Finale: Part 3
(2021)
|
CJ Sheu
|
The girls are funny and cute, the tanks are historically accurate, and the battles are fierce and competently portrayed for the most part.
Posted Mar 18, 2024
Edit critic review
|
|
|
Girls und Panzer: This is the real Anzio Battle
(2014)
|
CJ Sheu
|
These cultural and military stereotypes don’t just inform the respective battle tactics; they’re also incredibly funny.
Posted Mar 18, 2024
Edit critic review
|
|
|
Girls und Panzer: The Movie
(2015)
|
CJ Sheu
|
The girls are funny and cute, the tanks are historically accurate, and the battles are fierce and competently portrayed for the most part.
Posted Mar 18, 2024
Edit critic review
|
|
|
Girls und Panzer das Finale: Part 1
(2017)
|
CJ Sheu
|
The girls are funny and cute, the tanks are historically accurate, and the battles are fierce and competently portrayed for the most part.
Posted Mar 18, 2024
Edit critic review
|
|
|
Leave the World Behind
(2023)
|
CJ Sheu
|
The film has more impossible shots than the Harlem Globetrotters.
Posted Mar 06, 2024
Edit critic review
|
|
|
Poor Things
(2023)
|
CJ Sheu
|
Set against colorfully artificial production design and a weird premise that’s typical of Yorgos Lanthimos, Poor Things masters the coming of age vibe.
Posted Feb 29, 2024
Edit critic review
|
|
|
Anyone But You
(2023)
|
CJ Sheu
|
Anyone but You is a standout return to rom-com form powered by the acting chops, wit, and frankly stunning looks of its two leads.
Posted Feb 26, 2024
Edit critic review
|
|
|
Afire
(2023)
|
CJ Sheu
|
Petzold has gotten less subtle over the years, and this is probably his bluntest film yet. But his trademark haunting conflicted poignancy is still there in the ending.
Posted Jan 30, 2024
Edit critic review
|
|
|
Ferrari
(2023)
|
CJ Sheu
|
The film portrays characters mostly running smoothly in the face of death around every corner, of the road and of life.
Posted Jan 24, 2024
Edit critic review
|
|
|
Fair Play
(2023)
|
CJ Sheu
|
Effective sound design and solid acting anchor an overdetermined and melodramatic plot.
Posted Jan 03, 2024
Edit critic review
|
|
|
Napoleon
(2023)
|
CJ Sheu
|
The main cast does excellent work, no thanks to the slow pacing and underlit imagery. Ridley Scott can’t decide if Napoleon is tortured, pitiable, or just plain silly.
Posted Dec 19, 2023
Edit critic review
|
|
|
May December
(2023)
|
CJ Sheu
|
A farcical black social comedy, Todd Haynes’s May December offers a catty and campy twist on Bergman’s Persona, satirizing Hollywood along the way.
Posted Nov 30, 2023
Edit critic review
|
|
|
TAYLOR SWIFT | THE ERAS TOUR
(2023)
|
CJ Sheu
|
Small imperfections aside, the film succeeds beyond our wildest dreams at its two aims: to offer a religious experience for us Swifties, and to spread the gospel of Swift far and wide[.]
Posted Nov 14, 2023
Edit critic review
|
|
|
The Boy and the Heron
(2023)
|
CJ Sheu
|
At its core, this is Miyazaki’s The Tempest[.]
Posted Oct 30, 2023
Edit critic review
|
|
|
A Haunting in Venice
(2023)
|
CJ Sheu
|
A Haunting in Venice elevates well-worn genre tropes with exceptional casting and filmmaking flair to create a satisfying experience.
Posted Oct 25, 2023
Edit critic review
|
|
|
Inspector Sun
(2022)
|
CJ Sheu
|
I hope Chieng was paid handsomely.
Posted Oct 06, 2023
Edit critic review
|
|
|
The Moon
(2023)
|
CJ Sheu
|
Is it good? Not really. But the excitement and explosions still manage to deliver.
Posted Aug 31, 2023
Edit critic review
|
|
|
Past Lives
(2023)
|
CJ Sheu
|
[F]or all the talk of in-yun, the true past life is the one Nora left behind in Korea[.]
Posted Aug 17, 2023
Edit critic review
|
|
|
Small, Slow But Steady
(2022)
|
CJ Sheu
|
Over the course of its 99 minutes, one learns to inhabit Keiko’s quietude, and even begins to feel the power that lies at its center.
Posted Jul 31, 2023
Edit critic review
|
|
|
In Water
(2023)
|
CJ Sheu
|
For those who have no patience [...], Hong is saying that [...] they’re too shortsighted. But for those who are willing to go with it [...], he shows how even the immature work of a nascent artist, crude as it may be, has a charm all its own.
Posted Jul 13, 2023
Edit critic review
|
|
|
Decision to Leave
(2022)
|
CJ Sheu
|
Style is the name of the exposition game[....] What’s a little murder in the face of true love?
Posted Jul 11, 2023
Edit critic review
|
|
|
Spider-Man: Across the Spider-Verse
(2023)
|
CJ Sheu
|
[W]hat’s fast becoming this series’ calling card: action sequences that defy all spatial orientation and come at you at the speed of thought while meticulously maintaining coherence and clarity of audience focus.
Posted Jul 04, 2023
Edit critic review
|
|
|
Dealing with Dad
(2022)
|
CJ Sheu
|
The Americanized grown children of Asian immigrants come to terms with the poor emotional parenting of their father. The real twist isn’t in the premise of the Taiwanese father having depression but rather what if he actually doesn’t have a heart of gold?
Posted May 25, 2023
Edit critic review
|
|
|
Rally Road Racers
(2023)
|
CJ Sheu
|
Yet derivative as it is, a good time can still be had by kids who haven’t seen the films on which it draws.
Posted May 09, 2023
Edit critic review
|
|
|
Anime Supremacy!
(2022)
|
CJ Sheu
|
The film stiffs the working class in order to stick it to the man. As for the performances, perhaps the characters have been making children’s shows for too long.
Posted Apr 18, 2023
Edit critic review
|
|
|
John Wick: Chapter 4
(2023)
|
CJ Sheu
|
Who knew the Wickiverse was a (murderous) utopia?
Posted Apr 06, 2023
Edit critic review
|
|
|
Cyber Heist
(2023)
|
CJ Sheu
|
Given how many Chinese provinces joined the production, if this is the best they can do, Hollywood has nothing to fear.
Posted Mar 24, 2023
Edit critic review
|
|
|
Return to Seoul
(2022)
|
CJ Sheu
|
Yet despite the broad familiarity of the story and character, the specific details fascinate (arms dealer?!), and Park’s nuanced and layered performance, with some layers contradicting others, is never less than attention-grabbing.
Posted Mar 06, 2023
Edit critic review
|
|
|
The Novelist's Film
(2022)
|
CJ Sheu
|
We feel the purity of art, how isolated the circuit is from the artist to the work and back. The impact of all art is on the individual first, and the burden of creating and fashioning that individual impact is shouldered by each artist in their own way.
Posted Mar 06, 2023
Edit critic review
|
|
|
Nam June Paik: Moon is the Oldest TV
(2023)
|
CJ Sheu
|
What makes it special is the sheer number of Paik’s works excerpted throughout. ... For most of the film’s running time, Paik’s work as conveyed in "Nam June Paik" still looks like it comes from the future.
Posted Feb 07, 2023
Edit critic review
|
|
|
Bad Press
(2023)
|
CJ Sheu
|
In an atmosphere of pervasive media bashing, the film reminds us of just how much worse things would be without it.
Posted Feb 07, 2023
Edit critic review
|