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3/4
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The Dutchman
(2025)
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Leo Brady
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The Dutchman intrigues and unsettles, drawing the audience into a dark and dangerous dance with the devil.
Posted Jan 27, 2026
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3.5/4
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Send Help
(2026)
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Leo Brady
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No matter what, Sam Raimi has taken us back to genre-movie paradise. Send Help is an absolutely unhinged splash.
Posted Jan 27, 2026
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1/4
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Mercy
(2026)
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Leo Brady
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Mercy is simultaneously preposterous, stiff, never thrilling, and a prime example of lazy filmmaking.
Posted Jan 22, 2026
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2/4
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H Is for Hawk
(2025)
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Leo Brady
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Rather than a moving exploration of grief, H Is for Hawk emerges as a dour and disengaging experience.
Posted Jan 21, 2026
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3.5/4
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Dead Man's Wire
(2025)
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Leo Brady
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That meticulous craftsmanship, combined with unpredictable tension and sharp thematic resonance, results in a story ripped from the headlines and a confident return to form for Gus Van Sant.
Posted Jan 20, 2026
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3/4
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The Rip
(2026)
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Leo Brady
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It’s Affleck and Damon doing what they do best- two gritty guys making a gritty movie. That kind of stuff always rips.
Posted Jan 17, 2026
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1/4
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Stalkers
(2025)
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Leo Brady
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Stalkers isn’t worth the audience’s time, and it arguably wasn’t worth the time of the people who made it.
Posted Jan 15, 2026
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3.5/4
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28 Years Later: The Bone Temple
(2026)
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Leo Brady
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Rarely does a sequel feel darker, more disturbing, or as gnarly as this one. More movies should dare to be just like it.
Posted Jan 15, 2026
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3/4
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We Bury the Dead
(2024)
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Leo Brady
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We Bury the Dead ultimately underscores the bleak tragedy at the heart of the genre: these monsters were once people, and what lingers is the weight of who they used to be.
Posted Jan 13, 2026
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3/4
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Thieves Highway
(2025)
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Leo Brady
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Thieves Highway centers on lawless men trying to take what isn’t theirs, with one man standing in their way. It’s a prime piece of action filmmaking.
Posted Jan 09, 2026
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3.5/4
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Father Mother Sister Brother
(2025)
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Leo Brady
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Like most of Jarmusch’s work, Father Mother Sister Brother is a pure slice of life.
Posted Jan 09, 2026
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2.5/4
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David
(2025)
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Leo Brady
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Like its hero, David is an underdog that shows plenty of fight, even if it doesn’t always come out on top.
Posted Jan 07, 2026
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3.5/4
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Avatar: Fire and Ash
(2025)
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Leo Brady
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Avatar: Fire and Ash left me exhilarated and thrilled. It’s the kind of film that only grows on you with repeat viewings, and yet another reminder that James Cameron is a legend of the modern blockbuster.
Posted Dec 20, 2025
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3/4
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The Housemaid
(2025)
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Leo Brady
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The Housemaid is trashy, and I mean that as a genuine compliment
Posted Dec 17, 2025
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3.5/4
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Standout: The Ben Kjar Story
(2025)
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Leo Brady
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Standout is a powerful and inspiring documentary that offers a valuable perspective on life while introducing the world to a true champion.
Posted Dec 16, 2025
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1/4
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The Kiss of a Vampire
(2025)
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Leo Brady
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It feels closer to a Tommy Wiseau–style Nosferatu, failing to shock or thrill and delivering a vampire film that made me want to sleep.
Posted Dec 15, 2025
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2/4
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Five Nights at Freddy's 2
(2025)
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Leo Brady
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Five Nights at Freddy’s 2 is better than its predecessor simply because it’s livelier, but it leaves logic completely behind.
Posted Dec 05, 2025
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3.5/4
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Eternity
(2025)
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Leo Brady
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It’s a premise that yields a funny, thoughtful, and unexpectedly heartwarming film, one that makes Eternity a delightful new rom-com worth spending forever with.
Posted Dec 03, 2025
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4/4
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Hamnet
(2025)
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Leo Brady
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Raw with emotion and rich in its ode to nature, love, and loss, it stands as one of the most affecting films of 2025.
Posted Nov 24, 2025
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2/4
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No Pictures With My Father
(2025)
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Leo Brady
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The result is a film with genuine heart and considerable potential- one that feels both incomplete and cathartic. It’s a well-intentioned documentary that’s difficult to critique cleanly.
Posted Nov 24, 2025
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2/4
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The Running Man
(2025)
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Leo Brady
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In the end, The Running Man isn’t just uneven; it feels like two films wrestling for control. And neither one wins.
Posted Nov 14, 2025
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2/4
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Now You See Me: Now You Don't
(2025)
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Leo Brady
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Like a flashy illusion, it captures your attention for a moment, only to leave you empty-handed when the smoke clears. Abracadabra.
Posted Nov 13, 2025
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3/4
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A Savage Art: The Life & Cartoons of Pat Oliphant
(2025)
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Leo Brady
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A Savage Art: The Life & Cartoons of Pat Oliphant captures what made the artist singular—the importance of his messages, and the urgent need for political cartoonists now more than ever.
Posted Nov 13, 2025
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4/4
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Nouvelle Vague
(2025)
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Leo Brady
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For cinephiles, Nouvelle Vague is pure nostalgia and reverence for film as art, and an inspiring tribute to the enduring legacy of the French New Wave.
Posted Nov 11, 2025
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2/4
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Christy
(2025)
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Leo Brady
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Christy doesn’t do anything to separate itself from the glut of other Hollywood boxing movies, and it certainly doesn’t elevate the genre.
Posted Nov 07, 2025
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3.5/4
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Predator: Badlands
(2025)
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Leo Brady
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Predator: Badlands is the most badass movie of 2025.
Posted Nov 05, 2025
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2.5/4
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The Vortex
(2025)
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Leo Brady
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With a strong lead performance and sharply structured dialogue, The Vortex manages to make its gamble pay off.
Posted Nov 05, 2025
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3/4
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Stitch Head
(2025)
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Leo Brady
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It’s heartfelt, funny, and a little spooky, which is everything you could want from a new Halloween classic.
Posted Oct 31, 2025
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3.5/4
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The Summer Book
(2024)
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Leo Brady
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The Summer Book is beautiful.
Posted Oct 30, 2025
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1/4
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Unbanked
(2025)
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Leo Brady
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Unbanked isn’t really a documentary at all. It’s a painfully biased, tone-deaf promotional video for the entire crypto industry.
Posted Oct 29, 2025
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3.5/4
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A HOUSE OF DYNAMITE
(2025)
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Leo Brady
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A House of Dynamite is an explosive, nerve-wracking experience, and a chilling vision of the kind of military crisis we pray never comes to pass.
Posted Oct 25, 2025
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3.5/4
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Roofman
(2025)
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Leo Brady
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Roofman is almost too wild to believe, yet every bit of it is true. Cianfrance brings his raw, empathetic touch to a fantastic story about a man who just can’t get out of his own way.
Posted Oct 25, 2025
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2/4
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Other
(2025)
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Leo Brady
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The result, unfortunately, is a film rich in ideas and anchored by a committed performance from Olga Kurylenko, yet one that stumbles at nearly every turn.
Posted Oct 23, 2025
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4/4
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Bugonia
(2025)
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Leo Brady
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Bugonia is provocative, disturbing, and utterly captivating- whether you want to believe it or not.
Posted Oct 23, 2025
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3.5/4
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Frankenstein
(2025)
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Leo Brady
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With meticulous attention to detail, haunting themes of life and death, and a phenomenal ensemble cast, Frankenstein comes alive with spectacular results.
Posted Oct 18, 2025
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3/4
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Black Phone 2
(2025)
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Leo Brady
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Black Phone 2 may not match the eerie freshness of its predecessor, but it brings enough new ideas and genuine scares to stand on its own. The fear is real, and once again, it’s terrifying to fall asleep.
Posted Oct 16, 2025
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3/4
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Kiss of the Spider Woman
(2025)
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Leo Brady
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It’s not the musical I expected to move me, but it did. Kiss of the Spider Woman casts a spell that lingers.
Posted Oct 10, 2025
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1.5/4
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Eleanor the Great
(2025)
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Leo Brady
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The core of Eleanor the Great feels contrived, tone-deaf, and cold.
Posted Oct 09, 2025
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3/4
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TRON: Ares
(2025)
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Leo Brady
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Visually electric and sonically booming, Tron: Ares is a high-tech thrill ride.
Posted Oct 08, 2025
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1/4
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Uppercut
(2025)
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Leo Brady
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Uppercut is a case of good intentions lost in poor execution. Throw in the towel on this one.
Posted Oct 08, 2025
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1.5/4
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Coyotes
(2025)
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Leo Brady
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Coyotes brings little to the table. It’s another entry in a subgenre already teeming with better, bloodier, and smarter fare.
Posted Oct 03, 2025
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3/4
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The Smashing Machine
(2025)
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Leo Brady
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Told with honesty and grit, The Smashing Machine is a knockout in every sense, an unflinching, emotional, and ultimately triumphant portrait of a man at war with himself.
Posted Oct 03, 2025
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3/4
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Deepfaking Sam Altman
(2025)
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Leo Brady
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Deepfaking Sam Altman is an urgent and provocative glimpse into the AI-driven future rapidly unfolding before us.
Posted Oct 03, 2025
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1.5/4
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London Calling
(2025)
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Leo Brady
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London Calling is painfully generic, unfunny, uninspired, and unmemorable.
Posted Sep 29, 2025
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4/4
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One Battle After Another
(2025)
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Leo Brady
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It’s raw, propulsive, and destined to endure. Quite simply, it’s one of the best films of 2025.
Posted Sep 25, 2025
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2/4
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Night of the Reaper
(2025)
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Leo Brady
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Night of the Reaper throws its hat into the ring as a spirited indie slasher, but ultimately feels too familiar to make a lasting impact.
Posted Sep 19, 2025
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2.5/4
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The Cut
(2024)
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Leo Brady
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With a powerful, committed performance from Orlando Bloom and great ambition behind the camera, The Cut doesn’t land a knockout punch, but it does go the distance.
Posted Sep 19, 2025
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1/4
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The Workout
(2025)
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Leo Brady
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There’s effort here, no doubt, and even a flicker of artistic ambition, but the result is a film that feels both inadequate and exhausting.
Posted Sep 12, 2025
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3/4
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The Long Walk
(2025)
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Leo Brady
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The Long Walk is a bleak and haunting film, heartbreaking and, at times, strangely inspiring.
Posted Sep 10, 2025
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3/4
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The Conjuring: Last Rites
(2025)
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Leo Brady
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The Conjuring: Last Rites manages to deliver a fitting, emotional, and frightening send-off—an ideal film to kick off the fall season and a worthy capstone to one of modern horror’s most successful series.
Posted Sep 05, 2025
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