Rotten Tomatoes
Movies Tv shows RT App News Showtimes
Critics list

Todd Jorgenson

Tomatometer-approved critic
Official Website:

http://www.dentonrc.com/entertainment

Reviews

Movies TV Shows
They Will Kill You (2026) 66% EDIT “Consistently creepy and almost cartoonishly intense, it’s a series of progressively outrageous confrontations that showcase some invigorating fight choreography and stylish visual gimmickry, but provide little substance beneath the surface spectacle.” – Cinemalogue Mar 28, 2026 Full Review Mike & Nick & Nick & Alice (2026) 78% EDIT “Emphasizing chaos over coherence, this genre hybrid succeeds better as a quirky buddy comedy than a crime thriller, bolstered by a science-fiction twist that distinguishes it from its formulaic trappings.” – Cinemalogue Mar 28, 2026 Full Review The Saviors (2026) 53% EDIT “Intriguing character dynamics drive this uneven satire that offers a compelling probe of communication barriers and subconscious biases, although the tension remains muted.” – Cinemalogue Mar 28, 2026 Full Review DreamQuil (2026) 30% EDIT “The thematic ambitions are muddled by chilly storytelling in this stylish science-fiction cautionary thriller about technology infringing upon human connection.” – Cinemalogue Mar 28, 2026 Full Review Mr. Burton (2025) 92% EDIT “More of a tribute to the mentor than the protégé, the film is given emotional weight by the richly textured performances, resulting in an insightful if uneven probe of artistic inspiration and the creative process.” – Cinemalogue Mar 28, 2026 Full Review Yes (2025) 91% EDIT “The film’s bleak cynicism is balanced by exhilarating audacity as Lapid’s satirical vision is meticulously rendered.” – Cinemalogue Mar 28, 2026 Full Review You're Dating a Narcissist! (2025) 50% EDIT “With its characters not defined beyond the parameters of the one-joke premise, this mildly amusing romantic comedy lacks depth beyond some scattered laughs.” – Cinemalogue Mar 28, 2026 Full Review 13 Days 13 Nights (2025) EDIT “... lacks subtlety and nuance, yet still generates consistent suspense as the heightened stakes resonate across cultural and geographic boundaries.” – Cinemalogue Mar 28, 2026 Full Review A Magnificent Life (2025) 63% EDIT “The choppy narrative rarely matches the visual charms. Pagnol’s life might have been magnificent, but this salute is considerably less so.” – Cinemalogue Mar 28, 2026 Full Review Kontinental '25 (2025) 92% EDIT “Darkly humorous and deeply provocative, this searing social satire carries a timely thematic relevance beneath its no-frills narrative structure.” – Cinemalogue Mar 28, 2026 Full Review Holy Days (2026) 62% EDIT “Even if some of the quirky mayhem feels forced, the esteemed cast keeps it amusing.” – Cinemalogue Mar 28, 2026 Full Review Forbidden Fruits (2026) 79% EDIT “The well-acted film generates some laughs while cleverly tweaking commercialism and superficiality, although there’s not much substance beneath the acerbic surface.” – Cinemalogue Mar 28, 2026 Full Review Alpha (2025) 56% EDIT “The bleakness and despair intensifies throughout this muddled psychological thriller, which maximizes discomfort with a harrowing setup that doesn’t substantially escalate the suspense or the emotional stakes.” – Cinemalogue Mar 28, 2026 Full Review Project Hail Mary (2026) 95% EDIT “Ryan Gosling’s fully committed performance galvanizes this science-fiction adventure, a throwback crowd-pleaser with humor and heart.” – Cinemalogue Mar 20, 2026 Full Review Tow (2025) 78% EDIT “... a compassionate true-life drama of blue-collar resilience against corporate greed and bureaucratic injustice that tugs at the heartstrings without turning heavy-handed.” – Cinemalogue Mar 20, 2026 Full Review The Well (2025) 41% EDIT “Depicting a near-future world where fresh water is a dwindling resource, the story runs dry in this bleak dystopian eco-drama, in which the lumbering pace yields muted emotional stakes.” – Cinemalogue Mar 20, 2026 Full Review Ready or Not 2: Here I Come (2026) 73% EDIT “Noteworthy more for its carnage than its cleverness, this follow-up lacks the freshness of its predecessor while falling into typical sequel trappings.” – Cinemalogue Mar 20, 2026 Full Review Miroirs No. 3 (2025) 93% EDIT “A slight yet haunting tale of grief and parental instincts, this character-driven German chamber drama builds a steady sense of intrigue around its strained family dynamics. ” – Cinemalogue Mar 20, 2026 Full Review Late Shift (2025) 96% EDIT “Despite some heavy-handed emotional swings down the stretch, the film mostly sidesteps contrivances in favor of intimate and unvarnished authenticity, galvanized by an expressive portrayal by Benesch.” – Cinemalogue Mar 20, 2026 Full Review Reminders of Him (2026) 55% EDIT “Straining for laughs and tears, it unfolds predictably without providing the same catharsis to audiences as it does for its characters.” – Cinemalogue Mar 14, 2026 Full Review undertone (2025) 72% EDIT “Technical achievement outweighs narrative proficiency in this unsettling yet hollow supernatural thriller, which amounts to an impressive experiment in sound design supporting a generic script.” – Cinemalogue Mar 14, 2026 Full Review Storm Rider: Legend of Hammerhead (2026) 42% EDIT “The ambition exceeds the grasp of this derivative thriller that borrows so liberally from other dystopian science-fiction sagas that you’d think it was a lampoon if it didn’t take itself so seriously.” – Cinemalogue Mar 14, 2026 Full Review Slanted (2025) 69% EDIT “Although it turns heavy-handed down the stretch, this sharply observed coming-of-age satire is a clever genre hybrid examining the immigrant experience with fresh relevance.” – Cinemalogue Mar 14, 2026 Full Review Saipan (2025) 93% EDIT “It might not provide much new insight for fans, but this retelling of the 2002 scandal that rocked the Irish national soccer team makes for a breezy and compelling time capsule.” – Cinemalogue Mar 14, 2026 Full Review Psycho Killer (2026) 10% EDIT “More concerned with amplifying serial-killer tropes than generating consistent suspense, this lurid cat-and-mouse thriller is dead on arrival.” – Cinemalogue Mar 8, 2026 Full Review
No Reviews Yet
Load More