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Udita Jhunjhunwala

Tomatometer-approved critic

Reviews

Movies TV Shows
The History of Sound (2025) 70% EDIT “...the film is confident in its choices, content to let the music and its lead actors do the heavy lifting, as Lionel and David fight battles both externally and internally.” – Livemint Jan 27, 2026 Full Review 28 Years Later: The Bone Temple (2026) 93% EDIT “The graphic violence and tone of The Bone Temple will not work for everyone, yet it remains a purposeful sequel, pushing the franchise forward.” – Livemint Jan 20, 2026 Full Review Jay Kelly (2025) 75% EDIT “Jay Kelly is occasionally uneven and overlong, yet it’s an intelligent, humorous and often emotional exploration of fame’s collateral damage.” – Livemint Dec 11, 2025 Full Review Ballad of a Small Player (2025) 48% EDIT “Berger’s Macau shimmers with allure, but the story beneath it fails to fully engage. The film dazzles visually but never quite hits the emotional jackpot.” – Scroll.in Oct 29, 2025 Full Review Caught Stealing (2025) 85% EDIT “The film is brutal—filled with bad luck, questionable choices and broken bodies—but it’s also thrilling, propelled by Butler’s performance and Aronofsky’s compassion for the flawed.” – Livemint Oct 14, 2025 Full Review Kantara: A Legend - Chapter 1 (2025) 85% EDIT “The first half spends stretches in world-building, layering history, ritual and politics. It’s a breathless visual spectacle, loaded with concepts and commentary. The last 45 minutes, while packed with spectacle, are where the film unravels most.” – Livemint Oct 6, 2025 Full Review Sunny Sanskari Ki Tulsi Kumari (2025) 20% EDIT “Khaitan and producers Dharma have embraced what one could call ‘wedding album cinema’—opulent sets, attractive costumes and meticulous staging. High on style, but low on logic or storyline.” – Livemint Oct 2, 2025 Full Review Inspector Zende (2025) 64% EDIT “What could have been an amusing, clever, maybe even a sharp send-up of criminal folklore, is instead riddled with scant humour, muddled history and bargain basement production values. ” – Livemint Sep 9, 2025 Full Review The Roses (2025) 64% EDIT “The Roses scores in the way it has contemporized the story, resetting it with British characters and trading some of that cruelty of the original for a bittersweet edge, balancing sharp humour with a genuine sense of loss.” – Livemint Sep 2, 2025 Full Review The Thursday Murder Club (2025) 77% EDIT “As a mystery, The Thursday Murder Club lacks bite, but as a cosy crime drama it is a pleasant watch—one that works best as a reminder that friendship and cleverness don’t fade with age.” – Livemint Sep 2, 2025 Full Review Tehran (2025) EDIT “If one is able to overlook the few flaws, Gopalan’s film is occasionally gripping, offering an un-bombastic take on patriotism while acknowledging the complicated, transactional nature of international alliances and the ethical complexities of espionage.” – Livemint Aug 19, 2025 Full Review Son of Sardaar 2 (2025) 15% EDIT “...the film does have visual appeal and a clean production design. But these surface-level strengths can’t compensate for a screenplay that doesn’t know whether it wants to be a satire, a family entertainer, or a commentary on modern relationships.” – Livemint Aug 4, 2025 Full Review The Fantastic Four: First Steps (2025) 86% EDIT “The Fantastic Four: First Steps is competent at best—a reboot with cosmic ambition that barely attains lift-off.” – Livemint Jul 29, 2025 Full Review Aap Jaisa Koi (2025) 40% EDIT “Unfortunately, the narrative is burdened by a script that lacks depth and a story that never quite takes off. Interactions are built around overly familiar themes of sexual conservatism, ego, and misunderstanding.” – Livemint Jul 15, 2025 Full Review Heads of State (2025) 68% EDIT “Heads of State succeeds by playing to its stars’ strengths. It’s pacy, funny, and manages to give its slight premise some bite.” – Livemint Jul 7, 2025 Full Review Jurassic World Rebirth (2025) 50% EDIT “...Jurassic arrives with the weight of an extinct franchise on its back and, despite moments of technical brilliance, struggles to escape the shadow of its better predecessors.” – Livemint Jul 7, 2025 Full Review 28 Years Later (2025) 88% EDIT “28 Years Later is more than a return to form. It’s a filmmaker using genre not just to thrill but to reflect. ” – Livemint Jun 24, 2025 Full Review Second Chance (2024) EDIT “Nia is a complex role for a newcomer, and though Johnson is occasionally out of her depth, Mahajan assuredly steers the narrative home.” – Livemint Jun 16, 2025 Full Review Housefull 5 (2025) 13% EDIT “Housefull 5 is louder, longer, and completely lost at sea.” – Livemint Jun 9, 2025 Full Review Karate Kid: Legends (2025) 58% EDIT “Though it holds back on the emotional punches and occasionally plays it safe with crowd-pleasers, Legends remains a respectful, heartfelt, and surprisingly fresh fusion of everything that’s made the franchise endure.” – Livemint Jun 2, 2025 Full Review Logout (2024) EDIT “Atanu Mukherjee’s editing moves the 108-minute movie along briskly, while Khan holds your attention on screen. He is Pratman—arrogant, stylish, entitled, insecure, validation-seeking, remorseful—and he adeptly transitions through myriad shifting emotions.” – Livemint May 3, 2025 Full Review Thunderbolts* (2025) 88% EDIT “The humour, juxtaposed with some introspection, offers just enough to make Thunderbolts* a satisfying experience, even if it falls short of building the franchise it both teases and promises.” – Livemint May 2, 2025 Full Review Phule (2025) 70% EDIT “The film progresses through key life moments, almost as if visually and dutifully depicting Wikipedia entries for the Phules.” – Livemint Apr 28, 2025 Full Review Jaat (2025) 36% EDIT “[Sunny Deol's] soft-spoken dialogue delivery and suitability to playing an older hero, combined with Hooda’s performance as a chilling antagonist, aren’t strong enough to carry the weight of loud, crude, brutal and, ultimately, puffed up mess.” – Livemint Apr 11, 2025 Full Review Chhorii 2 (2025) EDIT “Where the filmmaking scores is in the production: a dungeon that is a maze of horrors, the lighting and camerawork, the eerie music that sets the mood. ” – Scroll.in Apr 11, 2025 Full Review
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