Walker MacMurdo
Walker MacMurdo's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
The Hero (2017)
77%
2/4
EDIT
“By never challenging the terms of Hayden's self-imposed misery, The Hero never resolves whether Hayden needs a second chance when he, perhaps, had a very good first one.” –
Willamette Week
Jun 21, 2017
Full Review
Ghost in the Shell (2017)
43%
2/4
EDIT
“The action is a blurry mess of jump cuts and extraordinarily annoying slo-mo flips [but] director Rupert Sanders has created one of the most overwhelming visual worlds in recent memory.” –
Willamette Week
Apr 13, 2017
Full Review
Raw (2016)
93%
EDIT
“Marillier seamlessly transitions from cloistered nerd to hypersexed party wastrel, playing her discovery that she's a beautiful young woman who's too smart for her own good with the squirmy, frantic energy of a real-life teenager.” –
Willamette Week
Mar 29, 2017
Full Review
The Autopsy of Jane Doe (2016)
86%
2/4
EDIT
“What begins as a novel spin on the claustrophobic thriller takes a turn for the familiar about halfway through, but strong performances, lean exposition and tight camera work keep indie-horror rising star Andr vredal's new feature compelling.” –
Willamette Week
Mar 1, 2017
Full Review
Get Out (2017)
98%
4/4
EDIT
“What emerges, with nods to the absurdist anxiety of Rosemary's Baby and the existential terror of Michael Haneke is a tightly wound, viciously funny comment on the quotidian horror of life in black America.” –
Willamette Week
Mar 1, 2017
Full Review
Logan (2017)
93%
3/4
EDIT
“Despite tonal missteps, a major one serving as the film's transition to the third act, Logan is a thinking man's superhero flick: the best "gritty" offering we've had since The Dark Knight Returns.” –
Willamette Week
Mar 1, 2017
Full Review
Aloys (2016)
80%
1/4
EDIT
“Director Tobias Nlle's pretty camera work can't save this film from being an utter chore.” –
Willamette Week
Feb 27, 2017
Full Review
I Am Not Your Negro (2016)
99%
4/4
EDIT
“Peck's masterful presentation of Baldwin's ideas lets the audience "see" America through his eyes, making his case intellectually and emotionally.” –
Willamette Week
Feb 9, 2017
Full Review
Yourself and Yours (2016)
94%
1/4
EDIT
“Although Lee Yoo-young's subdued performance as the film's lead is compelling, even Joe Swanberg completionists will struggle to find insights here.” –
Willamette Week
Feb 8, 2017
Full Review
Hedi (2016)
100%
3/4
EDIT
“Majd Mastoura gives a masterful performance in Mohamed Ben Attia's commentary on a rapidly changing Tunisia that forces people to choose between family and happiness.” –
Willamette Week
Feb 8, 2017
Full Review
xXx: Return of Xander Cage (2017)
46%
B
EDIT
“Thankfully, it avoids tonal pitfalls with a good dose of 2016 post-irony, ramping up the extremity to a scale so ludicrous and grating -- neon-splattered title cards introduce many of the film's minor characters -- that it's clearly tongue-in-cheek.” –
Willamette Week
Jan 25, 2017
Full Review
Silence (2016)
83%
C+
EDIT
“Scorsese overplays his hand, and Silence ends, 30 minutes late, on the exact syrupy note you expect it to.” –
Willamette Week
Jan 12, 2017
Full Review
Elle (2016)
91%
A-
EDIT
“Verhoeven and Huppert have crafted a grimly humorous but life-affirming portrait of strength and survivorship.” –
Willamette Week
Jan 11, 2017
Full Review
No Pay, Nudity (2016)
71%
C+
EDIT
“No Pay, Nudity is a good example of why studio executives don't want to throw money at pictures in which not much happens: If they aren't very good, they tend to be very dull.” –
Willamette Week
Dec 14, 2016
Full Review
Rogue One: A Star Wars Story (2016)
84%
A
EDIT
“The performances in this film are among the best the franchise has seen. This isn't a film of supermen. It's one of everyday people trying to justify, morally and practically, their roles in the struggles against an overwhelming, evil adversary.” –
Willamette Week
Dec 14, 2016
Full Review
Bad Santa 2 (2016)
23%
B-
EDIT
“Quietly, Thornton is an excellent comic, and writer Shauna Cross wisely gives him the film's best material to laugh-out-loud effect.. [But] film also suffers from a robust case of sequelitis.” –
Willamette Week
Nov 23, 2016
Full Review
The Pearl (2016)
67%
A
EDIT
“The Pearl isn't some late-night infomercial selling transgender rights to an uneducated audience. It simply wishes to show trans humanity.” –
Willamette Week
Nov 10, 2016
Full Review
From Afar (2015)
79%
B-
EDIT
“Perhaps this film requires a deeper understanding of Latin American queerness than this reviewer possesses, but From Afar watches like an intimate film that lacks intimacy.” –
Willamette Week
Oct 26, 2016
Full Review
The Handmaiden (2016)
96%
B+
EDIT
“The Handmaiden is an undeniably lush, meticulously constructed film whose celebration of perversity is among the most artful you'll see.” –
Willamette Week
Oct 26, 2016
Full Review
White Girl (2016)
70%
B
EDIT
“When White Girl isn't dressing up as a morality play, it sharply confronts the social and political anxieties of the most idealistic generation in generations.” –
Willamette Week
Oct 12, 2016
Full Review
The Birth of a Nation (2016)
72%
B
EDIT
“Nation is a big, difficult, still important mess.” –
Willamette Week
Oct 5, 2016
Full Review
No Reviews Yet
Load More
Something went wrong.. try again