Viva

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Garry A @heavyg Apr 28 As soon as the father lunged and punched his son in the bar, I struggled to keep watching the film. He was nothing but a nasty bully who imposed his will on his son. I stopped around the 40 minutes mark. See more Karla S 09/17/2024 Esta película es una verdadera joya. El amor incondicional de un hijo. Es una belleza de película. El contenido, el guion y las actuaciones son tremendas. Entretenida de principio a fin. See more PridePosterStudios 09/21/2023 Idk where Daddy gets his audacity from, but it needs slapping out of him. See more 04/09/2022 VIVA, artistically directed by Paddy Breathnach, is a deeply moving dramatic film of a young gay man coming to terms with an abusive father and who is trying to make a life for himself in a macho, homophobic society. It is beautifully acted with incredibly moving performances by all the leads and supporting actors. VIVA is a story of a young man who finds his dreams of becoming a drag queen performer dashed when circumstances work against him. Hector Medina who plays Jesus gives a gut wrenching and an exquisite performance of a decent, vulnerable androgynous looking young man who is barely eking out an existence working as a hairdresser in the city of Havana, Cuba. While doing Nita's hair (played by Paula Ali), we learn some of his back story. He is on his own. There's an absent father and both his mother and grandmother have died. When one of the drag queens who performs at the Palermo Cabaret, runs off with Mama's wigs, Jesus grabs at the opportunity to audition for the vacancy left by Celeste. Mama is wonderfully acted by Luis Alberto Garcia who gives a stellar performance of the sincere middle-aged drag queen with a heart of gold. Although he shows promise, Jesus as Viva has a lot to learn and not holding back on his performances. Just when things are looking up for Jesus, he is brutally re-introduced to his father during one of his drag queen performances. Jesus's dreams of becoming a drag queen are dashed when his father forbids him to perform and Mama decides too that she can't risk it either because she is worried of the trouble Jesus's father would make for the club. Jorge Perugorria who plays Angel Gutierrez, Jesus's father, gives an excellent performance of the bitter delusional angry macho alcoholic father who imposes himself on his son and usurps his life. Jesus begrudgingly puts up with his father's presence, his violent and obnoxious behaviour, and tries to be a good son. He cuts his father's hair, cooks for him and accompanies him to the boxing club. Frustrated at his situation, Jesus lies to Mama about his father having had a change of heart and he is allowed to perform again in the club one day a week. But still without a steady source of income and living hand to mouth and taking on the responsibility of caring for his father, Jesus reluctantly turns to tricking to earn money to support themselves. Jesus confides in Mama and tells him that he is selling himself. In one of the many dramatic moments in the film, Mama confronts Angel at Jesus's apartment and offers Jesus a way out. But, Jesus stays with his father who later reveals to his son that he is dying. A highlight of the film is watching the relationship between Jesus and his father unfold as they learn despite their differences to love each other. I love melodramas and VIVA hits all the high notes of a melodrama and reminds me of the Hollywood melodramas of the 1950s especially the films of master filmmaker Douglas Sirk. The narrative is gripping and the dramatic tension doesn't let up culminating in an incredible drag queen performance of Jesus as Viva with his father in the audience. I was also moved by the compassion and camaraderie of the drag queens, their bantering and wit. I would like to single out Mark O'Halloran for his brilliant and deeply moving script. I also particularly liked the cut aways of Havana, Cuba which situated the story in a cultural context and gave the film depth and character. VIVA is a beautifully acted film that merits your attention. It is essentially a film that celebrates the triumph of the human spirit and the desire to be true to oneself. Do see it for you won't be disappointed. See more 09/23/2019 Lejos de los clichés con los que se excede el melodrama, el filme te adentra a las emociones y razones principales que llevan a Viva a tratar de gritarlas mediante una excelente actuación. Mucha emoción que gira entorno a un tema familiar que siempre está presente en cada uno de nosotros, a pesar de esto es una excelente película para disfrutar. See more Fong Kok Hoong F 08/08/2019 Over and above a melodrama rehearsing the tribulations of an aspiring drag club performer looking for deliverance in cross-dressing and the ballads he lip-syncs, this Spanish-language Irish submission for Best Foreign Language Film at the 88th Academy Awards is a pensive explication of hegemonic masculinity in poverty-stricken slums. See more Read all reviews

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