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Alonso Díaz de la Vega

Alonso Díaz de la Vega's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Publications:

Reviews

Movies TV Shows
Ray & Liz (2018) 94% EDIT “Even the presence of memory and the past show that no evil lasts forever. At least for Richard and Jason. [Full review in Spanish]” – El Universal Dec 9, 2021 Full Review Tenet (2020) 70% EDIT “Nolan finally seems to admit that he is not interested in people or their stories or their emotions, but rather using their forms, their bodies, to fill them with abstractions. [Full review in Spanish]” – El Universal Dec 9, 2021 Full Review Hard to Be a God (2013) 95% EDIT “[Filmmaker Aleksei] German exalts the grotesque sensuality of Arkanar with a visual style that surpasses the expressiveness of Khrustalyov, My Car! [Full review in Spanish]” – El Universal Dec 9, 2021 Full Review Workforce (2019) 100% EDIT “In Mano de trabajo we find a tone that despises melodrama in favor of a more credible representation. [Full review in Spanish]” – El Universal Dec 9, 2021 Full Review Bird Island (2019) 100% EDIT “Antonin's story is a magnificent symbol of many things. [Full review in Spanish]” – El Universal Dec 9, 2021 Full Review The Terrorizers (1987) EDIT “The shooting itself is one of the strangest and most sensational I have ever seen. [Full review in Spanish]” – El Universal Dec 9, 2021 Full Review Mank (2020) 83% EDIT “In many ways it deals with a past that... but also the present. [Full review in Spanish]” – El Universal Dec 9, 2021 Full Review Memories of Underdevelopment (1968) 96% EDIT “With Memories of Underdevelopment [Director Tomás] Gutiérrez Alea built a perhaps definitive image of the 20th century revolutions. [Full review in Spanish]” – El Universal Mar 31, 2021 Full Review Cemetery of Splendor (2015) 96% EDIT “There's no other filmography more essential than Weerasethakul's. [Full review in Spanish]” – El Universal Mar 31, 2021 Full Review Dance of the 41 (2020) 73% EDIT “The style here might not be revolutionary, but it treats its audience with respect and tells a story that needs to be shared. [Full Review in Spanish]” – El Universal Dec 4, 2020 Full Review Inside Llewyn Davis (2013) 92% EDIT “Inside Llewyn Davis manipulates those narratives to create an amalgam that seems determined to deform them. [Full Review in Spanish]” – El Universal May 13, 2020 Full Review Nashville (1975) 89% EDIT “The concision with which Nashville approaches each subject is amazing. [Full Review in Spanish]” – El Universal May 8, 2020 Full Review The Green Fog (2017) 96% EDIT “Maddin's entire film is a cinephile exercise that reconstructs a masterpiece with pieces from other films or programs. [Full Review in Spanish]” – El Universal May 8, 2020 Full Review The King of Comedy (1983) 89% EDIT “The tone of The King of Comedy distinguishes itself in a very meritorious way. [Full Review in Spanish]” – El Universal May 8, 2020 Full Review Night Moves (2013) 86% EDIT “Night Moves is defined as one of the most original films in its class. [Full Review in Spanish]” – El Universal May 8, 2020 Full Review Unforgiven (1992) 96% EDIT “Unforgiven thus rejects Eastwood's previous filmography and the patriotic speeches of many other filmmakers involved with the western. [Full Review in Spanish]” – El Universal May 8, 2020 Full Review The Flower (La flor) (2016) 95% EDIT “A poem of the unfinished and the imperfect, The Flower is a tribute to broken sentences and badly placed commas [Full Review in Spanish]” – El Universal Apr 7, 2020 Full Review Merry Christmas, Mr. Lawrence (1983) 86% EDIT “His film, like John Wayne's, is neither realistic nor ambiguous, but it is a fascinating essay that finds revolutionary discourse in masculinity subversion. [Full Review in Spanish]” – El Universal Mar 26, 2020 Full Review Diary of a Country Priest (1950) 95% EDIT “What is unique about Bresson's film is that the images could go without - I think they should - the words that are used to describe these images. [Full Review in Spanish]” – El Universal Mar 18, 2020 Full Review Midnight Family (2019) 97% EDIT “Lorentzen communicates his ideas well enough. [Full Review in Spanish]” – El Universal Mar 6, 2020 Full Review Kraben rahu (2018) 100% EDIT “In Mantarraya, these common places are manifested in such an original and ambiguous way. [Full Review in Spanish]” – El Universal Feb 27, 2020 Full Review Waves (2019) 84% EDIT “Such an important theme seems to promise a narrative indigestion, but Shultz is gifted with synthesis and an unusual intelligence to change tone between an artificial nightmare and a liberating dream. [Full Review in Spanish]” – El Universal Feb 19, 2020 Full Review Distant Constellation (2017) 85% EDIT “Instead of making her documentary with a direct style, Mizrahi uses the images creatively to reinvent the world she observes. [Full Review in Spanish]” – El Universal Feb 13, 2020 Full Review Land (2018) 80% EDIT “Land's mistake is to sacrifice the vastness of emotions in the process, but a tender dance scene reminds us of the washed out humanity of these people. [Full review in Spanish]” – El Universal Feb 5, 2020 Full Review Uncut Gems (2019) 91% EDIT “Sandler delivers a formidable performance of an annoying winner. [Full review in spanish]” – El Universal Jan 29, 2020 Full Review
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