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Dallas King

Tomatometer-approved critic
Biography:

Dallas King is a film critic and podcaster based in Aberdeen, Scotland. As the Festivals Editor for Flickfeast website, he loves nothing more than attending film festivals and talking about the films of A24 as co-host of The A24 Project podcast.

Reviews

Movies TV Shows
All American (2024) 3/5 EDIT “It is an inspiring story. One that may indeed result in others lacing up and hitting the mat. Even if the film's rallying cry is delivered with slightly muted tones.” – Flick Feast Nov 23, 2025 Full Review Safe House (2025) 3/5 EDIT “An enjoyable pressure cooker of a movie that delivers thrills & kills, and twists & turns a plenty.” – Flick Feast Oct 27, 2025 Full Review Good Boy (2025) 90% 4/5 EDIT “Man’s best friend has delivered one of the year’s most unique, unsettling, and best horrors.” – Flick Feast Oct 11, 2025 Full Review Light Up (2024) 91% 2/5 EDIT “One understands the desire to showcase this strong, supportive, and broad community. However, by constantly cutting between them, it loses focus, and subsequently lessens some of the impact.” – Flick Feast Oct 6, 2025 Full Review Prisoner of War (2025) 67% 4/5 EDIT “A film that delivers brutality and entertainment in equal measure, Prisoner of War is also a testament to the strength and honour of the men who fought in those conflicts.” – Flick Feast Sep 19, 2025 Full Review The Smashing Machine (2025) 70% 4/5 EDIT “Johnson disappears into the role of Mark Kerr. Hard-hitting and heartfelt... a career-best performance that anchors the entire film.” – Flick Feast Sep 1, 2025 Full Review Frankenstein (2025) 85% 5/5 EDIT “Frankenstein has long been Del Toro's dream project, and he has turned his sweet dream into the most beautiful nightmare. The most human, and humane, version committed to screen.” – Flick Feast Aug 30, 2025 Full Review Bugonia (2025) 88% 2/5 EDIT “Despite committed performances from the two leads, Bugonia proves the weakest of the collaborations between Lanthimos and Stone.” – Flick Feast Aug 30, 2025 Full Review After the Hunt (2025) 37% 2/5 EDIT “After The Hunt‘s tagline is “not everything is supposed to make you feel comfortable”. Unfortunately, the film left this critic uncomfortably numb.” – Flick Feast Aug 29, 2025 Full Review No Other Choice (2025) 97% 4/5 EDIT “This wicked tale is hilarious, heartfelt, and horrifying in equal measure. Park Chan-wook's latest leaves you with no other choice than to watch it.” – Flick Feast Aug 29, 2025 Full Review Jay Kelly (2025) 75% 4/5 EDIT “With a career-best performance from George Clooney, Jay Kelly is a testament to the power and allure of movies, and the movie stars that make it happen. ” – Flick Feast Aug 28, 2025 Full Review Put Your Soul on Your Hand and Walk (2025) 98% 4/5 EDIT “Fatima Houssana may never have been able to leave Gaza, but thanks to this film, her face and voice will echo far and wide around the world. People will know her name, her work, her strength, and her unforgettable smile.” – Flick Feast Aug 21, 2025 Full Review Sorry, Baby (2025) 97% 4/5 EDIT “The ultimate triple threat... Eva Victor is a bold new voice in independent cinema that will be heard for many years to come.” – Flick Feast Aug 16, 2025 Full Review Concessions (2025) 4/5 EDIT “Concessions combines poignancy with an acerbic wit that will make you fall in love with the movie theater again. Think Clerks meets Cinema Paradiso.” – Flick Feast Aug 15, 2025 Full Review The Naked Gun (2025) 87% 3/5 EDIT “The Naked Gun is found to be very guilty of man's laughter, and does enough to merit the soft reboot of the franchise. ” – Flick Feast Jul 30, 2025 Full Review Gazer (2024) 81% 4/5 EDIT “Gazer is an impressive debut and calling card for Ryan J. Sloan... His decision to shoot grainy 16mm cinematography gives this tale of twists and turns a true grit, which compliments Mastroianni’s raw and vulnerable performance as the woman out of time.” – Flick Feast Jul 16, 2025 Full Review Videoheaven (2025) 87% 4/5 EDIT “An exhaustive, but never exhausting, trip down memory lane... Be kind, and rewind with VIDEOHEAVEN as it delivers a passionate, nostalgic eulogy for a now sadly bygone era.” – Flick Feast Jun 29, 2025 Full Review Sirāt (2025) 92% 4/5 EDIT “An incendiary vision of a journey into the unknown that feels like the bastard cousin of Mad Max meets The Wages of Fear.” – Flick Feast May 29, 2025 Full Review Left-Handed Girl (2025) 98% 5/5 EDIT “Every frame of this wonderful film is simply bursting with life. Left-Handed Girl will make you laugh, cry, and gasp. The entire spectrum of human emotions. What more can you want from cinema?” – FILMHOUNDS Magazine May 20, 2025 Full Review Urchin (2025) 96% 8/10 EDIT “Mike needs to be told what to do by others rather than having his own independence. Unlike this character, Dickinson has total and complete independence, forging ahead to make one of the year’s most confident and fantastic directorial debuts.” – Next Best Picture May 18, 2025 Full Review Dalloway (2025) 4/10 EDIT “The generic screenplay results in a film that feels like an inferior "Black Mirror" episode, twice as long, with a misguided message about the current state of AI at its center.” – Next Best Picture May 17, 2025 Full Review Mission: Impossible - The Final Reckoning (2025) 80% 3/5 EDIT “Never mind the risk of Cruise plummeting to his death from a great height for our amusement, jaws will hit the floor at the sheer audacity of seeing it on the big screen.” – Flick Feast May 15, 2025 Full Review Enzo (2025) 86% 4/5 EDIT “A beautiful, tender, and heartaching coming-of-age story, and a fitting tribute to Cantet... featuring a stunning breakout performance from Eloy Pohu.” – Flick Feast May 15, 2025 Full Review Leave One Day (2025) 57% 2/5 EDIT “Creativity, inventiveness, and heart are on display... however if you commit to being a musical, you have to give it everything. At times, the delivery feels lacklustre.” – Flick Feast May 14, 2025 Full Review Until Dawn (2025) 52% 1/5 EDIT “The original game was devised as a “love letter to horror movies.” This movie feels like a love letter written by ChatGPT. One devoid of any heart, soul or originality.” – FILMHOUNDS Magazine Apr 27, 2025 Full Review
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