Jennie Kermode
Tomatometer-approved critic
Under the Stars (2025)
3/5
EDIT
“Goes down easily, like a house red.” –
Eye for Film
Jan 27, 2026
Full Review
Put Your Soul on Your Hand and Walk (2025)
98%
4/5
EDIT
“The film doesn’t answer every common question that people have in this situation, but it does provide some context.” –
Eye for Film
Jan 22, 2026
Full Review
Bad Hostage (2024)
4.5/5
EDIT
“Thorough and forthright.” –
Eye for Film
Jan 20, 2026
Full Review
Snow Bear (2025)
4/5
EDIT
“Snow Bear has an old fashioned quality which stands out in today’s landscape.” –
Eye for Film
Jan 20, 2026
Full Review
Rental Family (2025)
87%
4.5/5
EDIT
“It’s not a showy performance, but it’s a standout.” –
Eye for Film
Jan 14, 2026
Full Review
East of Wall (2025)
95%
4.5/5
EDIT
“There’s a particularity about this place that is etched into the screen.” –
Eye for Film
Jan 14, 2026
Full Review
The Testament of Ann Lee (2025)
87%
4/5
EDIT
“Made with consummate care, the film stands out for its exquisite cinematography.” –
Eye for Film
Jan 2, 2026
Full Review
Dracula (2025)
71%
3.5/5
EDIT
“Landry Jones is...expanding his range into a conventional space rather than delivering a refreshingly unconventional take.” –
Eye for Film
Jan 2, 2026
Full Review
Arco (2025)
91%
2.5/5
EDIT
“It’s the sort of sweet-natured fable that makes adults nostalgic for childhood, but both the near and far futures it presents are, to children themselves, already likely to seem out of date.” –
Eye for Film
Dec 30, 2025
Full Review
Hedda (2025)
89%
5/5
EDIT
“DaCosta has managed to create something which feels acutely contemporary and fresh.” –
Eye for Film
Dec 29, 2025
Full Review
Avatar: Fire and Ash (2025)
66%
3/5
EDIT
“Where the story stumbles, the film is carried forward by action.” –
Eye for Film
Dec 29, 2025
Full Review
Santacon (2025)
4/5
EDIT
“The documentary celebrates the early days when members of the public really didn’t know what was going on.” –
Eye for Film
Dec 24, 2025
Full Review
The Plague (2025)
97%
4.5/5
EDIT
“Borrowing tropes from horror, the film adds an uncanny undercurrent to its drama.” –
Eye for Film
Dec 24, 2025
Full Review
The Six Billion Dollar Man (2025)
79%
4.5/5
EDIT
“This is a consistently interesting film and a good exercise in navigating historical narratives, even if it’s not exactly what its UK title might have viewers expecting.” –
Eye for Film
Dec 22, 2025
Full Review
Silent Night, Deadly Night (2025)
77%
3.5/5
EDIT
“Fans shouldn’t be alarmed – there are still some wild sequences full of gore-soaked action.” –
Eye for Film
Dec 15, 2025
Full Review
Baby (2024)
100%
4/5
EDIT
“It is the things taken for granted, as much as the things that stand out, which shape the tale.” –
Eye for Film
Dec 15, 2025
Full Review
Reedland (2025)
83%
4/5
EDIT
“Writer/director Sven Bresser lets events unfold slowly and makes great use of silence.” –
Eye for Film
Dec 15, 2025
Full Review
Elio (2025)
83%
4/5
EDIT
“Complementing the visual variety is an emotional openness and generosity of spirit naturally appealing to those who dream of finding better worlds.” –
Eye for Film
Dec 15, 2025
Full Review
KPop Demon Hunters (2025)
92%
2/5
EDIT
“The film was conceived by Korean American Maggie Kang and it benefits from a knowing humour, playing affectionately with its stereotypes.” –
Eye for Film
Dec 15, 2025
Full Review
Endless Cookie (2025)
90%
4.5/5
EDIT
“Endless Cookie is not like anything else and yet it is very much like life.” –
Eye for Film
Dec 15, 2025
Full Review
The Voice of Hind Rajab (2025)
95%
5/5
EDIT
“There is some very good work here, and all of it tempered where it needs to be, to give due prominence to Hind herself.” –
Eye for Film
Dec 15, 2025
Full Review
Little Amélie or the Character of Rain (2025)
98%
4/5
EDIT
“Amélie doesn’t just narrate but completely dominates this film as a personality.” –
Eye for Film
Dec 15, 2025
Full Review
Song Sung Blue (2025)
78%
4.5/5
EDIT
“Always feels grounded and honest and a little bit awkward in all the right ways.” –
Eye for Film
Dec 11, 2025
Full Review
Zootopia 2 (2025)
91%
2.5/5
EDIT
“A serviceable family film.” –
Eye for Film
Dec 11, 2025
Full Review
Folktales (2025)
85%
4/5
EDIT
“Mythic scenes aside, Ewing and Grady approach their storytelling in a quiet, unobtrusive way which almost gives viewers the impression that they are the ones choosing to follow this particular path through it all.” –
Eye for Film
Dec 5, 2025
Full Review
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