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Just for Movie Freaks

Just for Movie Freaks is not a Tomatometer-approved publication. Reviews from this publication only count toward the Tomatometer® when written by the following Tomatometer-approved critic(s): Surya Komal.

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Rating Title | Year Author Quote
2.5/5
The Frozen Ground (2013) Surya Komal The Frozen Ground neither tackles particularly compelling themes nor offers an exhilarating plot.
Posted Jan 28, 2026Edit critic review
2.5/5
Riddick (2013) Surya Komal Riddick is a mediocre sci-fi movie which will entertain for the most part, certainly much better than I thought it would be.
Posted Jan 28, 2026Edit critic review
3/5
Misfits (2025) Surya Komal Misfits succeeds more on emotional intent than technical finesse. Its celebration of friendship, loyalty, and imperfect people trying their best gives it a genuine core.
Posted Jan 28, 2026Edit critic review
2.75/5
The Raja Saab (2025) Surya Komal Its core concept and ambitious climax hint at a far more compelling film than what ultimately unfolds on screen.
Posted Jan 27, 2026Edit critic review
4/5
Tafiti: Across the Desert (2025) Surya Komal Tafiti: Across the Desert is a sweet, emotionally sincere children’s film that succeeds through warmth rather than novelty.
Posted Jan 26, 2026Edit critic review
2/5
Escape Plan (2013) Surya Komal Escape Plan is an easy one time watch, which only depends on your own interest.
Posted Jan 26, 2026Edit critic review
2.75/5
Almost Us (2026) Surya Komal Almost Us is a well-intentioned and a decently crafted indie film elevated significantly by Anthony Bawn’s star-making and charismatic performance.
Posted Jan 24, 2026Edit critic review
3.25/5
By the Grape of God (2026) Surya Komal It is a quiet journey about questioning purpose and rediscovering meaning, one that lingers not through grand statements, but through simple, human moments.
Posted Jan 21, 2026Edit critic review
2.75/5
Murdercise (2023) Surya Komal Murdercise delivers exactly what it promises: a trashy, neon-soaked, unapologetically stupid good time.
Posted Jan 19, 2026Edit critic review
1/5
Battle of the Year (2013) Surya Komal Battle of the Year is an awful attempt of the genre which may enthuse if you’re a person who loves to watch movies based on dance.
Posted Jan 19, 2026Edit critic review
3.25/5
Space/Time (2025) Surya Komal It’s a film that doesn’t just aim high for an independent project—it largely gets there.
Posted Jan 19, 2026Edit critic review
3/5
MIA (2024) Surya Komal Mia is a tense, performance-driven film that succeeds more through atmosphere and acting than narrative complexity.
Posted Jan 18, 2026Edit critic review
3.25/5
Holy Ghetto (2025) Surya Komal Raw, human, and emotionally resonant, offering a perspective that lingers long after the film ends.
Posted Jan 16, 2026Edit critic review
3.25/5
Banana Split (2025) Surya Komal Banana Split is a sincere, well intentioned indie that understands its characters and their emotional terrain.
Posted Jan 16, 2026Edit critic review
2.5/5
Out of the Furnace (2013) Surya Komal Out of the Furnace is well acted, yet a forgettable movie. The outline was quite captivating but the narration and the writing was certainly a let down.
Posted Jan 16, 2026Edit critic review
3/5
Fallaway (2025) Surya Komal Fallaway is a thoughtful, emotionally charged film that tackles a difficult subject with sincerity and restraint.
Posted Jan 13, 2026Edit critic review
3.25/5
Our Happy Place (2024) Surya Komal Our Happy Place stands as a compelling example of covid-era filmmaking done with intention and craft.
Posted Jan 12, 2026Edit critic review
2/5
Carrie (2013) Surya Komal An unwanted modernised remake.
Posted Jan 09, 2026Edit critic review
3.5/5
Waltzing with Brando (2024) Surya Komal Waltzing with Brando stands out as an unconventional biopic that values ideas, ideals, and relationships over mythology.
Posted Jan 08, 2026Edit critic review
3/5
Suffer (2025) Surya Komal ...its intent, scale of thought, and willingness to challenge traditional fantasy structures make it a compelling experience.
Posted Jan 07, 2026Edit critic review
2.75/5
Nothing Solid (2025) Surya Komal A meaningful step from a filmmaker with something personal and important to say.
Posted Jan 06, 2026Edit critic review
2.5/5
Super 30 (2019) Surya Komal Super 30 works as a regular monetary movie rather than a biography.
Posted Jan 06, 2026Edit critic review
2.5/5
The Running Man (2025) Surya Komal The Running Man is a film full of potential that never fully coheres.
Posted Jan 06, 2026Edit critic review
2.5/5
Escape Room (2019) Surya Komal A missed opportunity and comes nowhere near the entertaining movies this genre had produced over the years.
Posted Jan 06, 2026Edit critic review
3.5/5
How I Spent My Summer Vacation (2025) Surya Komal How I Spent My Summer Vacation works best as a heartfelt, honest coming-of-age story that understands the confusion of growing up while dealing with fear and mortality.
Posted Jan 01, 2026Edit critic review
3.25/5
The Elephant in the Room (2025) Surya Komal The Elephant in the Room stands out because it dares to place romance in the middle of a political battlefield while still choosing empathy over aggression.
Posted Dec 28, 2025Edit critic review
3.25/5
Tapawingo (2023) Surya Komal Tapawingo manages to leave a positive impression with its quirky personality, visually playful filmmaking, and committed cast performances.
Posted Dec 22, 2025Edit critic review
3/5
Universal (2025) Surya Komal Its strength lies in its premise and its willingness to explore world-altering concepts through ordinary human interaction.
Posted Dec 18, 2025Edit critic review
1/5
Student of the Year 2 (2019) Surya Komal SOTY 2 is an easily forgettable and an equally aggravating movie to watch.
Posted Dec 18, 2025Edit critic review
3.5/5
31 Candles (2025) Surya Komal 31 Candles stands out as a thoughtful, intimate rom-com that values specificity over formula.
Posted Dec 17, 2025Edit critic review
3.25/5
Reawakening (2024) Surya Komal Reawakening stands as a thoughtful, performance led drama that occasionally stumbles in its pursuit of thriller conventions. Its greatest strength lies in its exploration of grief, love, and the fragile ways people cope with loss.
Posted Dec 17, 2025Edit critic review
1/5
Coolie No. 1 (2020) Surya Komal There isn’t anything worthwhile to talk about Coolie No. 1.
Posted Dec 17, 2025Edit critic review
3.75/5
Dhurandhar (2025) Surya Komal Dhurandhar is an ambitious, meticulously crafted spy thriller that thrives on its realism, performances, and technical precision.
Posted Dec 15, 2025Edit critic review
3.5/5
This Bloody Country (2025) Surya Komal This Bloody Country is a well crafted Western that values character and atmosphere over spectacle.
Posted Dec 14, 2025Edit critic review
3.5/5
A Gunfighter's Deal (2025) Surya Komal A Gunfighter’s Deal honors the heart of Western morality tales while adding a supernatural spark that fits the dusty frontier rather than clashing with it.
Posted Dec 09, 2025Edit critic review
2.75/5
My Boyfriend Is a Superhero!? (2025) Surya Komal Jackson’s pursuit to redefine how films are made and how viewers participate in their meaning results in a work that is imperfect but forward looking.
Posted Dec 08, 2025Edit critic review
2/5
The Big Bull (2021) Surya Komal The Big Bull suffers from screenwriting issues, an unclear story, and above all, a below-par directorial effort.
Posted Dec 08, 2025Edit critic review
1.5/5
Play Dirty (2025) Surya Komal Play Dirty feels like a hollow-sounding echo of classic heist thrillers: noisy, overlong, and ultimately forgettable.
Posted Dec 08, 2025Edit critic review
3.25/5
The Daughters of the Domino (2025) Surya Komal The Daughters of the Domino stands out for its polished execution and its commitment to exploring what it means to live in the shadow of inherited violence.
Posted Dec 07, 2025Edit critic review
3.75/5
Mr. Wonderful (2025) Surya Komal Mr. Wonderful delivers a grounded family drama carried by strong performances and a clear emotional core.
Posted Dec 05, 2025Edit critic review
3/5
Namaka (2025) Surya Komal Namaka has moments that work and a premise that truly stands out, even if the execution holds it back from becoming something stronger.
Posted Dec 03, 2025Edit critic review
2/5
Ginny Weds Sunny (2020) Surya Komal ...when you look beyond the entertainment factor, the narrative is lifeless.
Posted Dec 03, 2025Edit critic review
2.75/5
Andhra King Taluka (2025) Surya Komal The film delivers a decent tribute to fandom with moments that shine, whenever Upendra takes the spotlight. Even though its length and predictable subplots hold it back from reaching its full potential.
Posted Dec 01, 2025Edit critic review
4/5
The Girlfriend (2025) Surya Komal The Girlfriend stands out as a bold, emotionally honest film that understands the complexities of toxic relationships and the strength it takes to break free from them.
Posted Nov 30, 2025Edit critic review
2.5/5
Haseen Dillruba (2021) Surya Komal ...in Haseen Dillruba, writer Kanika Dhillon tried to make me believe that one plus one equals three, and her logic did not make any sense after a certain tipping point.
Posted Nov 30, 2025Edit critic review
3.5/5
Arthur Erickson: Beauty Between the Lines (2024) Surya Komal Beauty Between the Lines feels like a richly crafted portrait of an artist, a thinker, and a visionary whose life deserves recognition far beyond architectural circles.
Posted Nov 30, 2025Edit critic review
2/5
Toofaan (2021) Surya Komal Toofan lacks the excitement and that oomph factor that we’ve witnessed in sports dramas like Dangal.
Posted Nov 30, 2025Edit critic review
3.5/5
The Best of The Best-Jazz From Detroit (2025) Surya Komal The documentary honors the musicians who shaped the genre, the community that carried them forward, and the city that continues to fight for its cultural heartbeat.
Posted Nov 28, 2025Edit critic review
3.5/5
Invisible (2025) Surya Komal Invisible is a thoughtful indie thriller that isn’t afraid to shine a light on struggles many overlook. The mystery keeps you engaged even with an uneven third act.
Posted Nov 27, 2025Edit critic review
3/5
Finger Laced Crown (2024) Surya Komal Finger Laced Crown comes through as an emotional and personal piece of storytelling, even if it doesn’t always hit every emotional beat as strongly as it aims to.
Posted Nov 26, 2025Edit critic review
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