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Critics list

Aarón Rodríguez Serrano

Aarón Rodríguez Serrano's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).

Reviews

Movies TV Shows
The Mysterious Gaze of the Flamingo (2025) 95% 3/5 EDIT “The formal part is, by far, the most powerful of the proposal: there we have the photography of Angello Faccini, with its exuberant blue skies and its fascinating ability to treat the material nature of the landscape. [Full Review in Spanish]” – El antepenúltimo mohicano Jan 22, 2026 Full Review Sentimental Value (2025) 97% 5/5 EDIT “«Sadness, they will tell me, is inevitable. Trier says it too. The gap. But there is always something at the bottom of the gap to remember while crossing. A movie, for example. This movie, for example. [Full review in Spanish]” – El antepenúltimo mohicano Dec 11, 2025 Full Review No Time to Die (2021) 83% 2/5 EDIT “The coordinates of the film's formal device do not fit, just as the narrative sieve. In fact, one is almost tempted to thank Fukunaga for allowing things to happen almost automatically, flat. [Full Review in Spanish]” – El antepenúltimo mohicano Oct 4, 2021 Full Review Quo Vadis, Aida? (2020) 100% 5/5 EDIT “[Director Jasmila] Zbanic has made a film in which each layer, each level of reading, can in turn turn on itself and offer another nuance, another look, another experience. [Full review in Spanish]” – El antepenúltimo mohicano May 7, 2021 Full Review Schoolgirls (2020) 90% 5/5 EDIT “The precision, the force of the film is so wild in so many moments that I had to hold my hands. [Full Review in Spanish]” – El antepenúltimo mohicano Sep 7, 2020 Full Review The New Mutants (2020) 36% 4/5 EDIT “Uneven results, perhaps, but [the film has] some characteristics that invite us to think. [Full review in Spanish]” – El antepenúltimo mohicano Sep 2, 2020 Full Review Arima (2019) 5/5 EDIT “Arima's story is dazzling and beautiful. [Full review in Spanish]” – El antepenúltimo mohicano Feb 12, 2020 Full Review Malasaña 32 (2020) 43% 2/5 EDIT “Absurd. [Full review in Spanish]” – El antepenúltimo mohicano Jan 31, 2020 Full Review Advantages of Travelling by Train (2019) 100% 5/5 EDIT “The film is sumptuous, baroque, superbly photographed, deliciously composed. [Full review in Spanish]” – El antepenúltimo mohicano Dec 18, 2019 Full Review Amazing Grace (2018) 99% 4/5 EDIT “[A] spectacular display. [Full review in Spanish]” – El antepenúltimo mohicano Oct 10, 2019 Full Review The Reports on Sarah and Saleem (2018) 94% 4/5 EDIT “The film itself is a journey. [Full reviewin Spanish]” – El antepenúltimo mohicano Sep 25, 2019 Full Review Four Hands (2017) 83% 3/5 EDIT “Four hands is humble, small, well told [and] maybe somewhat incoherent. [Full review in Spanish]” – El antepenúltimo mohicano Sep 13, 2019 Full Review Creed II (2018) 83% 4/5 EDIT “[Tessa Thompson] gives the film a sort of density that neither Michael B. Jordan nor Stallone himself managed to maintain. [Full review in Spanish]” – El antepenúltimo mohicano Feb 11, 2019 Full Review Murer: Anatomie eines Prozesses (2018) 80% 4/5 EDIT “A fair, vibrant film. [Full review in Spanish]” – El antepenúltimo mohicano Jan 22, 2019 Full Review Juliet, Naked (2018) 82% 4/5 EDIT “Each [actor] unfolds effectively in their scenes, showing precisely what in other hands would have been lackluster. [Full review in Spanish]” – El antepenúltimo mohicano Jan 22, 2019 Full Review Ismael's Ghosts (2017) 51% 4/5 EDIT “[Director Arnaud] Desplechin seeks - and finds - for each precise action and each concrete scene its own cinematographic response. [Full review in Spanish]” – El antepenúltimo mohicano Jan 7, 2019 Full Review Widows (2018) 91% 2/5 EDIT “What comes out here is... [the] effortless calligraphy of an intelligent but dispassionate schoolboy. [Full review in Spanish]” – El antepenúltimo mohicano Dec 10, 2018 Full Review Bohemian Rhapsody (2018) 60% 4/5 EDIT “Despite everything... there was something in those images that manipulated with force and precision the time, the memories, the frustrations. [Full review in Spanish]” – El antepenúltimo mohicano Nov 8, 2018 Full Review Halloween (2018) 79% 1/5 EDIT “A project designed unappetizingly. [Full review in Spanish]” – El antepenúltimo mohicano Oct 30, 2018 Full Review Hold the Dark (2018) 69% 4/5 EDIT “The film ends up being an exceptional reflexive exercise, a solid challenge that is based on the strength - but also on the apparent distance - of its images. [Full review in Spanish]” – El antepenúltimo mohicano Oct 23, 2018 Full Review Lean on Pete (2017) 90% 1/5 EDIT “Indigence and Instagram filters, you know, are not usually good travel companions. [Full review in Spanish]” – El antepenúltimo mohicano Oct 15, 2018 Full Review Penélope (2017) 5/5 EDIT “What a great movie [director] Eva Vila has shot, and what a pity to not have better words to celebrate it. [Full review in Spanishi]” – El antepenúltimo mohicano Oct 3, 2018 Full Review The Nun (2018) 24% 1/5 EDIT “In the third act of the film, one no longer knows whether to laugh or cry. [Full review in Spanish]” – El antepenúltimo mohicano Sep 10, 2018 Full Review Under the Tree (2017) 84% 1/5 EDIT “The pure spectacle of beast-like characters showing their teeth and then, the inevitable and abrupt violent outburst... does not work because it has not built tension throughout the film. [Full review in Spanish]” – El antepenúltimo mohicano Aug 13, 2018 Full Review Sami Blood (2016) 97% 3/5 EDIT “At its best, Sami Blood can be read as an especially remarkable footnote about that complex relationship between bodies and the cinematographic framing that appears every so often in film theory. [Full review in Spanish]” – El antepenúltimo mohicano Jul 16, 2018 Full Review
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