Pokémon Detective Pikachu (2019)
68%
EDIT
“Pokémon Detective Pikachu, despite the unwieldy official title, is an accessible movie. It skews young, but it never condescends to any demographic.” –
Trespass
May 10, 2019
Full Review
Avengers: Endgame (2019)
94%
EDIT
“It would be accurate to say that a lot of the film is designed for crowd-pleasing, but that is nowhere near saying that it panders to fans. The film celebrates and revels in the franchise without seeming self-indulgent.” –
Trespass
Apr 26, 2019
Full Review
Shazam! (2019)
90%
EDIT
“The greatest element of Shazam! is that it doesn't fall into the trap of earnestness. It is not ashamed to embrace the more outré elements of the comic book universe.” –
Trespass
Apr 5, 2019
Full Review
Pet Sematary (2019)
57%
EDIT
“Shored up by confident performances and mostly impressive production design, Pet Sematary is not afraid to be pessimistic without nihilism.” –
Trespass
Apr 5, 2019
Full Review
Us (2019)
93%
EDIT
“Either viewing it on a surface level or tunnelling deep into its mythos, Us is a richly composed film that succeeds on every level. Even its more contentious elements are still a sign of the victory that Peele exerts over the cinema-goer.” –
Trespass
Mar 29, 2019
Full Review
Fighting With My Family (2019)
93%
EDIT
“A buoyant, sunny movie, driven by performances from a cast unafraid of charming vulgarity.” –
Trespass
Mar 25, 2019
Full Review
Captain Marvel (2019)
79%
EDIT
“It is unfortunate that Danvers can fly effortlessly and Samuel L. Jackson can almost recapture his younger self, but the movie cannot stretch itself to make computer-generated cables and flying cats seem natural.” –
Trespass
Mar 8, 2019
Full Review
If Beale Street Could Talk (2018)
95%
EDIT
“If Beale Street Could Talk is an evergreen movie that focuses not solely on the injustice that its characters face, but on the love that suffuses them.” –
Trespass
Feb 21, 2019
Full Review
Happy Death Day 2U (2019)
73%
EDIT
“Happy Death Day 2 U is the Super Mario Bros. 2 of movie sequels: it has many of the same elements, while adapting and changing enough to make a separate but still enjoyable experience.” –
Trespass
Feb 21, 2019
Full Review
The Hate U Give (2018)
97%
EDIT
“The Hate U Give may never stop being relative, or it may one day be a quaint reminder of systematic injustice. Regardless of what the future holds, The Hate U Give stands for something worth considering.” –
Trespass
Feb 1, 2019
Full Review
Aquaman (2018)
66%
EDIT
“With charismatic leads and some sublime visuals that overpower the ridiculous, Aquaman is DC's second good movie and first real statement piece since 2013.” –
Trespass
Dec 26, 2018
Full Review
Bumblebee (2018)
91%
EDIT
“Though his hand on the musical cues is heavy, Knight's touch is light on the film as a whole, and Bumblebee breathes.” –
Trespass
Dec 20, 2018
Full Review
Spider-Man: Into the Spider-Verse (2018)
97%
EDIT
“Showing a flawless understanding of the comic-book aesthetic and storytelling without sacrificing its cinematic qualities, Into the Spider-Verse is a deeply satisfying film for comic fans that has more than enough to offer everyone else.” –
Trespass
Dec 12, 2018
Full Review
Can You Ever Forgive Me? (2018)
98%
EDIT
“McCarthy is a powerhouse who isn't afraid to teeter between being deeply sympathetic and completely repellent. It's a performance that brings out the essential ambivalence that Israel, as written, feels about herself.” –
Trespass
Dec 5, 2018
Full Review
Lean on Pete (2017)
90%
EDIT
“This is realism almost too gritty to take, but with just enough light mixed in so that we keep looking to the horizon.” –
Trespass
Nov 29, 2018
Full Review
Love at Least (2018)
EDIT
“A drama with many low points, but it allows room for hope. With a well-realised central performance that brings its lead a rare dimensionality, Love at Least is a relationship drama that makes the outlandish credible.” –
Trespass
Nov 26, 2018
Full Review
Ribâzu ejji (2018)
75%
EDIT
“A two-hour drudgery that solves a mystery whose answer was never pressing with the silliest possible solution. There's a wide chasm between realism and misanthropy, and River's Edge falls on the wrong side of that gap.” –
Trespass
Nov 20, 2018
Full Review
One Cut of the Dead (2017)
100%
EDIT
“If you want something fun and slightly cerebral to chew on while your own brains are being chewed on, One Cut of the Dead is the intelligent zombie movie you need.” –
Trespass
Nov 16, 2018
Full Review
The Old Man & the Gun (2018)
93%
EDIT
“Redford has said that he wanted to go out on a fun note, and that is an accurate description of this movie.” –
Trespass
Nov 16, 2018
Full Review
Fantastic Beasts: The Crimes of Grindelwald (2018)
36%
EDIT
“A strangely charmless and excessively dingy film. Too long and static for anyone but the most die hard, with neither a richness of tone nor colour, this is a film guaranteed to sell tickets at the cost of its own soul.” –
Trespass
Nov 14, 2018
Full Review
The Girl in the Spider's Web (2018)
38%
EDIT
“The Girl in the Spider's Web is a frozen techno-thriller that makes sense of all of the movies that were never made before it.” –
Trespass
Nov 9, 2018
Full Review
A Star Is Born (2018)
90%
EDIT
“A drama with credible songs in it that elevates an outré personality into a legitimate actress, a vanity project with none of the vanity.” –
Trespass
Oct 19, 2018
Full Review
Bad Times at the El Royale (2018)
75%
EDIT
“An imperfect movie, and one impossible to pigeonhole, but it offers more delights than many bigger films.” –
Trespass
Oct 15, 2018
Full Review
A Simple Favor (2018)
84%
EDIT
“Paul Feig saw the base elements of the mess that was A Simple Favour's original form and reassembled them into a stylish semi-thriller that places a high priority on entertainment, be it mild mystery and intrigue or intentional humour.” –
Trespass
Sep 17, 2018
Full Review
Crazy Rich Asians (2018)
91%
EDIT
“You can celebrate Crazy Rich Asians for many reasons, and all of them are valid - it's an unambiguously well made and well intentioned movie that does not lead the viewer into hell.” –
Trespass
Sep 4, 2018
Full Review
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