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André Hereford

Tomatometer-approved critic

Reviews

Movies TV Shows
A Private Life (2025) 80% 2/5 EDIT “Steeped in an atmosphere of suspicion, the film, from writer-director Rebecca Zlotowski (Other People’s Children), better serves as a drama exploring the emotionally distant doctor being shaken from the stasis of her lonely life.” – Metro Weekly (Washington, DC) Jan 28, 2026 Full Review 28 Years Later: The Bone Temple (2026) 92% 3/5 EDIT “This deeper descent into madness might be too bleak were there not the shred of hope provided by a parallel plot-line following Ralph Fiennes’ endearingly eccentric Dr. Kelson.” – Metro Weekly (Washington, DC) Jan 17, 2026 Full Review Dead Man's Wire (2025) 91% 3/5 EDIT “'Dead Man’s Wire' largely locks in on what’s working in its frantic, fearful vision of a man sunk by someone else’s greed, pulling the trigger on his last resort.” – Metro Weekly (Washington, DC) Jan 13, 2026 Full Review Light Up (2024) 91% 2/5 EDIT “Propelled by the subjects’ candor, and their insights, 'Light Up' offers a thoughtful, lived-in, multi-faceted view of being Black and LGBTQ in America and in the relative queer mecca of Atlanta.” – Metro Weekly (Washington, DC) Jan 4, 2026 Full Review Sandbag Dam (2025) 2/5 EDIT “Novosel capably balances Marko’s lightness and intensity opposite Žunac’s more introverted Slaven, but the pair’s chemistry does not speak of a smoldering desire or forbidden love that won’t be denied.” – Metro Weekly (Washington, DC) Dec 20, 2025 Full Review The Housemaid (2025) 74% 2/5 EDIT “Where the twists might end, one can pretty much guess, despite weak attempts at misdirection, like the one or two completely pointless supporting characters bouncing around the plot.” – Metro Weekly (Washington, DC) Dec 20, 2025 Full Review Merrily We Roll Along (2025) 95% 3/5 EDIT “Broadway king Jonathan Groff earned his first Tony Award for his fierce Frank in the recent revival, and his stellar performance still registers onscreen in the film presentation of the stage production, both directed by Maria Friedman.” – Metro Weekly (Washington, DC) Dec 14, 2025 Full Review Sauna (2025) 88% 2/5 EDIT “Danish queer indie 'Sauna' yields tepid drama chronicling the romance between a cis gay man and a trans man.” – Metro Weekly (Washington, DC) Dec 11, 2025 Full Review A Few Feet Away (2025) 3/5 EDIT “The movie, a solid debut feature from writer-director Caro, winks at gay hookup culture through dryly comic sex scenes, while earnestly profiling a young man losing himself to the heady buzz of the online hunt.” – Metro Weekly (Washington, DC) Dec 7, 2025 Full Review 300letters (2025) 2/5 EDIT “The spicy, gay Argentinian "anti-romcom" warms up slowly as writer-director Lucas Santa Ana tees up the film’s intriguing premise, then commits to the generally well-scripted follow-through.” – Metro Weekly (Washington, DC) Nov 16, 2025 Full Review Come See Me in the Good Light (2025) 100% 4/5 EDIT “Blunt, moving, and ruefully funny, Ryan White's film captures poet Andrea Gibson living their best life while dying.” – Metro Weekly (Washington, DC) Nov 16, 2025 Full Review If I Had Legs I'd Kick You (2025) 92% 4/5 EDIT “Byrne conveys with crack comic timing and an engaging sense of indignation the overwhelming weight on Linda’s shoulders.” – Metro Weekly (Washington, DC) Oct 31, 2025 Full Review Frankenstein (2025) 85% 2/5 EDIT “Guillermo del Toro's sumptuous 'Frankenstein' looks fantastic while lurching along like a ship trapped in ice.” – Metro Weekly (Washington, DC) Oct 27, 2025 Full Review Some Nights I Feel Like Walking (2024) 2/5 EDIT “Petersen Vargas’ 'Some Nights I Feel Like Walking' offers strong performances and lush atmosphere in a familiar but affecting story of gay hustlers in Manila.” – Metro Weekly (Washington, DC) Oct 23, 2025 Full Review Kiss of the Spider Woman (2025) 77% 3/5 EDIT “'Kiss of the Spider Woman,' while vibrantly entertaining, seems to put its focus too heavily on musical razzle-dazzle, coming up short in its portrayal of the emotionally fraught romance at its heart.” – Metro Weekly (Washington, DC) Oct 11, 2025 Full Review Fairyland (2023) 96% 3/5 EDIT “Adapting Alysia Abbott’s acclaimed memoir about growing up with a single gay dad in ’70s San Francisco, 'Fairyland' shapes the unconventional coming-of-age story into a moving, warmly funny portrait of a bygone era of queer life and liberation.” – Metro Weekly (Washington, DC) Oct 11, 2025 Full Review One Battle After Another (2025) 94% 5/5 EDIT “Every skirmish erupts into violent spectacle, yet the action stays grounded in our real-world battles over power and politics, over who is steering our American saga, and who even gets to be a part.” – Metro Weekly (Washington, DC) Sep 27, 2025 Full Review The History of Sound (2025) 70% 4/5 EDIT “'The History of Sound' casts an enchanting spell in its languid story of a love that dare not speak its name between Lionel and David, two scholars who meet at the New England Conservatory of Music in 1917.” – Metro Weekly (Washington, DC) Sep 23, 2025 Full Review The Long Walk (2025) 88% 2/5 EDIT “Well-acted by its cast of young stars, 'The Long Walk' trudges through a monotonous march of dystopian violence.” – Metro Weekly (Washington, DC) Sep 11, 2025 Full Review Caught Stealing (2025) 85% 4/5 EDIT “Aronofsky modulates this movie’s comedic and action beats expertly, sprinkling in bouts of bloody violence, and a handful of tensely dramatic scenes, well-acted by this able cast.” – Metro Weekly (Washington, DC) Sep 1, 2025 Full Review The Roses (2025) 64% 2/5 EDIT “These Roses get down and dirty, and plenty nasty, in their divorce battle, but their fight lacks bite.” – Metro Weekly (Washington, DC) Sep 1, 2025 Full Review Highest 2 Lowest (2025) 83% 3/5 EDIT “Lee spikes the Kurosawa formula with humor and history, adding the texture and detail of New York City in 2025, of hip-hop and Black culture, and of the mythological stature of his favorite leading man, Denzel Washington.” – Metro Weekly (Washington, DC) Aug 17, 2025 Full Review Weapons (2025) 93% 4/5 EDIT “Robustly funny in its own macabre and gruesome fashion, 'Weapons' marches inexorably, no-turning-back to the edge, saving its most gasp-worthy reveal for a climax that gleefully embraces the chaos.” – Metro Weekly (Washington, DC) Aug 9, 2025 Full Review The Naked Gun (2025) 87% 3/5 EDIT “By volume, far more [jokes] hit than miss, and, judging by the enthusiastic response at the press screening, the humor should connect with moviegoers starved for the collective relief of big-screen comedy.” – Metro Weekly (Washington, DC) Aug 2, 2025 Full Review The Fantastic Four: First Steps (2025) 86% 4/5 EDIT “'The Fantastic Four: First Steps' is the first Marvel movie in a while to truly capture the gee-whiz spirit of classic Marvel comics.” – Metro Weekly (Washington, DC) Jul 25, 2025 Full Review
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