Andrew Karpan
Andrew Karpan's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
The Emoji Story (2019)
92%
EDIT
“The larger story tracks this decade's change in internet culture as it moves away from nerds festering around California college campuses and into the hands of the people.” –
Nonfics (Substack)
May 25, 2019
Full Review
Red, White & Wasted (2019)
75%
EDIT
“Before the warming ocean turns Florida into an uninhabitable flood land, there is value in having a real idea of how some of them lived.” –
Nonfics (Substack)
May 25, 2019
Full Review
Bauhaus Spirit: 100 Years of Bauhaus (2018)
EDIT
“Bolbrinker and Tielsch's dynamism creates the impression of an art movement that has never stopped moving.” –
Nonfics (Substack)
May 25, 2019
Full Review
Recorder: The Marion Stokes Project (2019)
95%
EDIT
“As a vaguely cohesive visual text, [Stokes'] life's strange work is not worthless....Recorder also doubles as a grimy mirror to the TV news era.” –
Nonfics (Substack)
Apr 29, 2019
Full Review
They'll Love Me When I'm Dead (2018)
92%
EDIT
“"Less hubristic than its source material, Morgan Neville's softer version of this project is perhaps more satisfying."” –
Nonfics (Substack)
Nov 9, 2018
Full Review
Border (2018)
97%
EDIT
“An indie full of smart allegories on immigration politics, with a little bit of lo-fi fashionable horror sprinkled in.” –
Film School Rejects
Oct 29, 2018
Full Review
Matangi/Maya/M.I.A. (2018)
90%
EDIT
“The effect of Loveridge's choices are almost alarmingly cohesive and summon as much M.I.A. as the decade she herself evoked.” –
Nonfics (Substack)
Oct 10, 2018
Full Review
Garry Winogrand: All Things Are Photographable (2018)
97%
EDIT
“Freyer's talking heads implore that Winogrand was a man of his time, a statement that mitigates the intensity of her examination and means absolutely nothing.” –
Nonfics (Substack)
Sep 21, 2018
Full Review
Walking on Water (2018)
88%
EDIT
“A rich, visual record of a monument to transience.” –
Nonfics (Substack)
Sep 14, 2018
Full Review
American Circumcision (2017)
60%
EDIT
“A lively debate over the fate of foreskins.” –
Nonfics (Substack)
Sep 7, 2018
Full Review
Boom for Real: The Late Teenage Years of Jean-Michel Basquiat (2017)
88%
EDIT
“The documentary's under-90-minute brevity makes these events feel like they are happening even faster than they did, creating a simulacra of witnessing Basquiat's talent.” –
Nonfics (Substack)
Aug 31, 2018
Full Review
Zoe (2018)
35%
EDIT
“Zoe constructs a dialogue between these two critically adored movies and peels apart the kind of fantasy they satisfy in order to obligingly critique it.” –
Film School Rejects
Aug 22, 2018
Full Review
The China Hustle (2017)
80%
EDIT
“The documentary's banal incredulousness at its subject suggests Rothstein should watch a few seasons of The Sopranos.” –
Nonfics (Substack)
Mar 28, 2018
Full Review
Beuys (2017)
69%
EDIT
“The movie will not appeal to most, but it's hard to imagine that Bueys's own work ever did either.” –
Nonfics (Substack)
Mar 6, 2018
Full Review
Blame (2017)
80%
EDIT
“At the heart of it, Blame is more than just a competently-shot movie - it's a love letter pulled from a time-capsule, its ink blotchy and not curated for nostalgia.” –
Film School Rejects
Jan 10, 2018
Full Review
Rock'n Roll (2017)
67%
EDIT
“For fans of Adaptation and I'm Still Here who felt both were great but too dreadfully serious. It's just life, after all.” –
Film School Rejects
Jan 8, 2018
Full Review
Flames (2017)
67%
EDIT
“A document of its times, Flames works as a brilliant time capsule of the Obama era: we walk in on staged protests of late capitalism as often as lovemaking.” –
Film School Rejects
Jan 8, 2018
Full Review
My Friend Dahmer (2017)
85%
EDIT
“As My Friend Dahmer slowly steers its protagonist toward his historical fate, the result is crushing.” –
Film School Rejects
Jan 8, 2018
Full Review
Love After Love (2017)
85%
EDIT
“Rarely have I watched a movie, hated it with an intense malevolence for every person involved and, then, only then, found myself blinking through tears.” –
Film School Rejects
Jan 8, 2018
Full Review
Thirst Street (2017)
75%
EDIT
“Few filmmakers are capable of imagining anything worse than supernatural horror or overly conventional heartbreak and Silver ends up creating something in between those worlds.” –
Film School Rejects
Nov 21, 2017
Full Review
Copwatch (2017)
60%
EDIT
“[Camilla Hall's] characters are hopeful and, so, perhaps is Copwatch.” –
Nonfics (Substack)
Oct 19, 2017
Full Review
City of Ghosts (2017)
98%
EDIT
“In another war zone, Matthew Heineman exchanges nihilism for hope, sentiment and journalists.” –
Nonfics (Substack)
Aug 31, 2017
Full Review
Brillo Box (3 Cents Off) (2016)
88%
EDIT
“The movie becomes an extended reflection on the work ... in order to distill what exactly is at the root of the work's, and Warhol's, appeal.” –
Nonfics (Substack)
Aug 6, 2017
Full Review
The Reagan Show (2017)
80%
EDIT
“It's like Veep for '80s kids.” –
Nonfics (Substack)
Jun 30, 2017
Full Review
The Last Laugh (2016)
98%
EDIT
“When it floats away from its star talent, The Last Laugh becomes a viciously humane work, on a journey as vigorous as any contemplated by D.A. Pennebaker and his sort.” –
Nonfics (Substack)
May 9, 2017
Full Review
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