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Anna McKibbin

Anna McKibbin's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).

Reviews

Movies TV Shows
Young Mothers (2025) 95% B EDIT “Even in the more shallow form of Young Mothers, the Dardennes’ work emphasizes that there is little that’s more cinematic than complicated people surviving difficult circumstances.” – AV Club Jan 10, 2026 Full Review Now You See Me: Now You Don't (2025) 60% 3/5 EDIT “It’s hard not to enjoy the chaos that this sprawling cast leave in their wake. ” – Little White Lies Nov 14, 2025 Full Review Folktales (2025) 85% C EDIT “Though it aspires to be a thought-provoking take on the coming-of-age story, Grady and Ewing’s doc never overcomes its uninspiring filmmaking to meet the profundity of the experience it represents.” – AV Club Jul 23, 2025 Full Review M3GAN 2.0 (2025) 57% C+ EDIT “Johnstone settles for the worst of both worlds—something that limps, with exaggerated metal squeaks, into the future.” – AV Club Jun 25, 2025 Full Review The Life of Chuck (2024) 80% 6.7/10 EDIT “Unfortunately, The Life of Chuck narrows rather than expands as it goes on, partly squandering this story of social collapse to explore one man’s quest for closure. ” – Paste Magazine Jun 6, 2025 Full Review The Electric State (2025) 14% D- EDIT “Almost every artistic decision in The Electric State prompts incredulity. ” – AV Club Mar 14, 2025 Full Review Woman of the Hour (2023) 91% B EDIT “This is a self-assured take on a story that stretches far, wide, and deep.” – AV Club Oct 18, 2024 Full Review Anora (2024) 93% EDIT ““‘Anora’ excels by digging beneath the protagonist’s sparkling demeanor while unearthing the grit beneath each sequin.”” – Vague Visages Oct 13, 2024 Full Review Youth (Homecoming) (2024) 94% EDIT “In his quest to stumble across moments of unpractised connection, Bing built a lovely structure for his film, which moves backwards through the stages in a relationship. ” – Little White Lies Sep 9, 2024 Full Review Phantosmia (2024) EDIT “Nothing ever goes unearned in Diaz’ filmmaking, and with Phantosmia he hacks through the undergrowth of bureaucracy to define “home”.” – Little White Lies Sep 5, 2024 Full Review Babygirl (2024) 76% A EDIT “Within the film’s 114-minute runtime, that ephemeral spark between Romy and Samuel is bottled, smashed, and left seeping across the screen, leaving an intriguing pattern in its wake.” – AV Club Sep 3, 2024 Full Review Beetlejuice Beetlejuice (2024) 75% B EDIT “Like in the first Beetlejuice, there is a genuine enjoyment gleaned from spending time in a world built by such serious craftsmen to such playful ends. ” – AV Club Aug 29, 2024 Full Review It Ends With Us (2024) 55% 2/5 EDIT “A visual headache, overcrowding every frame with colour, texture and patterns, rather than building to some carefully orchestrated tension.” – Little White Lies Aug 7, 2024 Full Review IF (2024) 51% D+ EDIT “Every beat of IF is writ large, making for an unnatural viewing experience, one where charming moments are frustratingly loud, drowning out the film as a whole. ” – AV Club May 20, 2024 Full Review Remembering Gene Wilder (2023) 88% 5.9/10 EDIT “The film is only ever able to look from the outside in, never able to make sense of the complex tragedy which sat beneath the eccentric good guy.” – Paste Magazine Apr 29, 2024 Full Review Tótem (2023) 97% 7.9/10 EDIT “A nuanced take on the disparity and complication of being young in a world built to amplify grown-up problems. ” – Paste Magazine Jan 25, 2024 Full Review She Said (2022) 88% EDIT “The two female leads make for great scene partners whose characters are tasked with unpeeling each devastating layer of the various testimonies while trying to minimize their own emotional fallout in the process.” – Vague Visages Nov 8, 2023 Full Review Blue Jean (2022) 96% EDIT “Oakley constructs a landscape in Blue Jean that responds to the cruelty of real society with a stark generosity. As a result, the audience is invited to sympathize with as many characters as possible.” – Vague Visages Nov 8, 2023 Full Review The Taste of Things (2023) 97% EDIT “The Taste of Things is a genuinely thrilling love story, served alongside the heartbreak of realizing that time has passed as one kneads their life into a new and unfamiliar shape.” – Vague Visages Oct 27, 2023 Full Review The End We Start From (2023) 89% EDIT “The End We Start From falls short of being a meaningful observation on the perils of climate injustice, but the film succeeds as an embodiment of maternal commitment, largely due to Comer’s wonderfully present performance.” – Vague Visages Oct 27, 2023 Full Review Occupied City (2023) 72% 8.1/10 EDIT “Occupied City is a demanding watch, but this cinematic gamble is singular and rewarding in its emotional intelligence.” – Paste Magazine Oct 25, 2023 Full Review The Bikeriders (2023) 79% 3.8/10 EDIT “The Bikeriders is a shallow parade of cool images.” – Paste Magazine Oct 23, 2023 Full Review Saltburn (2023) 72% 5.5/10 EDIT “Saltburn is a sequined and sticky mess, every ensuing plot twist delivered like a bludgeon to the temple—with new developments echoing over viewers with a dizzying ferocity.” – Paste Magazine Oct 16, 2023 Full Review Do Not Expect Too Much from the End of the World (2023) 96% EDIT “Do Not Expect Too Much of the End of the World is a jolt of energy, one that bounds forward — always a few leaps ahead of its audience.” – Vague Visages Oct 6, 2023 Full Review Priscilla (2023) 84% EDIT “What Coppola understands better than almost any other artist is how the mask of womanhood is assembled from the shattered tools of childhood.” – Vague Visages Sep 8, 2023 Full Review
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