Marty Supreme (2025)
93%
EDIT
“Chalamet plays Marty with a brazen thirst that feels at once, exhausting and magnetic, and the film benefits from his willingness to make ambition look depraved. ” –
The Hindu
Jan 23, 2026
Full Review
The Chronology of Water (2025)
90%
EDIT
“The Chronology of Water is a tremendous debutant work shaped by commitment and risk.” –
The Hindu
Jan 15, 2026
Full Review
100 Meters (2025)
100%
EDIT
“[100 Meters] belongs in the lineage of Redline and Akira for sheer kinetic confidence, filtered through the philosophical exhaustion of Ping Pong the Animation and the eroticised rivalry of Challengers.” –
The Hindu
Jan 5, 2026
Full Review
Avatar: Fire and Ash (2025)
66%
EDIT
“Bloated with money, myth, technology, and a palpable fear of irrelevance, everything is bigger, louder, and longer in Fire and Ash. Everything is also airless.” –
The Hindu
Dec 19, 2025
Full Review
Train Dreams (2025)
95%
EDIT
“It’s gorgeous work, no question, but you can feel the film checking its own seams instead of letting anything meaningful truly rupture.” –
The Hindu
Dec 10, 2025
Full Review
Jay Kelly (2025)
75%
EDIT
“Jay Kelly stirs the occasional laugh, and offers enough actorly finesse to keep you invested, but its emotional ambitions remain well out of reach. ” –
The Hindu
Dec 10, 2025
Full Review
Left-Handed Girl (2025)
98%
EDIT
“...Left-Handed Girl is a remarkably confident first solo feature. It extends the Tsou/Baker project of documenting people squeezed by money and myth, shifting the centre of gravity toward Taiwanese women who have to carry both.” –
The Hindu
Dec 2, 2025
Full Review
Magellan (2025)
85%
EDIT
“Watching Magellan made me oscillate between boredom, dread, fascination, and a dry, bitter humour.” –
The Hindu
Dec 2, 2025
Full Review
Father Mother Sister Brother (2025)
81%
EDIT
“Compared to the more schematic quirk of The Dead Don’t Die, this feels like late style in the best sense. The jokes are softer, the cuts are cleaner, the cynicism is dialed down, though the honesty is not. ” –
The Hindu
Dec 1, 2025
Full Review
Renoir (2025)
87%
EDIT
“Renoir is messier and more diffuse than Plan 75... But it recognises that some children already live with their eyes open, cataloguing the surreal, the dangerous, the beautiful, and the irresponsible with the same steady curiosity.” –
The Hindu
Dec 1, 2025
Full Review
Sirāt (2025)
92%
EDIT
“Sirat will make you impatient and it will make you ache. It will also remind you that a film can be a livid, feral, out-of-body experience in a dignified festival auditorium. ” –
The Hindu
Dec 1, 2025
Full Review
It Was Just an Accident (2025)
97%
EDIT
“It should be illegal to make such phenomenal cinema.” –
The Hindu
Nov 24, 2025
Full Review
Sentimental Value (2025)
97%
EDIT
“Sentimental Value evolves with a remarkable emotional clarity that deepens scene by scene. Trier has crafted one of his richest, most humane works. The performances are superb. The images settle into memory with startling ease. ” –
The Hindu
Nov 24, 2025
Full Review
No Other Choice (2025)
97%
EDIT
“It’s hard to think of a more relevant satire in a year when job security is vapour and algorithms promise to make human labour optional, and PCW proves how terrifyingly plausible the absurdity is. It’s a small masterpiece of misanthropic sympathy.” –
The Hindu
Nov 24, 2025
Full Review
Splitsville (2025)
84%
EDIT
“The film keeps its critique grounded in behaviour by simply watching its characters try to live out theories they were never equipped to maintain. The honesty of that collective delusion gives the whole thing its waggish charm.” –
The Hindu
Nov 17, 2025
Full Review
Predator: Badlands (2025)
86%
EDIT
“Cinema’s most enthusiastic murder tourist still rips, bleeds, and flexes with the swagger of a classic Yautja bloodfest, but Badlands turns the galaxy’s most macho pastime into a strangely moving study of empathy in armour.” –
The Hindu
Nov 7, 2025
Full Review
Good Boy (2025)
90%
EDIT
“Good Boy is what happens when love outlives language. By privileging a nonhuman gaze, Leoberg dismantles the anthropocentric arrogance of most horror. ” –
The Hindu
Nov 3, 2025
Full Review
A HOUSE OF DYNAMITE (2025)
75%
EDIT
“It may be meticulously made and philosophically provocative, but it feels far too dazzled by its own proximity to the trigger and sparks debate exactly the way Pentagon PR would dream.” –
The Hindu
Oct 27, 2025
Full Review
TRON: Ares (2025)
53%
EDIT
“Yes, the script is atrocious at times, the characters are archetypal, the exposition heavy, and the dialogue clunky. But somehow, none of that stops the movie from being unmissable...” –
The Hindu
Oct 10, 2025
Full Review
One Battle After Another (2025)
94%
EDIT
“It is a work of furious implication, funny enough to sting and serious enough to feel dangerous.” –
The Hindu
Sep 26, 2025
Full Review
Chainsaw Man - The Movie: Reze Arc (2025)
96%
EDIT
“This is a fever dream carved up for the maladjusted, the terminally online, and the weirdest of weirdos who recognise in Denji's mangled yearning a kind of cracked holiness. Chainsaw Man is something stranger, funnier and crueler. ” –
The Hindu
Sep 26, 2025
Full Review
The Long Walk (2025)
88%
EDIT
“The Long Walk is not a flattering watch. It’s repetitive, punishing, and deliberately blunt in its politics, but it carries something uncompromisingly organic. The road goes ever on, but companionship always endures.” –
The Hindu
Sep 13, 2025
Full Review
Demon Slayer: Kimetsu no Yaiba Infinity Castle (2025)
98%
EDIT
“What distinguishes Infinity Castle is its poise. Where Mugen Train offered a self-contained loop, this film sprawls outward, unabashedly unfinished yet cloaked in the flourishes of conclusion.” –
The Hindu
Sep 8, 2025
Full Review
Highest 2 Lowest (2025)
83%
EDIT
“Highest 2 Lowest is uneven, excessive, occasionally ridiculous, but never dull. It’s also, against the odds, a pleasant reminder that Lee and Washington, nearly two decades after Inside Man, can still electrify each other on screen.” –
The Hindu
Sep 5, 2025
Full Review
Bring Her Back (2025)
89%
EDIT
“The Philippou brothers may not yet be the new kings of horror, but with Bring Her Back they’ve at least proven themselves its most sadistic purveyors of the decade - pushing us into yet another nightmare we’d rather not face...” –
The Hindu
Aug 22, 2025
Full Review
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