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Beau North

Beau North's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
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Reviews

Movies TV Shows
Love at First Sight (2023) 76% EDIT “[V]ery much its own contained story without being too trope-heavy. It’s sweet, breezy, and, best of all, surprising.” – The Spool Sep 14, 2023 Full Review Lady Chatterley's Lover (2022) 86% EDIT “[T]hough the ending doesn’t have the same weight of uncertainty that Lawrence gave the novel, it’s nevertheless a gorgeous film to get swept up in for its own sake.” – The Spool Nov 26, 2022 Full Review Firestarter (2022) 10% EDIT “Armstrong gives a solid young actor performance, but without truly feeling the connection to her parents or her desire for a normal life (something that is barely touched on in the film) there isn’t enough 'there' there.” – The Spool May 13, 2022 Full Review Brazen (2022) 14% EDIT “Netflix continues to dip from the well of nostalgia in a not as tawdry as it wants to be murder mystery. ” – The Spool Feb 7, 2022 Full Review The Princess Switch 3: Romancing the Star (2021) 57% EDIT “Princess Switch 3: Romancing the Star isn't ever going to make it into anyone's Letterboxd top 4, but it's entertaining enough to have on in the background while you're decorating the tree or mixing up peppermint martinis.” – The Spool Nov 28, 2021 Full Review Dune (2021) 83% EDIT “Villeneuve is the rare director who truly grasps the power of scope, both in terms of storytelling and of visuals, and how one informs the other.” – The Spool Oct 14, 2021 Full Review John Grisham's The Rainmaker (1997) 82% EDIT “[I]t's the stellar performances from the cast that make this quiet little film such a rewarding watch.” – The Spool Apr 28, 2021 Full Review The Dig (2021) 88% EDIT “It's a beautiful, surprisingly graceful story of how we remember, and how we are remembered.” – The Spool Feb 4, 2021 Full Review The Night (2020) 81% EDIT “The Night could easily have been a hokey humdrum horror in less skilled hands, but Ahari's slow pace and deep character work makes for some profoundly emotional horror.” – The Spool Feb 4, 2021 Full Review Roald Dahl's The Witches (2020) 50% EDIT “Unfortunately for Zemeckis' version, it manages to come across as too grisly for kids while being too tame for their parents.” – The Spool Oct 21, 2020 Full Review Rebecca (2020) 37% EDIT “While it is an imperfect-and largely inferior-adaptation of the story, there is definitely an audience for this stylish-if-flawed update.” – The Spool Oct 21, 2020 Full Review Chemical Hearts (2020) 60% EDIT “Unlike so many of its predecessors, it does justice to the theme of Teenaged Limbo without reinventing the wheel.” – The Spool Aug 28, 2020 Full Review La llorona (2019) 96% EDIT “The film is beautifully staged and shot, and while it might be light on jump scares and outright horror, the slow buildup of tension and dread is effective.” – The Spool Aug 10, 2020 Full Review AKA Jane Roe (2020) 88% EDIT “A fascinating look at an imperfect figurehead, a firebrand who played (and was played by) both sides of a volatile issue.” – The Spool May 21, 2020 Full Review Becoming (2020) 93% EDIT “So much of Becoming revolves around the expectations the public still has of her, not only as the first black First Lady but as an Obama in the era of Trump.” – The Spool May 6, 2020 Full Review Love. Wedding. Repeat (2020) 35% EDIT “None of the humor really sticks the landing, and there are some "what were you wearing" jokes that will make you cringe in a way I don't think director Dean Craig intended.” – The Spool Apr 10, 2020 Full Review Notorious (1946) 96% EDIT “Here Grant's continental accent is used to icy perfection, each clipped word as sharp and vicious as the point of blade.” – The Spool Jan 23, 2020 Full Review A Christmas Prince: The Royal Baby (2019) 36% EDIT “The comfort and enjoyment of watching the Christmas Prince franchise isn't in the romance or the monarchy porn. It's in the knowledge that everything will work out in the end.” – The Spool Jan 21, 2020 Full Review
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