Rotten Tomatoes
Cancel Movies Tv shows RT App News Showtimes
Critics list

Cameron Ward

Cameron Ward's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Publications:

Reviews

Movies TV Shows
Noah (2014) 75% 2/5 EDIT “Despite Noah's vivid surface appeal, it ultimately fails to recreate the tale's original sense of thematic unity, and thus becomes acutely aware of its own deprived meaning.” – One Room With A View Jun 17, 2019 Full Review Under the Skin (2013) 83% 5/5 EDIT “A mesmerising, deeply attentive piece of filmmaking; acutely original in spite of its eminent heraldry.” – One Room With A View Jun 17, 2019 Full Review Life After Beth (2014) 46% 4/5 EDIT “Baena's comical mourning period marks a fine return to the personal zombie movie - one that's not been seen since 2004's Shaun of The Dead.” – One Room With A View Jun 15, 2019 Full Review Cold in July (2014) 84% 4/5 EDIT “Cold In July works to rebuff formula misdirection, developing fresh trust and involvement within a genre so commonly prone to deception.” – One Room With A View Jun 15, 2019 Full Review We Are Monster (2014) 59% 2/5 EDIT “Exaggerated performances and overblown methods of tortured introspection render a somewhat oversimplified view to a 'proper monster'.” – One Room With A View Jun 15, 2019 Full Review Welcome to New York (2014) 77% 3/5 EDIT “Controlling an enigmatic and potent first half, Welcome to New York unfortunately slows in its second, often getting lost in its own rambling justifications.” – One Room With A View Jun 15, 2019 Full Review Set Fire to the Stars (2014) 57% 4/5 EDIT “Summoning performances that saturate the screen, and dialogue that does just as much, Set Fire to the Stars proves to be as ambiguously affecting as its tortured source.” – One Room With A View Jun 15, 2019 Full Review We'll Never Have Paris (2014) 33% 3/5 EDIT “Simon Helberg's cringe-inducing (non)romantic comedy crudely force-feeds its characters on time-honoured flaws, only to watch on hopefully as the audience eventually gives in to its absurdity.” – One Room With A View Jun 15, 2019 Full Review Finsterworld (2013) 4/5 EDIT “Taking inimical influence from Americana's cultural excess, Finsterworld mournfully revises Germany's deficient post-war heritage.” – One Room With A View Jun 14, 2019 Full Review The Young and Prodigious T.S. Spivet (2013) 78% 3/5 EDIT “While colourfully idyllic in almost every respect, The Young and Prodigious T.S. Spivet's vision finds itself sadly lacking in overall depth and symbolic relevance.” – One Room With A View Jun 14, 2019 Full Review Something, Anything (2014) 93% 4/5 EDIT “Peppered with quiet intensity, Something, Anything navigates both social realism and the sublime with deftly mediated restraint.” – One Room With A View Jun 14, 2019 Full Review They Came Together (2014) 70% 4/5 EDIT “While not every joke lands, They Came Together's comically decadent nature provides more than enough overall.” – One Room With A View Jun 11, 2019 Full Review Kumiko, the Treasure Hunter (2014) 88% 5/5 EDIT “Mournful in its approach, Kumiko, the Treasure Hunter affectingly considers the torturous unattainability of true escapism.” – One Room With A View Jun 11, 2019 Full Review Hits (2014) 36% 3/5 EDIT “Considerably well-written throughout, Hits' only fault lies in its lamentable withholding of some of the more substantial elements of its tongue-in-cheek narrative statement.” – One Room With A View Jun 11, 2019 Full Review Finding Fela (2014) 60% 3/5 EDIT “Despite Fela's lively subject matter, Gibney ultimately fails to offer any lasting form of personal perspective on the issues that surround it - gimmicks notwithstanding.” – One Room With A View Jun 11, 2019 Full Review Little Accidents (2014) 56% 3/5 EDIT “An impressive first feature from Sara Colangelo; an acutely sobering character drama that lives up to its (short) predecessor.” – One Room With A View Jun 11, 2019 Full Review The Voices (2014) 74% 4/5 EDIT “Somewhat resembling Pushing Daisies if starring Norman Bates, The Voices is a strangely macabre, entertaining spate of lurid whimsy.” – One Room With A View Jun 11, 2019 Full Review Memphis (2013) 74% 4/5 EDIT “Tim Sutton's experimental arrangement of the "one-hit-wonder" thematically explores the guilt, grief and sadness of wasted talent; the melancholic descent to normalcy.” – One Room With A View Jun 8, 2019 Full Review Elysium (2013) 64% 3/5 EDIT “Rich people live in space so that poor people don't make them feel bad.” – One Room With A View Jun 4, 2019 Full Review Blue Jasmine (2013) 90% 5/5 EDIT “An efficacious character study of somebody truly fallen.” – One Room With A View Jun 4, 2019 Full Review Men, Women & Children (2014) 33% 3/5 EDIT “Jason Reitman's deceptively light exploration of the Digital Age couples both comedy and tragedy through near-accepted absurdity.” – One Room With A View May 31, 2019 Full Review X/Y (2014) 54% 4/5 EDIT “X+Y affectingly brings exposition and empathy to the forefront of a commonly exploited and oversimplified subject-matter.” – One Room With A View May 31, 2019 Full Review Appropriate Behavior (2014) 97% 4/5 EDIT “Desiree Akhavan's freely accomplished feature debut brings undoubted talent to new tales of love, loss and lesbianism.” – One Room With A View May 31, 2019 Full Review White Bird in a Blizzard (2014) 59% 3/5 EDIT “White Bird in a Blizzard makes full use of its all-star cast, driving a performance-led drama through a somewhat lacklustre adaptation.” – One Room With A View May 31, 2019 Full Review The Drop (2014) 88% 4/5 EDIT “Michaël R. Roskam's The Drop thoughtfully alludes to eternal significance of everyday events, and the curious coincidences that run alongside unseen.” – One Room With A View May 31, 2019 Full Review
No Reviews Yet
Load More