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Critics list

Carl Kozlowski

Carl Kozlowski's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Publications:

Reviews

Movies TV Shows
Give Me Liberty (2019) 89% A EDIT “"Give Me Liberty" is a must-see. Take some friends. Spread the word.” – Pasadena Weekly Sep 5, 2019 Full Review Ready or Not (2019) 89% B EDIT “"Ready Or Not" walks a fine line between extreme bloodshed and dark humor that few movies manage to pull off, and it succeeds most of the time on that level.” – Pasadena Weekly Aug 29, 2019 Full Review Brittany Runs a Marathon (2019) 89% A EDIT “[Paul Downs] Colazzo and [Jillian] Bell team up to make the movie equally funny and uplifting, while also making its sadder moments deeply affecting. The supporting cast are also vibrant additions to the movie.” – Pasadena Weekly Aug 22, 2019 Full Review Blinded by the Light (2019) 89% A EDIT “Most powerfully, "Blinded" is a story of the universally relatable divide that comes between fathers and sons as the younger generation learns to stand as men.” – Pasadena Weekly Aug 15, 2019 Full Review Brian Banks (2018) 64% A EDIT “[Aldis] Hodge and [Greg] Kinnear are both terrific in the lead roles, as the sharp screenplay by Doug Atchison ties together relatable emotional drama with a series of surprising twists en route to their goal.” – Pasadena Weekly Aug 8, 2019 Full Review The Peanut Butter Falcon (2019) 95% B EDIT “While "Falcon" occasionally feels a bit too ramshackle along its lead characters' journey, it still arrives at a destination that's more than satisfying.” – Pasadena Weekly Aug 8, 2019 Full Review The Art of Racing in the Rain (2019) 44% B EDIT “Director Simon Curtis, who has previously directed arty British dramas, gives the movie a sense of sadness throughout, shot through with an underlying optimism that pays off at key moments.” – Pasadena Weekly Aug 8, 2019 Full Review Fast & Furious Presents: Hobbs & Shaw (2019) 67% A EDIT “The script by longtime "Furious" scribe Chris Morgan and the direction by veteran stuntman-turned-director David Leitch make this movie zip along at a nonstop rapid pace.” – Pasadena Weekly Aug 1, 2019 Full Review Once Upon a Time... In Hollywood (2019) 86% B EDIT “It's also a kinder, gentler film than one would expect from this master of fast-bursting graphic violence and one that those seeking fun characters, an unpredictable plot and the ability to sit for nearly three hours in a theatre should enjoy.” – Pasadena Weekly Jul 26, 2019 Full Review The Lion King (2019) 52% EDIT “It's almost impossible to find anything wrong with the film, continuing the Disney brand's tradition of technical perfection matched with a heartfelt tale.” – Pasadena Weekly Jul 19, 2019 Full Review Stuber (2019) 43% A EDIT “"Stuber" is a genuinely entertaining and inventive throwback to the great buddy-cop comedies of the 1980s, while layering in hilarious twists in the details of the film throughout.” – Pasadena Weekly Jul 11, 2019 Full Review Wild Rose (2018) 92% B EDIT “If you love good music or character-based drama "Wild Rose" should smell quite sweet.” – Pasadena Weekly Jul 3, 2019 Full Review Yesterday (2019) 63% A EDIT “"Yesterday" is a terrifically good time at the movies, with [Danny] Boyle deftly handling the fantasy, comedy and romantic elements with total grace.” – Pasadena Weekly Jul 3, 2019 Full Review The Last Black Man in San Francisco (2019) 93% A EDIT “"Last" doesn't rely much on conventional narrative, but rather is a mesmerizing visual poem and mood piece that grabs viewers from the start and never lets go.” – Pasadena Weekly Jun 21, 2019 Full Review Late Night (2019) 80% A EDIT “In a summer filled with special effects-driven action spectacles and endless sequels and reboots, "Late Night" provides a fresh take on lovable characters and helps add a dose of humanity to the season.” – Pasadena Weekly Jun 6, 2019 Full Review Rocketman (2019) 89% A EDIT “Egerton does a phenomenal job... His performance is an emotional rollercoaster of extreme highs and lows, but is always underpinned by a heartbreaking wish for true acceptance and love.” – Pasadena Weekly May 30, 2019 Full Review Booksmart (2019) 96% D EDIT “Aside from the acting and very sporadic flashes of true wit, it's one movie that viewers would be smart to avoid.” – Pasadena Weekly May 23, 2019 Full Review The Biggest Little Farm (2018) 91% A EDIT “This is a film that spotlights not only the rewards of hard work but also the all too forgotten meaning of respecting the wonders of creation both on the ground, beneath the soil and in the gorgeous night skies above.” – Pasadena Weekly May 17, 2019 Full Review Long Shot (2019) 82% A EDIT “this seemingly simple film actually has a lot to say about life and the world we live in today, and is a sure bet for a great date night and to wind up on my 10 favorites list at the end of the year.” – Pasadena Weekly May 10, 2019 Full Review Hesburgh (2018) 81% B EDIT “Hesburgh packs a lot of fascinating stories into its 106-minute running time.” – Pasadena Weekly May 3, 2019 Full Review The Curse of La Llorona (2019) 26% B EDIT “The performances in "La Llorona" are solid across the board, and director Michael Chaves makes his feature-film debut an impressive one by keeping the storyline and the action moving.” – Pasadena Weekly Apr 26, 2019 Full Review Breakthrough (2019) 60% B EDIT “Franklin has succeeded by placing quality actors in the service of stories that manage to include some levels of nuance that make them appealing to audiences beyond the proverbial choir.” – Pasadena Weekly Apr 18, 2019 Full Review Little (2019) 46% F EDIT “"Little" is one of the most creatively clueless, utterly bankrupt ideas to come out of Tinseltown yet.” – Pasadena Weekly Apr 12, 2019 Full Review The Highwaymen (2019) 58% A EDIT “Serves as a bracing reminder that Americans were losing their collective minds over notorious figures in the news decades before the infamous football player captured the nation's attention.” – Pasadena Weekly Apr 4, 2019 Full Review Dumbo (2019) 46% A EDIT “Such an enchanting wonder that there's not much to say about it without spoiling the magic of director Tim Burton's most engaging film in many years.” – Pasadena Weekly Mar 28, 2019 Full Review
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