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Caroline Sanborn

Caroline Sanborn's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
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Reviews

Movies TV Shows
For the Soul of Rafael (1920) EDIT “The tale, although not new, is interesting. And the settings, costumes, and details, down to the most minute, are perfect of their kind.” – Chicago Tribune Jun 7, 2021 Full Review Terror Island (1920) EDIT “Terror Island is all that its name implies. and a good deal more.” – Chicago Tribune Jun 7, 2021 Full Review The Flapper (1920) 89% EDIT “[Olive Thomas] wins one laugh after another from her audience with her audacity, her powers of mimicry and her general adorableness.” – Chicago Tribune Jun 7, 2021 Full Review The River's End (1920) EDIT “Lewis Stone plays his two parts with decided ability. Except for a certain feeling of artificiality at the outset, both in his acting and in the production itself, he is excellent.” – Chicago Tribune Jun 7, 2021 Full Review Treasure Island (1920) 82% EDIT “If you like the romance of pirates and hidden treasure, of old sailing vessels and lonely islands, you'll enjoy each moment of this presentation of Robert Louis Stevenson's tale.” – Chicago Tribune Jun 7, 2021 Full Review EDIT “This Is a good play. Whatever your religion, whatever your sex, whatever tout natural inclination toward the movies may be, you will find in The Confession something that is fine and good and worth while.” – Chicago Tribune Jun 7, 2021 Full Review Nurse Marjorie (1920) EDIT “The story is a cheerful one, with plenty of humorous quirks to sustain interest.” – Chicago Tribune Jun 7, 2021 Full Review EDIT “Go to see Constance Talmadge's new picture. You'll forget you ever had the blues.” – Chicago Tribune Jun 7, 2021 Full Review The Toll Gate (1920) EDIT “Of course [William S. Hart] is superb. As the pursuer or the pursued, afoot or on horseback, the rescuer or the rescued, he never allows the action to lag or the interest of his audience to falter.” – Chicago Tribune Jun 7, 2021 Full Review EDIT “Surprisingly enough, this adaptation of Mary Roberts Rinehart's novel gets under your skin.” – Chicago Tribune Jun 7, 2021 Full Review
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