Chance Solem-Pfeifer
Chance Solem-Pfeifer's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Cronos (1993)
88%
EDIT
“[It's] a pleasure to see del Toro work out his early ambitions in a world he didn’t design.” –
Willamette Week
Jan 22, 2026
Full Review
12 Monkeys (1995)
88%
EDIT
“[12 Monkeys] will it not make you feel better about pretty much anything. But it’s a feast for thought.” –
Willamette Week
Jan 14, 2026
Full Review
Swan Song (2021)
92%
EDIT
“Every gesture captivates: Pat’s labored but proud gait on the roadside, the roughly 100 More cigarettes he ignites, Kier’s impossibly watery stare washing over every other character’s face.” –
Willamette Week
Jan 10, 2026
Full Review
Only Lovers Left Alive (2013)
86%
EDIT
“For being such a cool movie, there is something shockingly lame and relatable about a vampire just sinking down the rabbit hole of his pet interests, collecting rare guitars, and remixing his own compositions into oblivion. ” –
Willamette Week
Dec 30, 2025
Full Review
Silent Night, Deadly Night (1984)
55%
EDIT
“It really is the movie’s fearlessly exploitive emotional and physical violence that cements its all-time placement in the Evil Santa canon.” –
Willamette Week
Dec 18, 2025
Full Review
Big Trouble in Little China (1986)
71%
EDIT
“Directed by John Carpenter during one of the great filmmaking hot streaks of all time, Big Trouble is a rarely seen kind of action comedy—neither spoof nor satire and containing not a single moment of genuine sentiment. ” –
Willamette Week
Dec 12, 2025
Full Review
The Abyss (1989)
76%
EDIT
“Not only is the Special Edition the best way to watch The Abyss, but also the most authoritative. ” –
Willamette Week
Dec 5, 2025
Full Review
Train Dreams (2025)
95%
EDIT
“Given the scope, Bentley could so easily crank up the epic melodrama, but the best feature of Train Dreams is its commitment to serving Johnson’s prose through slippery understatement.” –
Willamette Week
Dec 3, 2025
Full Review
Carol (2015)
94%
EDIT
“Haynes deserves extra credit for turning Blanchett’s acting superpower—resting sphinx face—into the totemic image and attitude of an entire movie.” –
Willamette Week
Dec 3, 2025
Full Review
Kiki's Delivery Service (1989)
98%
EDIT
“All the little unassailable touches of Miyazaki’s world-building enrich the experience.” –
Willamette Week
Dec 3, 2025
Full Review
Basket Case (1982)
78%
EDIT
“Like most other Henenlotter movies, Basket Case is beloved by horror heads in the know for its scrappy execution, darkly comedic exploitation, and gonzo manifestation of otherwise thought-provoking themes. ” –
Willamette Week
Nov 19, 2025
Full Review
Death Wish 3 (1985)
14%
EDIT
“Its unintentional hilarity and ham-handed directing could never be replicated.” –
Willamette Week
Nov 14, 2025
Full Review
The Beyond (1981)
75%
EDIT
“One of the precious few spaghetti Southern gothics, The Beyond is Italian horror maestro Lucio Fulci at his gory, hypnotic best. ” –
Willamette Week
Oct 22, 2025
Full Review
Re-Animator (1985)
88%
EDIT
“Re-Animator expertly rides the line between genuinely disturbing and darkly comedic. With respect to its mischievous score and gonzo practical effects, most of that tonal tightrope-walking is embodied in horror icon Jeffrey Combs’ breakout performance. ” –
Willamette Week
Oct 15, 2025
Full Review
Cure (1997)
94%
EDIT
“Cure is a master class in using eminently available filmmaking techniques to revolutionize the oldest cop story in the book.” –
Willamette Week
Oct 15, 2025
Full Review
Tremors (1990)
89%
EDIT
“Tremors is a great reminder that even the larkiest genre movies can be craft-rich.” –
Willamette Week
Oct 3, 2025
Full Review
Dogtooth (2009)
94%
EDIT
“This is lo-fi unhinged Lanthimos, but like all his movies, Dogtooth exists somewhere between allegory and comedic exaggeration.” –
Willamette Week
Sep 24, 2025
Full Review
Diner (1982)
92%
EDIT
“Never did the decade of peak “men were men” get a clearer retroactive treatment of men being overgrown boys than Barry Levinson’s Diner.” –
Willamette Week
Sep 19, 2025
Full Review
Submarine (2010)
88%
EDIT
“The formative moments of Oliver’s coming of age fly past in a nearly 90-minute montage of memories, hypotheticals, and swooping handheld cinematography.” –
Willamette Week
Sep 6, 2025
Full Review
Thirst (2009)
81%
EDIT
“In Park’s hands, the vampire’s sensuous power is immediately an ironic torment. ” –
Willamette Week
Aug 28, 2025
Full Review
Night of the Juggler (1980)
94%
EDIT
“There’s an attempted witness interrogation through a polygonal glass peepshow box in Times Square so dizzying it’s worth the price of admission alone.” –
Willamette Week
Aug 20, 2025
Full Review
Notting Hill (1999)
84%
EDIT
“When you watch Notting Hill now 26 years after its release, what’s distinct from the subgenre’s 21st-century downturn is how the film’s patient editing and lived-in directing sell writer Richard Curtis’ fantastical premise.” –
Willamette Week
Aug 18, 2025
Full Review
The Surfer (2024)
84%
EDIT
“Irish indie director Lorcan Finnegan produces impressive grandeur from the film’s single location. Meanwhile, writer Thomas Martin overdoes it by expanding the story from man versus gang to man versus generational trauma and possible schizophrenia. ” –
Willamette Week
May 21, 2025
Full Review
Josie and the Pussycats (2001)
54%
EDIT
“The dual performances by Alan Cumming and Parker Posey as music-industry archvillains are the comedic core of the movie. ” –
Willamette Week
May 15, 2025
Full Review
Metropolitan (1990)
94%
EDIT
“Metropolitan is impossibly funny, equal parts playful and contemptuous.” –
Willamette Week
May 1, 2025
Full Review
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