Charline Jao
Charline Jao's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
The New Romantic (2018)
63%
3/5
EDIT
“The New Romantic is, in many aspects, an old romantic in that capital-R way. A glorification of a past age thought to be lost... Neither she nor the plot quite reach the sublime, but the film is enjoyable nonetheless.” –
The Mary Sue
Nov 9, 2018
Full Review
Set It Up (2018)
92%
EDIT
“It's ridiculously enjoyable. Set It Up is funny, charming, and lovable in the way that any decent romantic comedy should be.” –
The Mary Sue
Jun 18, 2018
Full Review
The Girl Without Hands (2016)
95%
5/5
EDIT
“As we continue to see animation progress and become more and more realistic, the French animated film The Girl Without Hands or La Jeune Fille sans mains is a reminder that the medium can be just as compelling with simple and evocative strokes” –
The Mary Sue
Dec 27, 2017
Full Review
Victoria & Abdul (2017)
65%
1.5/5
EDIT
“Karim doesn't need to be a fierce anti-colonial advocate-that might be a bit of a historical jump-but to try and focus on their human connection absent of the conflicts of nation feels dishonest or irresponsible.” –
The Mary Sue
Sep 21, 2017
Full Review
Okja (2017)
87%
4.5/5
EDIT
“It's one of Netflix's best original films.” –
The Mary Sue
Jun 29, 2017
Full Review
My Cousin Rachel (2017)
76%
5/5
EDIT
“As a mid-twentieth century writer revisiting the 19th century, du Maurier played with tropes and archetypes, and in this adaptation, Rachel Weisz as the title character is a sight to behold.” –
The Mary Sue
Jun 29, 2017
Full Review
The Bad Batch (2016)
45%
2/5
EDIT
“Despite an exciting premise that featured a Mad Max-esque lawless wasteland, Jason Momoa, Keanu Reeves, and cannibalism with the director of A Girl Walks Home Alone at Night, the film was wholly underwhelming.” –
The Mary Sue
Jun 23, 2017
Full Review
Cars 3 (2017)
70%
3.5/5
EDIT
“Is it Toy Story 3 or Finding Dory? No, but it's an effective send-off to the Cars world and a good choice for the family.” –
The Mary Sue
Jun 16, 2017
Full Review
A Suitable Girl (2017)
88%
5/5
EDIT
“There are a lot of genuinely devastating moments in the film.” –
The Mary Sue
May 17, 2017
Full Review
Tramps (2016)
91%
EDIT
“Tramps won't stay in your mind for days after, but it's a genuine delight.” –
Film Inquiry
May 9, 2017
Full Review
My Entire High School Sinking Into the Sea (2016)
84%
4/5
EDIT
“With so much going on, this is a coming-of-age that doesn't really slow down.” –
The Mary Sue
Apr 27, 2017
Full Review
The King (2017)
86%
3.5/5
EDIT
“With parallels to real-life scandals and offhanded references to moments like the June Democracy Movement... The King succeeds as a political drama invested in the constantly changing dynamics of power.” –
The Mary Sue
Jan 26, 2017
Full Review
Sing (2016)
71%
2/5
EDIT
“Despite having a star-filled cast and adorable animals I spent a great deal of the movie reminiscing about how much I enjoyed the animal world of Zootopia more.” –
The Mary Sue
Dec 31, 2016
Full Review
The Neon Demon (2016)
59%
2/5
EDIT
“Pushing aside the earlier predatory male character in favor of a "women eat each other alive, but literally" story makes it fall short for me.” –
The Mary Sue
Dec 31, 2016
Full Review
Long Way North (2015)
98%
4.5/5
EDIT
“It's a gorgeous treat.” –
The Mary Sue
Dec 31, 2016
Full Review
The Handmaiden (2016)
96%
4.5/5
EDIT
“Fan of [Park's] will no doubt be sucked in by the distinct style, cinematography, and lush colors.” –
The Mary Sue
Dec 30, 2016
Full Review
Ocean Waves (1993)
89%
4/5
EDIT
“I can understand this coming across as dull, but Ocean Waves' embrace of the everyday is really its strength.” –
The Mary Sue
Dec 30, 2016
Full Review
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