Drew Gregory
Tomatometer-approved critic
A Private Life (2025)
80%
EDIT
“There’s a lightness to Zlotowski's work, even when dealing with suicide and murder, its depth and devastation hidden in only a couple lines of dialogue or a single frame.
” –
Autostraddle
Sep 11, 2025
Full Review
Hedda (2025)
89%
EDIT
“The film has all the discordance of a theatrical revival that stretches the edges of its famous text. DaCosta wisely leans into these imperfections.” –
Autostraddle
Sep 9, 2025
Full Review
Christy (2025)
67%
EDIT
“The basic choice in lead actress is expected. The basic filmmaking is less forgivable.” –
Autostraddle
Sep 8, 2025
Full Review
Erupcja (2025)
85%
EDIT
“Anyone who has seen Charli xcx on stage knows her charisma could be used for so much more.” –
Autostraddle
Sep 8, 2025
Full Review
Honey Don't! (2025)
45%
EDIT
“Difficult, thought-provoking, hard to like and just as easy to love.
” –
Autostraddle
Aug 21, 2025
Full Review
Hot Milk (2025)
37%
EDIT
“The script is overwritten, stating things bluntly that have already been communicated — and communicated better — in the silences.” –
Autostraddle
Jul 10, 2025
Full Review
The Wedding Banquet (2025)
86%
EDIT
“If the original film was about the shame of being gay, this film is about the lingering effects years after the shame subsides.” –
Autostraddle
May 2, 2025
Full Review
Queens of Drama (2024)
86%
EDIT
“Queens of Drama is a true work of queer art, a film about projection and cruelty that acknowledges its own projection and refuses to be cruel.” –
Autostraddle
May 2, 2025
Full Review
The Ugly Stepsister (2025)
96%
EDIT
“One of the best horror films of the decade so far.” –
Autostraddle
Feb 3, 2025
Full Review
Heightened Scrutiny (2025)
94%
EDIT
“As a trans person, there’s a comfort in hearing the facts laid out so clearly and with such feeling.
” –
Autostraddle
Feb 3, 2025
Full Review
Plainclothes (2025)
83%
EDIT
“While this disinterest in policing isn’t inherently a problem, it does leave the film’s most interesting thematic threads unexplored.” –
Autostraddle
Feb 3, 2025
Full Review
Power Alley (2023)
EDIT
“Throughout the film, easy narrative choices are resisted for the unexpected and more effective.” –
Autostraddle
Feb 1, 2025
Full Review
You Are Not Me (2023)
100%
EDIT
“While the Get Out comparisons are inevitable, the film this most recalls is actually Brian Yuzna’s 1989 masterpiece Society.” –
Autostraddle
Feb 1, 2025
Full Review
Rains Over Babel (2025)
92%
EDIT
“This is a very sincere film about life and death and self-acceptance, but it’s also endless fun.” –
Autostraddle
Feb 1, 2025
Full Review
Come See Me in the Good Light (2025)
100%
EDIT
“It’s a tender look at two queer people in love and a celebration of the desire to live.” –
Autostraddle
Feb 1, 2025
Full Review
LUZ (2025)
41%
EDIT
“At times the dialogue is blunt, the script not quite as remarkable as the style, but I still found myself fully connected to these people and their searching.” –
Autostraddle
Feb 1, 2025
Full Review
GEN_ (2025)
100%
EDIT
“The best compliment I can give GEN_ is that it’s kind of boring.” –
Autostraddle
Jan 31, 2025
Full Review
Sauna (2025)
88%
EDIT
“I’m not criticizing a good movie because of how it tells a trans story. I’m criticizing a mediocre movie because a trans story that may seem fresh to some is all it has to offer.” –
Autostraddle
Jan 31, 2025
Full Review
Bunnylovr (2025)
58%
EDIT
“Katarina Zhu’s feature debut is at its best when it leans into the boundaries of its character’s self-destruction.” –
Autostraddle
Jan 31, 2025
Full Review
Omaha (2025)
89%
EDIT
“Every narrative and formal choice made in Omaha feels manufactured to make the audience cry rather than to deepen its characters and serve the story.” –
Autostraddle
Jan 31, 2025
Full Review
Where the Wind Comes From (2025)
100%
EDIT
“The characters are often kept in the lower half of the frame as if Guellaty and DP Frida Marzouk are leaving space for their dreams.” –
Autostraddle
Jan 31, 2025
Full Review
Cactus Pears (2025)
97%
EDIT
“There have been many films about queer people returning to their family homes, but few with this amount of tender specificity. ” –
Autostraddle
Jan 31, 2025
Full Review
Sorry, Baby (2025)
97%
EDIT
“While the smart script and strong performances are easy to praise, the filmmaking is just as noteworthy. The form isn’t showy, but it is skilled.” –
Autostraddle
Jan 31, 2025
Full Review
The Virgin of the Quarry Lake (2025)
83%
EDIT
“This is a challenging, at times nasty, film, but it’s not cynical. When all humanity seems lost, Casabé returns to the faces of her talented performers to reveal the conflict beneath their harsh choices.
” –
Autostraddle
Jan 31, 2025
Full Review
Coexistence, My Ass! (2025)
92%
EDIT
“Part of me wishes the first half of the film matched the complexity and craft of the second, but I also think, as is, the film is something of a magic trick.” –
Autostraddle
Jan 31, 2025
Full Review
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