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Drew Gregory

Tomatometer-approved critic
Publications:

Reviews

Movies TV Shows
A Private Life (2025) 80% EDIT “There’s a lightness to Zlotowski's work, even when dealing with suicide and murder, its depth and devastation hidden in only a couple lines of dialogue or a single frame. ” – Autostraddle Sep 11, 2025 Full Review Hedda (2025) 89% EDIT “The film has all the discordance of a theatrical revival that stretches the edges of its famous text. DaCosta wisely leans into these imperfections.” – Autostraddle Sep 9, 2025 Full Review Christy (2025) 67% EDIT “The basic choice in lead actress is expected. The basic filmmaking is less forgivable.” – Autostraddle Sep 8, 2025 Full Review Erupcja (2025) 85% EDIT “Anyone who has seen Charli xcx on stage knows her charisma could be used for so much more.” – Autostraddle Sep 8, 2025 Full Review Honey Don't! (2025) 45% EDIT “Difficult, thought-provoking, hard to like and just as easy to love. ” – Autostraddle Aug 21, 2025 Full Review Hot Milk (2025) 37% EDIT “The script is overwritten, stating things bluntly that have already been communicated — and communicated better — in the silences.” – Autostraddle Jul 10, 2025 Full Review The Wedding Banquet (2025) 86% EDIT “If the original film was about the shame of being gay, this film is about the lingering effects years after the shame subsides.” – Autostraddle May 2, 2025 Full Review Queens of Drama (2024) 86% EDIT “Queens of Drama is a true work of queer art, a film about projection and cruelty that acknowledges its own projection and refuses to be cruel.” – Autostraddle May 2, 2025 Full Review The Ugly Stepsister (2025) 96% EDIT “One of the best horror films of the decade so far.” – Autostraddle Feb 3, 2025 Full Review Heightened Scrutiny (2025) 94% EDIT “As a trans person, there’s a comfort in hearing the facts laid out so clearly and with such feeling. ” – Autostraddle Feb 3, 2025 Full Review Plainclothes (2025) 83% EDIT “While this disinterest in policing isn’t inherently a problem, it does leave the film’s most interesting thematic threads unexplored.” – Autostraddle Feb 3, 2025 Full Review Power Alley (2023) EDIT “Throughout the film, easy narrative choices are resisted for the unexpected and more effective.” – Autostraddle Feb 1, 2025 Full Review You Are Not Me (2023) 100% EDIT “While the Get Out comparisons are inevitable, the film this most recalls is actually Brian Yuzna’s 1989 masterpiece Society.” – Autostraddle Feb 1, 2025 Full Review Rains Over Babel (2025) 92% EDIT “This is a very sincere film about life and death and self-acceptance, but it’s also endless fun.” – Autostraddle Feb 1, 2025 Full Review Come See Me in the Good Light (2025) 100% EDIT “It’s a tender look at two queer people in love and a celebration of the desire to live.” – Autostraddle Feb 1, 2025 Full Review LUZ (2025) 41% EDIT “At times the dialogue is blunt, the script not quite as remarkable as the style, but I still found myself fully connected to these people and their searching.” – Autostraddle Feb 1, 2025 Full Review GEN_ (2025) 100% EDIT “The best compliment I can give GEN_ is that it’s kind of boring.” – Autostraddle Jan 31, 2025 Full Review Sauna (2025) 88% EDIT “I’m not criticizing a good movie because of how it tells a trans story. I’m criticizing a mediocre movie because a trans story that may seem fresh to some is all it has to offer.” – Autostraddle Jan 31, 2025 Full Review Bunnylovr (2025) 58% EDIT “Katarina Zhu’s feature debut is at its best when it leans into the boundaries of its character’s self-destruction.” – Autostraddle Jan 31, 2025 Full Review Omaha (2025) 89% EDIT “Every narrative and formal choice made in Omaha feels manufactured to make the audience cry rather than to deepen its characters and serve the story.” – Autostraddle Jan 31, 2025 Full Review Where the Wind Comes From (2025) 100% EDIT “The characters are often kept in the lower half of the frame as if Guellaty and DP Frida Marzouk are leaving space for their dreams.” – Autostraddle Jan 31, 2025 Full Review Cactus Pears (2025) 97% EDIT “There have been many films about queer people returning to their family homes, but few with this amount of tender specificity. ” – Autostraddle Jan 31, 2025 Full Review Sorry, Baby (2025) 97% EDIT “While the smart script and strong performances are easy to praise, the filmmaking is just as noteworthy. The form isn’t showy, but it is skilled.” – Autostraddle Jan 31, 2025 Full Review The Virgin of the Quarry Lake (2025) 83% EDIT “This is a challenging, at times nasty, film, but it’s not cynical. When all humanity seems lost, Casabé returns to the faces of her talented performers to reveal the conflict beneath their harsh choices. ” – Autostraddle Jan 31, 2025 Full Review Coexistence, My Ass! (2025) 92% EDIT “Part of me wishes the first half of the film matched the complexity and craft of the second, but I also think, as is, the film is something of a magic trick.” – Autostraddle Jan 31, 2025 Full Review
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