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Edward Frumkin

Edward Frumkin's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).

Reviews

Movies TV Shows
Sally (2025) 88% 8/10 EDIT ““Sally” is a long overdue and emotionally sensitive look at an astronaut wanting to live a private life without fame and intrusion.” – Next Best Picture Mar 10, 2025 Full Review Dogwatch (2022) 80% B EDIT “Dogwatch is a grim, witty look at how preconceived notions of masculinity shape one’s beliefs, tastes, and outlook while also poignantly portraying how physical touch is psychologically embedded with traces of connectedness, competition, and belonging. ” – The Film Stage Apr 5, 2024 Full Review Time Bomb Y2K (2023) 80% B EDIT “McDonald and Maya Mumma’s editing parses this pandemonium’s ridiculous yet reasonably suspenseful, satirical, poignant sentiments gleaned from news media and fictional programs into a nostalgic study of searching for solace amidst unrest. ” – The Film Stage Apr 5, 2024 Full Review Going Varsity in Mariachi (2023) 94% C+ EDIT “The placement of competition performances could also be more coherent––their results are mainly constant wins, and the first and final shows don’t reflect the participant’s ebbs and flow in their personal lives. ” – The Film Stage Apr 5, 2024 Full Review Ramona (2022) 100% B+ EDIT “Ramona is an incisive, delicate canvas that ennobles sorority, motherhood, and leadership.” – The Film Stage Apr 5, 2024 Full Review A Woman Escapes (2022) B- EDIT “Ultimately, A Woman Escapes harkens vivid emotions to 2020 and yearns for the need to form a tight-knit community––abroad or nearby––in the name of loneliness.” – The Film Stage Apr 5, 2024 Full Review Stamped From the Beginning (2023) 100% B EDIT “Unlike most racism-occupied documentaries that often conclude on a dark note, Williams uplifts his end with an honest, enlightened meaning of unity and an anti-racist society. There’s so much improvement and hope for a better nation. ” – The Film Stage Apr 5, 2024 Full Review Sorry/Not Sorry (2023) 82% C- EDIT “Mones and Suh’s missed questions and editing tactics make Sorry/Not Sorry a shallow, reductive portrait into demystifying the myth of cancel culture.” – The Film Stage Apr 5, 2024 Full Review Mambar Pierrette (2023) 100% A- EDIT “Mbakam’s minimalist aesthetics demolish the binary between nonfiction and fiction to reflect Pierrette’s flawed, humane intentions across the nurturers from many settings. ” – The Film Stage Apr 5, 2024 Full Review The Remarkable Life of Ibelin (2024) 97% C+ EDIT “As Ibelin jumps into the World of Warcraft sequences, it decreases whatever resonance that I got from the BBC article.” – The Film Stage Apr 5, 2024 Full Review Union (2024) 89% B+ EDIT “Capturing the ascendancy of the working class, Union is a key addition to the canon of workers’ cinema.” – The Film Stage Apr 5, 2024 Full Review Alien Island (2023) B EDIT “Though this could have been seen as a true-crime drama, Berríos implements frisky homages to the science-themed genre that give lungs to the obscured, multifaceted friendship.” – The Film Stage Apr 5, 2024 Full Review Spermworld (2024) 80% B EDIT “Whatever you take out of this Rorschach test, Oppenheim’s lens elucidates the organic nature of relationships and how no one can force life. Time is your friend to fully experience the process. ” – The Film Stage Apr 2, 2024 Full Review
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