Christine (1983)
72%
3.5/5
EDIT
“The film rewards both [Arnie] and us with some of the strongest pieces of straightforward commercial filmmaking of Carpenter’s career.” –
Slant Magazine
Dec 16, 2025
Full Review
The Wiz (1978)
38%
4/5
EDIT
“Fueled by the finest, most aurally expensive-sounding suite of music Q ever mounted, the entire project arguably reaches its apotheosis in the centerpiece Emerald City sequence.” –
Slant Magazine
Nov 11, 2025
Full Review
Barry Lyndon (1975)
78%
EDIT
“It isn’t vulgar to suggest that Kubrick may have identified with Barry the autodidact.” –
Slant Magazine
Jul 7, 2025
Full Review
Viet and Nam (2024)
98%
3/4
EDIT
“Truong Minh Quy’s new queer romance-cum-sociohistorical lament mines beauty from both collective desolation and individual endurance.” –
Slant Magazine
Sep 6, 2024
Full Review
Querelle (1982)
65%
EDIT
“Pride is many things, but this year it’s mostly the cut of Brad Davis’s muscle shirt cradling his cleavage like no piece of cloth has this side of Marlon Brando’s Stanley Kowalski.” –
Slant Magazine
Jun 23, 2024
Full Review
The Underdoggs (2024)
42%
2/4
EDIT
“There’s only so much that director Charles Stone III can do with the script’s “head held high” cornpone.” –
Slant Magazine
Jan 25, 2024
Full Review
American Fiction (2023)
93%
2.5/4
EDIT
“Without spoiling its increasingly ludicrous (and ludicrously believable) escalations, American Fiction ultimately gets off scot-free clinging doggedly to the middle ground.” –
Slant Magazine
Dec 3, 2023
Full Review
Rotting in the Sun (2023)
82%
3/4
EDIT
“At once an excoriating satire of the performativity of homosexuality within a social media-addled community as well as a seemingly earnest lament for the total loss of collectivity, the film minces neither words nor bodily appendages.” –
Slant Magazine
Sep 6, 2023
Full Review
Medusa Deluxe (2022)
72%
2/4
EDIT
“Few, if any, single-shot movies ever justify the conceit. In fact, most of them do their material a disservice through the distraction that emerges naturally from the trickery.” –
Slant Magazine
Aug 8, 2023
Full Review
Targets (1968)
89%
EDIT
“Far from a period piece, Targets’s contrasting tales capture a still-relevant portrait of America’s uniquely schizophrenic relationship with gun violence.” –
Slant Magazine
May 18, 2023
Full Review
Are You There God? It's Me, Margaret. (2023)
99%
3/4
EDIT
“The sense that they don’t make mass entertainments like this anymore is palpable.” –
Slant Magazine
Apr 27, 2023
Full Review
Head Over Heels (1979)
90%
EDIT
“Joan Micklin Silver’s humble PG-rated romantic dramedy is, in its brisk 95 minutes, a more adult entertainment than nearly any studio-backed film you could name from the past decade or so.” –
Slant Magazine
Apr 3, 2023
Full Review
Imitation of Life (1934)
88%
EDIT
“The film remains a conscientious depiction of the bitter realities of race in America.” –
Slant Magazine
Jan 10, 2023
Full Review
Whitney Houston: I Wanna Dance with Somebody (2022)
43%
2/4
EDIT
“There are only clichés in this rise-and-fall material, with the sole distinctive wrinkle being the weight given to the rise versus the fall.” –
Slant Magazine
Dec 21, 2022
Full Review
Blow Out (1981)
88%
EDIT
“It’s the death of the ‘60s and ‘70s that haunts Blow Out and has arguably inflated its reputation among those incapable of recognizing anything good in, say, The Fury.” –
Slant Magazine
Sep 9, 2022
Full Review
Pink Flamingos (1972)
84%
EDIT
“Of course, every battle in their filth war is quite obviously filtered through John Waters’s legendarily up-is-down, wrong-is-right sense of humor.” –
Slant Magazine
Jun 21, 2022
Full Review
The Girl Can't Help It (1956)
82%
EDIT
“Criterion’s set for The Girl Can’t Help It is going to look awfully smart on the shelf next to their forthcoming release of Pink Flamingos.” –
Slant Magazine
May 11, 2022
Full Review
Written on the Wind (1956)
88%
EDIT
“Any time a film scholar tries to steer a Sirk conversation into dry academicism, remind them that, in Written on the Wind, a character rhumbas her father to death.” –
Slant Magazine
Mar 8, 2022
Full Review
The Boys in the Band (2020)
85%
2/4
EDIT
“This new Boys in the Band is a Matryoshka doll of period piecery, a flashback of a flashback of a flashback.” –
Slant Magazine
Sep 26, 2020
Full Review
You Don't Nomi (2019)
89%
2.5/4
EDIT
“Has the time come to ask if the pendulum has swung too far in the other direction?” –
Slant Magazine
Jun 10, 2020
Full Review
Skyscraper (2018)
48%
1.5/4
EDIT
“Dwayne "The Rock" Johnson is the true Tower of Babel, the movie star who with each film gets closer to God and whose films always come tumbling down around him.” –
Slant Magazine
Jul 12, 2018
Full Review
Tag (2018)
55%
2.5/4
EDIT
“It offers amity, emotional support, awkward tears, the specter of death, and the spectacle of ass-punching slapstick all rolled up in one somehow cohesive collection of all-good spare parts.” –
Slant Magazine
Jun 14, 2018
Full Review
That Summer (2017)
84%
2.5/4
EDIT
“The makers of this rescued-footage documentary ultimately understand the power of its subjects' personalities.” –
Slant Magazine
May 17, 2018
Full Review
Life of the Party (2018)
38%
EDIT
“Novelty and Melissa McCarthy's comedic chops only carry Life of the Party to midterms, and it soon becomes apparent that it's a star vehicle without any engine.” –
Slant Magazine
May 10, 2018
Full Review
Rampage (2018)
51%
1.5/4
EDIT
“It's a wonder that a video game from the 1980s could efficiently set its premise up in a single cut scene, but a major Hollywood production in 2018 can't seem to get beyond mere exposition in its 107-minute running time.” –
Slant Magazine
Apr 11, 2018
Full Review
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