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Gemma Files

Tomatometer-approved critic
Publications:

Reviews

Movies TV Shows
Pitch (1997) 3/5 EDIT “A non-fiction first feature that pits two homegrown obsessives against the Hollywood elite.” – eye WEEKLY May 8, 2013 Full Review The Exorcist (1973) 78% 4/5 EDIT “A story whose archetypal pull and sheer visceral power can't be negated by even the worst audience behaviour.” – eye WEEKLY Sep 21, 2007 Full Review Twilight of the Ice Nymphs (1997) 67% 3/5 EDIT “It's a surreal paradise where the summer sun never sets and the air is full of feathers drifting down from the Glahn family ostrich farm.” – eye WEEKLY May 7, 2002 Full Review Lara Croft: Tomb Raider (2001) 21% EDIT “A visually spectacular yet oddly cheerless experience.” – Film.com Jun 14, 2001 Full Review Adventures of Felix (2001) 68% EDIT “A remarkably charming, laid-back, well-adjusted guy to find at the heart of any 21st-century comedy.” – eye WEEKLY Jun 6, 2001 Full Review Ginger Snaps (2000) 90% 4/5 EDIT “” – eye WEEKLY Jun 4, 2001 Full Review A Knight's Tale (2001) 59% EDIT “Will A Knight's Tale have a long shelf-life? Hell, no. But will it do for this Friday, preferably with a date? Hell, yes.” – Film.com May 10, 2001 Full Review The Forsaken (2001) 9% EDIT “Scary and sexy.” – Film.com Apr 27, 2001 Full Review One Night at McCool's (2001) 34% EDIT “Hinges on a haphazard intersection between several venal, infinitely and annoyingly flawed characters.” – Film.com Apr 26, 2001 Full Review Kingdom Come (2001) 26% EDIT “The comedy sequences are routinely played for the very broadest sort of slapstick, which makes its abrupt attempts to switch gears back into genuine dramatic emotion-mode all the more impossible to sustain.” – eye WEEKLY Apr 12, 2001 Full Review Beautiful Creatures (2000) 38% EDIT “As the movie limps on, it becomes painfully obvious that both these 'creatures' ... will always remain victims at best, stooges at worst.” – Film.com Apr 5, 2001 Full Review Enemy at the Gates (2001) 53% EDIT “The new year's single most satisfying movie experience thus far.” – Film.com Mar 15, 2001 Full Review Shadow of the Vampire (2000) 82% 4/5 EDIT “By turns hilarious and hypnotic.” – eye WEEKLY Feb 7, 2001 Full Review Chocolat (2000) 63% 3/5 EDIT “Feels good going down, but for such a sweet movie, the aftertaste is oddly bitter.” – eye WEEKLY Feb 7, 2001 Full Review Crouching Tiger, Hidden Dragon (2000) 98% 5/5 EDIT “A truly stunning blend of classic Chinese martial-arts moviemaking and modern psychodrama.” – eye WEEKLY Feb 7, 2001 Full Review Valentine (2001) 11% EDIT “Simply mines the same tired, predictable slasher-movie vein.” – Film.com Feb 2, 2001 Full Review Sugar & Spice (2001) 30% EDIT “[A] deliberately shallow, plasticized yuck-fest.” – Film.com Jan 25, 2001 Full Review Save the Last Dance (2001) 54% EDIT “Breaks virtually no new narrative ground, yet treads the familiar territory it does cover with grace, style, wit and fun.” – Film.com Jan 11, 2001 Full Review Wes Craven Presents: Dracula 2000 (2000) 19% EDIT “Dracula 2000 is nothing more or less than pure popcorn filmmaking, with an emphasis on the 'corn', and...apparently... proud of it.” – Film.com Dec 22, 2000 Full Review Proof of Life (2000) 38% EDIT “This is half a good movie held hostage to the other, trashier half, and unfortunately for all of us, no rescue seems forthcoming.” – Film.com Dec 7, 2000 Full Review Dungeons & Dragons (2000) 9% EDIT “Better luck next turn.” – eye WEEKLY Dec 7, 2000 Full Review Erin Brockovich (2000) 85% EDIT “[Roberts looks] spectacularly and movingly human even at the expense of her established persona.” – Film.com Jan 1, 2000 Full Review Drowning Mona (2000) 29% EDIT “No kind of triumph of anything over anything.” – Film.com Jan 1, 2000 Full Review Girl, Interrupted (1999) 53% EDIT “Ends up suffering from the classic diseases of book -to- film adaptation.” – eye WEEKLY Jan 1, 2000 Full Review Highlander: Endgame (2000) 11% EDIT “Kinetic but borderline incoherent, hinging entirely on character relationships whose significance it can't possibly slow down long enough to explain for the newbies in the audience.” – Film.com Jan 1, 2000 Full Review
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