Peter Pan (1953)
79%
EDIT
“"Peter Pan" comes alive whenever the animators cut back to Hook and his scurvy swabbies.” –
San Jose Mercury News
Jan 21, 2026
Full Review
UHF (1989)
64%
EDIT
“It is entertaining and funny enough to ensure the video satirist an encore performance as a small-town bungler named George Newman.” –
San Jose Mercury News
Jan 21, 2026
Full Review
Big Top Pee-wee (1988)
31%
EDIT
“"Big Top" is sluggish, flat and mildly naughty.” –
San Jose Mercury News
Dec 11, 2025
Full Review
The Last of the Mohicans (1992)
88%
EDIT
“[The Last of the Mohicans] shouldn't be approached as a great adaptation of an American classic. And it's certainly no Black Robe. But as classy, first-rate escapism, there's much here to hold the eye and spark the imagination.” –
Knight Ridder News Service
Dec 14, 2023
Full Review
El Mariachi (1992)
91%
EDIT
“Lacking the resources of a T2, Rodriguez has done something that's fairly heretical in Hollywood these days: He has subbed imagination humor and a lot of old-fashion camera trickery.” –
Knight Ridder News Service
Sep 8, 2021
Full Review
Knives Out (2019)
97%
2:4
EDIT
“At over two hours, this salute to Dame Agatha feels overlong, padded ... The denouement isn't reached so much as laboriously coughed up, like a fur-ball.” –
CinemaDope
Dec 24, 2019
Full Review
1917 (2019)
88%
4:4
EDIT
“Think Kubrick's 'Paths of Glory' crossed with Spielberg's 'Saving Private Ryan,' and you'll be in the grim yet somehow exhilarating vicinity of this inevitable Best Picture Oscar contender.” –
CinemaDope
Dec 20, 2019
Full Review
Jurassic World: Fallen Kingdom (2018)
47%
1.5/4
EDIT
“This overlong, over-the-top continuation sniffs and scratches so desperately to establish its pedigree it could be a mutt cousin of Spielberg's original blockbuster. You feel less like criticizing the thing than putting it down ...” –
CinemaDope
Sep 20, 2018
Full Review
Hereditary (2018)
90%
3/4
EDIT
“... an assured debut that folds in Shirley Jackson, Rosemary Woodhouse and, for its immersive creepiness, 'Seance on a Wet Afternoon' ... Collette fearlessly explores Annie's primal fears, at times contorting her face into hideous mask” –
CinemaDope
Sep 18, 2018
Full Review
Adrift (2018)
69%
3/4
EDIT
“... the extreme long shots say it all: we are completely alone, mere specs on an endless expanse of shimmering gray ... best of its kind since J.C. Chandor's 'All Is Lost' ... required viewing for arm-chairs adventurers who live vicariously.” –
CinemaDope
Sep 12, 2018
Full Review
The Bookshop (2017)
57%
2/4
EDIT
“... standard PBS Masterpiece fare ... self-consciously arty and as studied as a John Constable pastoral come to life ... has small-town hypocrites in its sights but is too polite to pull the trigger” –
CinemaDope
Sep 4, 2018
Full Review
Papillon (2017)
52%
2.5/4
EDIT
“...remake is overall more satisfying than original ... less movie start charismatic, Hunnam plays squire to McQueen's Cooler King ... 'Les Miz' meets 'Escape from Alcatraz'” –
CinemaDope
Aug 27, 2018
Full Review
78/52 (2017)
88%
2/4
EDIT
“Who doesn't remember where he was when Leigh shed black bra and slip, unwrapped a bar of complimentary Bates Motel soap, and washed away her sins? ... Unfortunately doc's scholarship feels sketchy, arbitrary.” –
CinemaDope
Dec 11, 2017
Full Review
Lucky (2017)
97%
3.5/4
EDIT
“One of the year's true finds, a spare but amiable slice-of-lifer about an argumentative old coot and his equally eccentric friends ... Stanton, never better, deserves a posthumous Oscar nod.” –
CinemaDope
Sep 21, 2017
Full Review
mother! (2017)
68%
1.5/4
EDIT
“Marketed as a supernatural thriller, Aronofsky's latest is a black comedy about what it means to play muse to creep artist ... Doesn't attain MOAB stature but still the most indulgent film from a major director in a good while” –
CinemaDope
Sep 18, 2017
Full Review
It (2017)
85%
2/4
EDIT
“Skarsgard's purring Pennywise is the stuff of indelible beddy-time nightmares, but this fusing of small-town Americana and childhood neuroses lags, feels cobbled together from other fright films” –
CinemaDope
Sep 13, 2017
Full Review
It Comes at Night (2017)
88%
3/4
EDIT
“Mines the same dour forebodings as Cormac McCarthy's 'The Road' ... a grim little cautionary fable that relies on mood, character development and performance, not 'Walking Dead' gore effects.” –
CinemaDope
Jun 26, 2017
Full Review
Kong: Skull Island (2017)
75%
3.5/4
EDIT
“Not only the most exhilarating e-ticket ride since 'Mad Max Fury Road,' it's almost as exciting as the RKO original, thanks to expertly orchestrated cliff-hangers and the scariest CG beasties since 'Jurassic Park'” –
CinemaDope
Mar 19, 2017
Full Review
The Last Word (2017)
40%
2.5/4
EDIT
“Despite the laudable direction and another feisty turn by MacLaine, this low-budget vehicle fairly buckles under mounting contrivances, used to facilitate shifts in tone, from bleak to heartfelt to silly” –
CinemaDope
Mar 12, 2017
Full Review
Logan (2017)
93%
2.5/4
EDIT
“Before it settles down as a cross between 'Mad Max Beyond Thunderdome' and 'Shane' it's a pretty joyless slog, one CG-enhanced battle after another ... Dafne Keen as Wolvie's ward goes full feral.” –
CinemaDope
Mar 6, 2017
Full Review
Get Out (2017)
98%
3/4
EDIT
“... first really interesting film of the new year is an unnerving social satire that uses horror tropes to peel away the hypocrisy of white liberal America .. Peele is obviously a director to watch.” –
CinemaDope
Mar 5, 2017
Full Review
Split (2017)
79%
2.5/4
EDIT
“Shyamalan has been biding his time in The Twilight Zone, mounting, if not a comeback, a tentative second beginning ... More ingenious than scary; it could have used a few more hardcore shocks.” –
CinemaDope
Jan 21, 2017
Full Review
Hidden Figures (2016)
93%
2.5
EDIT
“... inspirational but predictable celebration of sacrifice, can-do spirit of three exploited NASA workers ... feels pat, too self-aware ... may be overdoing things to redress past sins.” –
CinemaDope
Jan 9, 2017
Full Review
Paterson (2016)
96%
4/4
EDIT
“... a wry meditation on the nature of creativity ... Adam Driver is wonderful as the would-be poet searching for inspiration in all the wrong places ... Jarmusch's sweetest, most accessible film” –
CinemaDope
Jan 4, 2017
Full Review
Fences (2016)
92%
4/4
EDIT
“... a powerhouse of a drama ... Washington is breathtakingly good as the embittered Troy, who's erecting a wall between himself and an unjust world. Viola Davis can prepare her Oscar speech” –
CinemaDope
Jan 4, 2017
Full Review
No Reviews Yet
Load More
Something went wrong.. try again