Time and Water (2026)
6/10
EDIT
“By the time Magnason has related the death of Iceland's ice caps to global warming, the film has lost its ability to be a clarion call.” –
Screen Rant
Jan 28, 2026
Full Review
See You When I See You (2026)
64%
5/10
EDIT
“At its best, See You When I See You makes cinematic what has previously felt so dry in other films: a therapy session.” –
Screen Rant
Jan 28, 2026
Full Review
The Oldest Person in the World (2026)
100%
8/10
EDIT
“A soft and gentle hug of a film, one that reifies life's most sacred values while retaining the essential mystery behind our most pressing questions.” –
Screen Rant
Jan 27, 2026
Full Review
Public Access (2026)
7/10
EDIT
“Smith's kaleidoscopic and deeply moving documentary is a wildly impressive archival project that curates a wide breadth of footage from a period of public television that was especially radical in its application of free speech. ” –
Screen Rant
Jan 27, 2026
Full Review
I Want Your Sex (2026)
88%
5/10
EDIT
“It's a funny film, an occasionally sexy film, and it's definitely an odd film, but its never really any of those things for as much as it could be and never quite for the reasons Araki thinks it is.” –
Screen Rant
Jan 27, 2026
Full Review
The Moment (2026)
55%
3/10
EDIT
“There is a certain hubris to making a film that is absolutely devoid of stakes, but it's hard to describe that gall as anything but absurdly arrogant, or else woefully out of touch.” –
Screen Rant
Jan 27, 2026
Full Review
Bedford Park (2026)
90%
4/10
EDIT
“Without any proper attention paid to momentum, it feels impossible to believe there's any chemistry percolating here” –
Screen Rant
Jan 27, 2026
Full Review
Silenced (2026)
5/10
EDIT
“Silenced works as a solid primer in helping us understand the gaps of the #MeToo movement and the enduring work we all must put in to erase implicit gender bias in the courtroom. ” –
Screen Rant
Jan 27, 2026
Full Review
The Friend's House Is Here (2026)
8/10
EDIT
“An extraordinary film of uncommon bravery, it acts as a protest by the nature of its very existence, a story of underground artists refusing censorship and authoritarianism in favor of a life lived with joy in truthfulness.” –
Screen Rant
Jan 27, 2026
Full Review
Wicker (2026)
92%
8/10
EDIT
“Brought to life by yet another astounding performance by Olivia Colman, Wicker's treasure is in its hopeless romanticism that insists that pure love and adamant individuality can create irrevocable progress through osmosis.” –
Screen Rant
Jan 27, 2026
Full Review
Carousel (2026)
87%
8/10
EDIT
“Beautiful and gently stirring, Lambert's film works best on the backs of Pine and Slate's performances, both of which rank amongst the best of each actor's respective careers.” –
Screen Rant
Jan 27, 2026
Full Review
The Invite (2026)
91%
9/10
EDIT
“The Invite is a magnetic, acerbically funny, romantic nightmare in the vein of Edward Albee's Who's Afraid of Virginia Woolf?.” –
Screen Rant
Jan 27, 2026
Full Review
The Gallerist (2026)
54%
4/10
EDIT
“The Gallerist is a tepid satire. Even calling it such feels generous, as the film is almost entirely devoid of genuine humor.” –
Screen Rant
Jan 27, 2026
Full Review
Once Upon a Time in Harlem (2026)
100%
10/10
EDIT
“As much a testament to the tenacity of spirit of a bygone generation of Black leadership as it is to the power of a good cocktail party, The Greaves' family documentary is nothing if not an endorsement for archival preservation.” –
Screen Rant
Jan 27, 2026
Full Review
Take Me Home (2026)
5/10
EDIT
“The film's warmth and its heartbreak are reflections of her perspective alone. But its approach is so diffuse that its uncertain and purposefully ambiguous ending is misguided at best.” –
Screen Rant
Jan 27, 2026
Full Review
The Last First: Winter K2 (2026)
8/10
EDIT
“An unusual documentary in that its surface-level subject matter acts as a metaphor for a score of contemporary social ills, The Last First is a surprising doc of uncompromising tension.” –
Screen Rant
Jan 23, 2026
Full Review
Paralyzed by Hope: The Maria Bamford Story (2026)
8/10
EDIT
“An essential doc that reveals the origins of her singular voice with exceeding warmth and vulnerability.” –
Screen Rant
Jan 23, 2026
Full Review
The Incomer (2026)
7/10
EDIT
“A darling movie brought to life by a star-turning performance from Gayle Rankin, but there's not a ton under the hood. ” –
Screen Rant
Jan 23, 2026
Full Review
American Pachuco: The Legend of Luis Valdez (2026)
6/10
EDIT
“David Alvarado's loving and truly joyous portrait of Valdez is as big and as exciting as the man's theatrical output, but it is also frustratingly topographical and abrupt.” –
Screen Rant
Jan 23, 2026
Full Review
The History of Concrete (2026)
100%
9/10
EDIT
“The History of Concrete is, unsurprisingly, for the How To With John Wilson creator, blisteringly funny. More startling is that it is also one of the finer, more moving documentaries of recent memory.” –
Screen Rant
Jan 23, 2026
Full Review
Mother of Flies (2025)
96%
5/10
EDIT
“The film's creeping dread and emotional beats are strong, but it is also frustratingly repetitious and energetically stagnant.” –
Screen Rant
Jan 22, 2026
Full Review
H Is for Hawk (2025)
78%
4/10
EDIT
“H is for Hawk induces the same effect as taking a sedative.” –
Screen Rant
Jan 22, 2026
Full Review
Mercy (2026)
24%
4/10
EDIT
“There is a lot of exciting, tactile action and the 3D is satisfyingly justified, but its neoconservative outlook on these burgeoning sociopolitical questions is bland, absurd, and exceedingly silly.” –
Screen Rant
Jan 22, 2026
Full Review
A Useful Ghost (2025)
86%
8/10
EDIT
“Underneath its story of the sudden animation of household products is a layered critique of late-stage capitalism.” –
Screen Rant
Jan 16, 2026
Full Review
Deepfaking Sam Altman (2025)
91%
6/10
EDIT
“Lough's film is watchable and charming, though as protest, or even as simple critique, it's fairly thin.” –
Screen Rant
Jan 16, 2026
Full Review
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