Song Sung Blue (2025)
78%
4/5
EDIT
“Jackman and Hudson are a dream combo in a story that isn’t afraid to take us to dark and difficult junctures.
” –
Irish Independent
Jan 2, 2026
Full Review
Marty Supreme (2025)
93%
5/5
EDIT
“[Timothée Chalamet] is outstanding as the never-say-die anti-hero you’ll want to both cheer on and strangle, often in the space of a single scene.” –
Irish Independent
Jan 2, 2026
Full Review
David Bowie: The Final Act (2025)
70%
3/5
EDIT
“...Stiasny’s more conventional documentary sometimes struggles to keep its feet on the ground, neither comprehensive enough to be a rounded career retrospective, nor cleanly focused enough on that final journey towards Blackstar.” –
Sunday Independent (Ireland)
Dec 30, 2025
Full Review
Sentimental Value (2025)
97%
5/5
EDIT
“...[Stellan Skarsgård's] performance here as the incorrigible, impatient movie helmsman who struggles outside the ordered hierarchy of a film set, is a delicate and vulnerable turn that will remind the world why is truly one of the greats.” –
Irish Independent
Dec 30, 2025
Full Review
Goodbye June (2025)
65%
4/5
EDIT
“You’d need to be hard of heart to discard this star-studded hymn that salutes not only the malleability of family bonds but also the incredible staff on our hospital floors (take a bow, Fisayo Akinade, as June’s nurse).” –
Sunday Independent (Ireland)
Dec 16, 2025
Full Review
Silent Night, Deadly Night (2025)
77%
3/5
EDIT
“It mightn’t win awards, but it lands moments of daft mayhem, especially when writer-director Mike P. Nelson camps it up.” –
Sunday Independent (Ireland)
Dec 16, 2025
Full Review
Eleanor the Great (2025)
67%
3/5
EDIT
“A pretty decent way for Johansson to open her directorial account, all told.” –
Sunday Independent (Ireland)
Dec 12, 2025
Full Review
Ella McCay (2025)
22%
2/5
EDIT
“What begins as an old-school character study of a woman breaking through the patriarchy through hard work and gumption turns into a muddled, unfocused caper that seems to be constantly bailing out water. A big mess.” –
Sunday Independent (Ireland)
Dec 12, 2025
Full Review
It Was Just an Accident (2025)
97%
5/5
EDIT
“Any semblance of a bemusing road-trip drama about possible mistaken identity turns into an altogether darker commentary on state repression, torture and trauma. As only Panahi can do.” –
Sunday Independent (Ireland)
Dec 4, 2025
Full Review
Horseshoe (2025)
3.5/5
EDIT
“Some scenes do veer close to jumping the shark, but it makes great use of a committed cast and sweeping Sligo backdrops.” –
Sunday Independent (Ireland)
Dec 4, 2025
Full Review
Blue Moon (2025)
90%
4/5
EDIT
“Even for a filmmaker as prone to nostalgia as Linklater, Blue Moon luxuriates in a golden-age patina before showing us that it was still a realm of broken dreams, disillusionment and merciless market whims.” –
Sunday Independent (Ireland)
Dec 3, 2025
Full Review
Zootopia 2 (2025)
91%
4/5
EDIT
“Whip-smart, cannily tooled, and littered with winks at Hollywood classics (everything from Ratatouille to The Shining), this humdinger from Jared Bush and Byron Howard is a big fat win for the Mouse House.” –
Sunday Independent (Ireland)
Dec 3, 2025
Full Review
The Thing with Feathers (2025)
46%
4/5
EDIT
“Porter’s book never exactly screamed “film crossover”, and credit must go to debutante Dylan Southern for keeping the scratchy, non-linear warps and wefts of the source text.” –
Sunday Independent (Ireland)
Nov 19, 2025
Full Review
Park Avenue (2025)
3/5
EDIT
“Shaw is a treat as the elegant, bohemian matriarch smuggling vulnerability beneath the devil-may-care flourishes.” –
Sunday Independent (Ireland)
Nov 14, 2025
Full Review
Nuremberg (2025)
72%
4/5
EDIT
“Malek, Shannon, and co-star Richard E. Grant do great work, but Crowe is the main event.” –
Sunday Independent (Ireland)
Nov 14, 2025
Full Review
Anemone (2025)
53%
3/5
EDIT
“There’s definitely talent at work in Anemone, but it needed an editor with the courage to shoot down the film’s more gauche, heavy-handed inclinations.” –
Sunday Independent (Ireland)
Nov 6, 2025
Full Review
Predator: Badlands (2025)
86%
4/5
EDIT
“Trachtenberg drops the brand baggage and finds light and colour amid the cosmic carnage.” –
Sunday Independent (Ireland)
Nov 6, 2025
Full Review
Palestine 36 (2025)
100%
3.5/5
EDIT
“No film could ever fully untangle this tragic geopolitical mess, but this is still a compelling snapshot of a chapter that nods towards the now. A momentous pathos is detectable, and an ensemble cast do good work.” –
Sunday Independent (Ireland)
Oct 31, 2025
Full Review
Bugonia (2025)
88%
3/5
EDIT
“It mightn’t “go” anywhere or conclude with a firm full stop, but along the way Lanthimos is able to make us think the loony colours he works with are perfectly apt for our loony society.” –
Sunday Independent (Ireland)
Oct 31, 2025
Full Review
The Mastermind (2025)
90%
4/5
EDIT
“Reichardt’s portrait of a suburban no-hoper haplessly trying to game the system has a pleasing tragi-comic waft about it, even if Mooney ultimately cuts a rather pathetic dash.” –
Sunday Independent (Ireland)
Oct 23, 2025
Full Review
The Spin (2025)
3.5/5
EDIT
“Like a soft-centred meeting point of High Fidelity and Hardy Bucks, it gradually manages to disarm you enough that even its close calls with stage-Irish tropes can be forgiven.” –
Sunday Independent (Ireland)
Oct 23, 2025
Full Review
Souleymane's Story (2024)
100%
4/5
EDIT
“Sangare wears on his face the woes of an entire European demographic that is far too often reduced to a headline, a statistic or a policy document.” –
Sunday Independent (Ireland)
Oct 17, 2025
Full Review
After the Hunt (2025)
37%
4/5
EDIT
“...nothing is simple in writer Nora Garrett’s riveting, elegant and difficult psychological thriller that resists boiling a serious theme down to neat binaries.” –
Sunday Independent (Ireland)
Oct 16, 2025
Full Review
I Swear (2025)
100%
4/5
EDIT
“Sweet, salty and substantial, this charming little jewel might reaffirm your faith in cinema as the realm of beautifully told life stories that get the balance just right. ” –
Irish Independent
Oct 9, 2025
Full Review
A HOUSE OF DYNAMITE (2025)
75%
4/5
EDIT
“Bigelow has our full and undivided attention right from the get-go. Noah Oppenheim’s script gives us a “what-if” triptych, looking at the nuclear brink from three different and fiercely contemporary angles.” –
Sunday Independent (Ireland)
Oct 8, 2025
Full Review
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