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Critics list

Jason Bechervaise

Jason Bechervaise's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Publications:

Reviews

Movies TV Shows
Train to Busan Presents: Peninsula (2020) 55% EDIT “Riveting from start to finish, this enthralling feature could be the one to reainmate markets in Asia.” – Screen International Jul 13, 2020 Full Review An Old Lady (2019) 100% EDIT “[A] refreshing, mysterious and engrossing feature...” – Screen International Oct 7, 2019 Full Review The Education (2019) EDIT “Tonally the film is an odd mix, with subtle humour inserted into the narrative at various points, but the film's overall bleak tone undermines any attempt to lighten the film's mood.” – Screen International Oct 7, 2019 Full Review The Gangster, the Cop, the Devil (2019) 97% EDIT “What it lacks in substance is compensated for by Lee's entertaining performance, more than a little reminiscent of his macho roles in the enormously successful Train to Busan and The Outlaws.” – Screen International May 15, 2019 Full Review Sub Zero (2005) EDIT “The film is confusing in parts, with some rather convoluted storytelling; not least in relation to Young-ha's mother and step-father. But its message is clear and profound, and this is what resonates.” – Screen International Oct 8, 2018 Full Review Young-ju (2018) 100% EDIT “The film and its themes leave a lasting impression, largely down to Kim Hyang-gi's gripping performance.” – Screen International Oct 7, 2018 Full Review A Boy and Sungreen (2018) 100% EDIT “The film's leading characters are well-developed with tangible chemistry among the leads and supporting roles that infuse the narrative with affection, humour, and energy.” – Screen International Oct 7, 2018 Full Review Our Body (2018) 100% EDIT “Han's approach to the topic, in which she gives her leading character (played by the superb Moon Choi) more autonomy to make her own choices and shun social norms, makes Our Body stand out as one of the year's most notable Korean independent features.” – Screen International Oct 4, 2018 Full Review Along With the Gods: The Last 49 Days (2018) 44% EDIT “Ambitious in both scope and scale, and utilises a cluttered but enjoyable narrative to accommodate the film's numerous characters and plotlines.” – Screen International Aug 6, 2018 Full Review Illang: The Wolf Brigade (2018) 20% EDIT “A film which is both over-plotted and melodramatic.” – Screen International Jul 28, 2018 Full Review Believer (2018) 83% EDIT “Despite the congested narrative, there is much to keep audiences entertained including the compelling performances by the entire cast.” – Screen International May 29, 2018 Full Review The Scythian Lamb (2017) EDIT “Bonkers - but all the better for it.” – Screen International Oct 16, 2017 Full Review A Taxi Driver (2017) 97% EDIT “Strong production values help underline the brutality inflicted on the people of Gwangju, yet Eom Yu-na's script also infuses the film with touches of humour.” – Screen International Aug 1, 2017 Full Review The Battleship Island (2017) 67% EDIT “While there's no doubting its huge ambitions, The Battleship Island turns out to be a disappointing misfire.” – Screen International Jul 28, 2017 Full Review The Merciless (2017) 73% EDIT “An accomplished and well-structured South Korean noir thriller about the friendship between two prisoners which boasts an abundance of terrific cinematography and exquisite mise-en-scène to more than satisfy fans of the genre.” – Screen International May 25, 2017 Full Review Claire's Camera (2017) 88% EDIT “It ultimately feels dashed and somewhat shallow.” – Screen International May 22, 2017 Full Review On the Beach at Night Alone (2017) 92% EDIT “The striking similarities between this film - about an actress who has an affair with a married film director - and the intense local speculation surrounding Hong's own private life distinguishes it from the renowned auteur's other work.” – Screen International Feb 16, 2017 Full Review Long Way North (2015) 98% EDIT “While it doesn't sail into new territory, Long Way North is told in an enchanting manner with equal focus on the animation as well as strong character development.” – Screen International Sep 27, 2016 Full Review Cheol-won-gi-haeng (End of Winter) (2015) EDIT “Kim Bo-ram's cinematography plays an instrumental part in differentiating the feature from the conventional melodrama as they exploit the picturesque snow-filled landscape to help give the film a more contemplative tone.” – Screen International Aug 15, 2016 Full Review The Wailing (2016) 99% EDIT “Its sheer intensity and ambiguous narrative might put off some viewers, but this latest film could well be regarded as one of the best films to emerge from Korea in recent years.” – Screen International May 31, 2016 Full Review The Handmaiden (2016) 96% EDIT “The whole cast delivers mesmerizing performances. Kim Min-hee is on the best form of her career following her role in Hong Sang-soo's Right Now, Wrong Then.” – Korea Times May 26, 2016 Full Review Train to Busan (2016) 95% EDIT “An entertaining ride, as well as providing political commentary when it overtly references the Korean government's response to the MERS virus alongside commenting on the country's class system.” – Screen International May 15, 2016 Full Review A Hard Day (2014) 82% EDIT “Refreshing and ultimately a great deal of fun.” – Screen International Jul 15, 2015 Full Review Snowpiercer (2013) 94% EDIT “An enthralling ride that never runs out of momentum as it cleverly examines the issue of social class in a thoroughly engaging, yet complex manner.” – Screen International Jul 23, 2013 Full Review
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