It Was Just an Accident (2025)
97%
9/10
EDIT
“The rawness of the accounts coexists with the subtle humor, [Jafar Panahi's] trademark, which allows us to breathe amidst the drama and suggests that, even in the darkness, there is room for words, for listening, and for doubt. [Full review in Spanish]” –
EscribiendoCine
May 27, 2025
Full Review
Two Prosecutors (2025)
95%
8/10
EDIT
“[Sergei Loznitsa] immerses us into the past to unearth clues from the present. And he reminds us that, in many Russian stories, the outcome always seems to be written with an echo of gunshots. [Full review in Spanish]” –
EscribiendoCine
May 20, 2025
Full Review
Case 137 (2025)
92%
7/10
EDIT
“Dossier 137 doesn't dwell on the case, but instead offers a meticulous immersion in the mechanisms of power and silence within the security forces.[Full review in Spanish]” –
EscribiendoCine
May 19, 2025
Full Review
The Little Sister (2025)
83%
8/10
EDIT
“What prevails is not an explicit drama, but rather a restrained drive that Herzi manages with remarkable maturity. [Full review in Spanish]” –
EscribiendoCine
May 19, 2025
Full Review
Leave One Day (2025)
57%
7/10
EDIT
“...the balance between comedy and intimate drama, as well as the emotional construction of its characters, offers a universally resonant experience. [Full review in Spanish]” –
EscribiendoCine
May 15, 2025
Full Review
Meeting with Pol Pot (2024)
89%
8/10
EDIT
“This fiction speaks strongly about the tyranny and crimes that have been committed in trying to build a new world and a new man. [Full review in Spanish]” –
EscribiendoCine
May 28, 2024
Full Review
All We Imagine as Light (2024)
100%
9/10
EDIT
“The director likes to remind us that salvation can be female. [Full review in Spanish]” –
EscribiendoCine
May 28, 2024
Full Review
Souleymane's Story (2024)
100%
7/10
EDIT
“The Story of Souleymane isn't manipulative or lachrymose, but rather, it expresses the struggle of a worthy and brave man... [Full review in Spanish]” –
EscribiendoCine
May 28, 2024
Full Review
Lula (2024)
64%
7/10
EDIT
“With detailed and varied documentation, Oliver Stone shows us with certainty and lucidity the numerous dangers that threaten, as in the past, Latin American democracies. [Full review in Spanish]” –
EscribiendoCine
May 28, 2024
Full Review
Parthenope (2024)
47%
5/10
EDIT
“The disenchantment is rooted in the perception of the superficial and the predictable; the shiny characters' facade and the constancy of the sea contrast with the lack of emotional depth and authenticity in the plot. [Full review in Spanish]” –
EscribiendoCine
May 22, 2024
Full Review
Marcello Mio (2024)
50%
EDIT
“In the end, that impossible journey gives rise to an impossible film.” –
EscribiendoCine
May 22, 2024
Full Review
The Apprentice (2024)
82%
6/10
EDIT
“The strength of Ali Abbasi's film is that it shows, however ridiculous, that Trump is a caricature of himself. Or worse yet, a doll, a puppet whose strings have been cut... [Full review in Spanish]” –
EscribiendoCine
May 22, 2024
Full Review
The Belle from Gaza (2024)
60%
8/10
EDIT
“It is not miserable, it is not militant, it is human: The Belle from Gaza is cinema that is very well understood. [Full review in Spanish]” –
EscribiendoCine
May 22, 2024
Full Review
Oh Canada (2024)
66%
6/10
EDIT
“The constant coming and going between the universes of youth and old age lends dramatic intensity to the script and often echoes like nostalgic music. [Full review in Spanish]” –
EscribiendoCine
May 22, 2024
Full Review
Emilia Pérez (2024)
71%
8/10
EDIT
“... The central theme is not the world of drug traffickers. On the contrary, in Emilia Pérez we run towards the roots of evil, to a world where the confrontation between toxic men and women is threatening and profound. [Full review in Spanish] ” –
EscribiendoCine
May 20, 2024
Full Review
Kinds of Kindness (2024)
71%
6/10
EDIT
“Although the film is very well shot, it delves into the darkest part of human societies, without offering hope or a ray of light. [Full review in Spanish]” –
EscribiendoCine
May 20, 2024
Full Review
The Substance (2024)
89%
EDIT
“This is a must-see movie for gore enthusiasts. For the rest, don't look for feminist themes. They are few. [Full review in Spanish]” –
EscribiendoCine
May 20, 2024
Full Review
Megalopolis (2024)
46%
4/10
EDIT
“Megalopolis is perceived as a megalomaniacal, pretentious, and bombastic essay. [Full review in Spanish]” –
EscribiendoCine
May 20, 2024
Full Review
The Second Act (2024)
74%
7/10
EDIT
“... A very peculiar movie. [Full review in Spanish]” –
EscribiendoCine
May 20, 2024
Full Review
The Girl With the Needle (2024)
92%
5/10
EDIT
“Magnus von Horn presents a dilemma between life and death in a trite and unconvincing manner, failing to maintain coherence and emotional impact throughout the story. [Full review in Spanish]” –
EscribiendoCine
May 17, 2024
Full Review
Benedetta (2021)
84%
7/10
EDIT
“With a classic style that's almost baroque, Paul Verhoeven delivers a delirious journey that's a little wild and exaggerated. [Full review in Spanish]” –
EscribiendoCine
Aug 7, 2023
Full Review
The Zone of Interest (2023)
93%
8/10
EDIT
“Glazer captures the essence and intensity of the book with his visual approach and cinematic technique. [Full review in Spanish]” –
EscribiendoCine
May 31, 2023
Full Review
Anatomy of a Fall (2023)
96%
8/10
EDIT
“A film that defies expectations and immerses itself in the complexities of truth and uncertainty. [Full review in Spanish]” –
EscribiendoCine
May 31, 2023
Full Review
Kidnapped: The Abduction of Edgardo Mortara (2023)
86%
8/10
EDIT
“Kidnapped is a movie based on historical events to reflect upon contemporary themes. [Full review in Spanish]” –
EscribiendoCine
May 24, 2023
Full Review
Fallen Leaves (2023)
97%
8/10
EDIT
“Kaurismäki captures his characters' desolation and loneliness with unique sensitivity while resorting to humor to offer a hopeful perspective. [Full review in Spanish]” –
EscribiendoCine
May 24, 2023
Full Review
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