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Joni Blyth

Joni Blyth's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Publications:

Reviews

Movies TV Shows
Wolfwalkers (2020) 99% 4/5 EDIT “A fairly straightforward story, taken into the stratosphere by the telling. Wolfwalkers is a late morning flicking through the most delightful picture book, with an orchestra in your living room creating a matching soundscape just for you.” – One Room With A View Oct 15, 2020 Full Review Bloody Nose, Empty Pockets (2020) 93% 2/5 EDIT “Those familiar with closing time might find that Bloody Nose, Empty Pockets brings back memories of wild nights; for others, it's just another reminder that nothing worthwhile happens after 2am.” – One Room With A View Oct 12, 2020 Full Review Kajillionaire (2020) 90% 4/5 EDIT “Gina Rodriguez is oh so charming as the bubbly and empathic Melanie. Her appearance gives Kajillionaire the shot in the arm it needs to really get going.” – One Room With A View Oct 9, 2020 Full Review Corporate Animals (2019) 25% 3/5 EDIT “Corporate Animals struggles under the weight of so many hats, but ultimately emerges as a cracking black comedy.” – One Room With A View Jun 7, 2019 Full Review After the Wedding (2019) 45% 4/5 EDIT “Without the gender flip, After the Wedding couldn't really justify its own existence.” – One Room With A View Jun 6, 2019 Full Review The Farewell (2019) 97% 5/5 EDIT “Deftly balancing heart and humour, The Farewell is a success on all counts.” – One Room With A View Jun 6, 2019 Full Review The Hustle (2019) 13% 2/5 EDIT “The Hustle switches tack, but it doesn't update antiquated ideas, and misses the mark because of it.” – One Room With A View May 13, 2019 Full Review Extremely Wicked, Shockingly Evil and Vile (2019) 54% 1/5 EDIT “Is it compelling? Yes. Insightful? No. Respectful? Absolutely not.” – One Room With A View May 9, 2019 Full Review Gods of Egypt (2016) 15% 1/5 EDIT “While early action sequences show some flair, sadly the film's third act descends into the repetitive meaningless mass destruction we expect from modern blockbusters.” – One Room With A View Mar 30, 2019 Full Review Central Intelligence (2016) 71% 3/5 EDIT “While the only award it will win this year is best tagline, Central Intelligence proves that a little Hart and a big Johnson makes a lot of fun.” – One Room With A View Mar 29, 2019 Full Review Suicide Squad (2016) 26% 2/5 EDIT “Ultimately, a weak villain and flimsy stakes hinder the best efforts of a talented cast, who sadly can't save the film from itself.” – One Room With A View Mar 29, 2019 Full Review 1/5 EDIT “It must be said that the filmmaking of Chameleon is technically faultless, and the actors sell the material they are working with admirably (bad drunk acting aside). Unfortunately a bizarre and upsetting plot...is anything but coherent.” – One Room With A View Mar 15, 2019 Full Review Goldstone (2016) 76% 2/5 EDIT “A cracking finale picks up the momentum, but Goldstone ultimately adds up to less than the sum of its parts.” – One Room With A View Mar 15, 2019 Full Review Layla M. (2016) 100% 4/5 EDIT “Layla M. is as topical as it is heartbreaking. This atypical coming-of-age story is a fantastic debut for Nora El Koussour.” – One Room With A View Mar 15, 2019 Full Review Storks (2016) 65% 3/5 EDIT “It gets the laughs in thanks to a delightfully weird streak - all wrapped up in a pleasantly banal animated style.” – One Room With A View Mar 15, 2019 Full Review Don't Think Twice (2016) 98% 4/5 EDIT “While Don't Think Twice might not be as hilarious as you'd expect from this cast, it's great to see them flex their muscles with more dramatic material.” – One Room With A View Mar 15, 2019 Full Review '76 (2016) 2/5 EDIT “Despite an intriguing historical setup, '76 struggles to tell a cohesive political story, and loses its thread as the personal subplots overshadow the events of the coup.” – One Room With A View Mar 15, 2019 Full Review Women Who Kill (2016) 93% 4/5 EDIT “A killer cast and smashing first-time directing from Ingird Jungermann elevates Women Who Kill beyond hipster overkill and towards something much more interesting. This macabre horror-comedy will follow you all the way home.” – One Room With A View Mar 14, 2019 Full Review Nocturama (2016) 82% 3/5 EDIT “Ultimately the film fails to leave any lasting impression beyond the controversy of its premise.” – One Room With A View Mar 14, 2019 Full Review A Date for Mad Mary (2016) 94% 4/5 EDIT “A moody score brings the film's sombre tone together - not that this film isn't hilarious when it wants to be. A Date for Mad Mary is a great showcase for some of the best talent coming out of the Emerald Isle.” – One Room With A View Mar 13, 2019 Full Review Chasing Asylum (2016) 92% 4/5 EDIT “Shocking and challenging, Chasing Asylum is not an easy watch - nor should it be. Hopefully this film will get the wide release it deserves, and prove a catalyst for change to a shameful system.” – One Room With A View Mar 13, 2019 Full Review Mimosas (2016) 83% 2/5 EDIT “Like the mountains the caravan travels through, Mimosas is lofty, grand, and tremendously inaccessible; the film deserves credit for how resolutely it commits to being a challenging watch.” – One Room With A View Mar 13, 2019 Full Review Down Under (2016) 65% 5/5 EDIT “With a gut-punch ending that is sure to leave an impression, and a flurry of belly-laugh moments along the way, this movie is a must-see.” – One Room With A View Mar 13, 2019 Full Review A Plastic Ocean (2016) 4/5 EDIT “A Plastic Ocean grabs your attention immediately, with what might be one of the greatest horror reveals in cinema...by the time the credits are rolling you'll be raring to run out and change the world.” – One Room With A View Mar 13, 2019 Full Review Incarnation (2016) 3/5 EDIT “Although rough around the edges, Incarnation makes full use of a limited budget and plays to its strengths, managing to feel both inventive and distinctive, even in a crowded subgenre.” – One Room With A View Mar 13, 2019 Full Review
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