Ramón y Ramón (2024)
EDIT
“...Ramón y Ramón is an intimate, restrained, moving, and deliberately minor film, but one that thrives on the significant contextual elements...which give the narrative greater scope, depth, and national reach. [Full review in Spanish]” –
Cinencuentro
Sep 11, 2025
Full Review
Zafari (2024)
EDIT
“It's not a successful work, so perhaps it's best to get rid of Zafari. [Full review in Spanish]” –
Cinencuentro
Aug 28, 2025
Full Review
Three Friends (2024)
90%
EDIT
“This is a delightful and charming film, indebted to the freshest and most creative works of the 1960s French New Wave, with a clear influence from Éric Rohmer. [Full review in Spanish]” –
Cinencuentro
Jun 24, 2025
Full Review
Sirāt (2025)
92%
EDIT
“Bold, provocative, and complex, produced with impressive restraint, Sirat is one of the best recent films. [Full review in Spanish]” –
Cinencuentro
Jun 24, 2025
Full Review
The Most Precious of Cargoes (2024)
77%
EDIT
“...The Most Precious of Cargoes is a remarkable film, beautifully constructed and deeply moving. [Full review in Spanish]” –
Cinencuentro
May 20, 2025
Full Review
Consent (2023)
EDIT
“...a great film, tough and intense, but also challenging, on transcendental issues surrounding a complex topic that is undeniably relevant today...[Full review in Spanish]” –
Cinencuentro
May 14, 2025
Full Review
Babygirl (2024)
76%
EDIT
“With an intelligent script and outstanding performances, [Babygirl] raises complex questions about the role of women in both professional and personal life, without offering easy answers. [Full review in Spanish]” –
Cinencuentro
Mar 17, 2025
Full Review
The Only Girl in the Orchestra (2023)
EDIT
“...The Only Girl in the Orchestra is a short but substantial documentary that shows the richness of a life dedicated to the art of music and illustrates the autonomy of women. It is well worth seeing. [Full review in Spanish]” –
Cinencuentro
Mar 10, 2025
Full Review
The Brutalist (2024)
93%
EDIT
“...The Brutalist is really a great film, epic and painful in many ways. [Full review in Spanish]” –
Cinencuentro
Mar 6, 2025
Full Review
The Seed of the Sacred Fig (2024)
97%
EDIT
“The Seed of the Sacred Fig is not only an excellent thriller full of suspense, but also a masterpiece from the point of view of its audiovisual narrative (script and dramatic structure).... [Full review in Spanish]” –
Cinencuentro
Mar 4, 2025
Full Review
The Girl With the Needle (2024)
92%
EDIT
“The Girl with the Needle is an absolutely strong film yet artistically powerful, relevant, and the horror it shows is not a gratuitous indulgence...[Full review in Spanish]” –
Cinencuentro
Mar 4, 2025
Full Review
Conclave (2024)
93%
EDIT
“Conclave is a powerful thriller that, in addition to maintaining dramatic tension, offers significant contributions to reflection on faith, religion and power within...the Catholic Church...[Full review in Spanish]” –
Cinencuentro
Feb 5, 2025
Full Review
Juror #2 (2024)
93%
EDIT
“Eastwood demonstrates not only the validity of his artistic and professional talents, but also his ability to explore complex themes through a refined classical style and great economy of means. [Full review in Spanish]” –
Cinencuentro
Jan 3, 2025
Full Review
The Room Next Door (2024)
80%
EDIT
“...The Room Next Door is a lesser film, correct, sustained by the remarkable performances of its two protagonists, but which lacks the emotional and visual impact that Pedro Almodóvar has achieved in the past (even recently). [Full review in Spanish]” –
Cinencuentro
Jan 3, 2025
Full Review
Afternoons of Solitude (2024)
88%
EDIT
“An extraordinary film in every sense. [Full review in Spanish]” –
Cinencuentro
Dec 11, 2024
Full Review
The Other Way Around (2024)
91%
EDIT
“Although pleasant, The Other Way Around is monothematic, anecdotal, and self-referential... [Full review in Spanish]” –
Cinencuentro
Dec 11, 2024
Full Review
The Kingdom (2024)
100%
EDIT
“Following the guidelines of a thriller, the plot builds suspense and integrates chases and crimes without falling into the typical spectacular displays of commercial movies. [Full review in Spanish]” –
Cinencuentro
Nov 15, 2024
Full Review
When The Light Breaks (2024)
97%
EDIT
“... A beautiful and precise film in its development and a relevant aesthetic experience. [Full review in Spanish]” –
Cinencuentro
Nov 15, 2024
Full Review
Girls Will Be Girls (2024)
100%
EDIT
“With a delicate and contained approach, the film explores the strict patriarchal structures in Indian society that govern the lives of teenage schoolgirls. [Full review in Spanish]” –
Cinencuentro
Nov 15, 2024
Full Review
The Practice (2023)
100%
EDIT
“I highlight the notable effort of the actors in making Rejtman's premise viable, a very personal exercise in describing the descriptive audiovisually. A reiteration of reality. [Full review in Spanish]” –
Cinencuentro
Oct 22, 2024
Full Review
The Substance (2024)
89%
EDIT
“Moore maintains the credibility of her performance as if she were in a conventional drama, providing a key dose of realism in a fantastical and shocking context. [Full review in Spanish]” –
Cinencuentro
Oct 15, 2024
Full Review
Queens (Reinas) (2024)
85%
EDIT
“... A traditional film that takes place in a middle-class family in Lima and that could be classified as a light comedy-drama, of relatively medium emotional intensity and based on a simple but effective script. [Full review in Spanish]” –
Cinencuentro
Aug 19, 2024
Full Review
Through Rocks and Clouds (2024)
40%
EDIT
“Because of these structural weaknesses, the movie is unable to take flight. [Full review in Spanish]” –
Cinencuentro
Aug 16, 2024
Full Review
Godzilla Minus One (2023)
99%
EDIT
“Good movie, highly enjoyable. [Full review in Spanish]” –
Cinencuentro
Jun 18, 2024
Full Review
The Zone of Interest (2023)
93%
EDIT
“The Zone of Interest follows a mostly realistic aesthetic, with a very clear linear narrative. Still, it's slightly experimental and subtly stylized.” –
Cinencuentro
Mar 4, 2024
Full Review
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