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Maxance Vincent

Tomatometer-approved critic
Biography:

Maxance Vincent is a freelance film and TV Critic based in Montreal, Canada. A recent graduate in Journalism at the Université de Montréal, Maxance developed a fond affinity for genre cinema and specialized in his writing on the subject. You can find his work through many publications, including InSession Film, FilmSpeak, Awards Radar, and Loud & Clear Reviews, among others.

Reviews

Movies TV Shows
The Wrecking Crew (2026) 78% 3.5/5 EDIT “It’s great that Soto knows how to keep the camera alive and exciting during high-energy, violent set pieces. This gives The Wrecking Crew an edge that few streaming films of the era sadly do.” – The Cosmic Circus Jan 26, 2026 Full Review Send Help (2026) 94% 4/5 EDIT “There are so many singular images in Raimi’s latest that seem to perfect what we’ve come to know and love from the filmmaker without feeling like he’s outright copying himself—or anyone else, for that matter.” – The Cosmic Circus Jan 26, 2026 Full Review Yunan (2025) 4/5 EDIT “The jury is still out on Ameer Fakher Eldin’s filmmaking skills, but his worldview is cogent enough to make him a promising voice in humanist cinema.” – Movies We Texted About Jan 22, 2026 Full Review The Stranger (2025) 88% A- EDIT “Not only does Ozon do the work justice with his adaptation of Camus' The Stranger, but he may even surpass it by cogently interpreting what was initially written as the smaller part of a big sociopolitical problem.” – InSession Film Jan 21, 2026 Full Review A Useful Ghost (2025) 86% C EDIT “When the effect of being bemused by what’s on screen wears off, you’re left with the odd sense that this project feels incomplete.” – InSession Film Jan 21, 2026 Full Review Magellan (2025) 85% 3.5/4 EDIT “The horrors brought upon by Magellan’s greedy conquest, in Diaz’s film, are vivid and cogently expressed.” – Awards Radar Jan 19, 2026 Full Review All You Need Is Kill (2025) 83% 3/5 EDIT “If there’s one thing All You Need Is Kill makes the case for, it’s that critics of the timeloop genre may be the most vindicated people in the world right now.” – The Cosmic Circus Jan 17, 2026 Full Review The Rip (2026) 80% 3.5/5 EDIT “Affleck and Damon’s chemistry is enough for the Netflix film to be an easygoing Saturday night viewing with a few small beers.” – The Cinema Spot Jan 17, 2026 Full Review The Chronology of Water (2025) 90% 2/5 EDIT “While I found The Chronology of Water to be an ambitiously daring feature debut from one of our best actresses working today, what lurks beneath its exterior isn’t as compelling as its filmmaker might have hoped.” – The Cinema Spot Jan 16, 2026 Full Review Dead Man's Wire (2025) 91% 3/5 EDIT “Dead Man’s Wire may be considered as one of Van Sant’s most forgettable efforts, but unlike The Sea of Trees (his worst film), it’s not for a lack of trying.” – The Cinema Spot Jan 16, 2026 Full Review People We Meet on Vacation (2026) 75% 1/4 EDIT “It’s a film destined to be watched while doing other things than being rewarded for the time you’re spending in front of it.” – Awards Radar Jan 16, 2026 Full Review A Poet (2025) 100% 4.5/5 EDIT “At the start of the year, Simón Mesa Soto’s A Poet already positions itself as an unforgettable film, one that is both morbidly funny and profoundly human. ” – Loud and Clear Reviews Jan 13, 2026 Full Review The Little Sister (2025) 83% 4/5 EDIT “[Nadia Melliti] is a total revelation. She will break your heart into a million pieces by the time you reach the film’s final scene.” – Movies We Texted About Jan 12, 2026 Full Review Primate (2025) 79% 3.5/5 EDIT “Roberts and co-screenwriter Ernest Riera seem aware that cinema, as mere pure entertainment, sometimes needs to stay within primal filmmaking methods to remind audiences what fun can feel like on the big screen.” – Movies We Texted About Jan 11, 2026 Full Review Young Mothers (2025) 95% A- EDIT “Every emotion feels so natural and in tune with the harsh reality of the women’s lives that we can’t help but feel immense compassion for the stories they share. ” – InSession Film Jan 7, 2026 Full Review Dog 51 (2025) 2.5/5 EDIT “One leaves Dog 51 with the crushing disappointment that it could’ve been something much greater than what Jimenez ultimately puts on screen.” – Loud and Clear Reviews Jan 6, 2026 Full Review Young Woman and the Sea (2024) 88% 4/5 EDIT “It’s not hard to love Young Woman and the Sea. Handsomely crafted and beautifully presented, the movie seems to be the only Disney production made this year with soul and humanism behind and in front of the camera.” – Movies We Texted About Jan 6, 2026 Full Review Daaaaaali! (2023) 95% 5/5 EDIT “If I had a camera and the resources Dupieux has, I’d do the exact same [film] and wouldn’t feel remorseful about it, either. ” – Movies We Texted About Jan 6, 2026 Full Review The Ministry of Ungentlemanly Warfare (2024) 68% 4.5/5 EDIT “The film is a perfect showcase to justify hiring Ritchie to helm the next title in the James Bond franchise.” – Movies We Texted About Jan 6, 2026 Full Review Evil Does Not Exist (2023) 91% 3.5/5 EDIT “The visual look, in particular, sees Hamaguchi at his most evocative, with images and transitions directly recalling Jacques Perconte’s Bois Des Montifaut, Forêt Des Bertranges.” – Movies We Texted About Jan 6, 2026 Full Review La Chimera (2023) 95% 3/5 EDIT “Rorhwacher is a gifted visual artist, as evident in La Chimera’s poetic, almost ethereal approach to visual storytelling.” – Movies We Texted About Jan 6, 2026 Full Review Road House (2024) 59% 2/5 EDIT “[The film] has zero big-screen appeal, beyond the charisma of Gyllenhaal. He does a fine job here, but what’s the point of trying when everything else barely works? ” – Movies We Texted About Jan 6, 2026 Full Review One-Percent Warrior (2023) 85% 2.5/5 EDIT “One-Percent Warrior will not be remembered as a great example of modern J-action cinema.” – Movies We Texted About Jan 6, 2026 Full Review One More Shot (2024) 63% 4/5 EDIT “[Nunn elevates] every aspect of the first film’s action, never letting up on the momentum built by its first setpiece and constantly putting Harris in trickier and scarier situations than the last. ” – Movies We Texted About Jan 6, 2026 Full Review Cobweb (2023) 76% 4/5 EDIT “Cobweb showcases the real horrors of filmmaking. However, Jee-woon ultimately does it in a timelier – and funnier – fashion, through the lens of contemporary filmmaking with techniques better utilized today than in [Damien Chazelle's Babylon].” – Movies We Texted About Jan 6, 2026 Full Review
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